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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 169–174.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 Miriam Hansen 169 It was indeed Valentino who first made me think about female spec- tatorship in a more systematic way. More precisely, it was watching The Eagle and Blood and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... billion images in the past four years alone. The writings of media theorist Mark Hansen offer a provocative starting point to explore how a desire for racial neutrality can lead to the unintentional repression of important forms of cultural difference. Two models of ethics, grounded in the writings of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 165–173.
Published: 01 December 1986
...Enno Patalas; Miriam Hansen © 1986 by Camera Obscura 1986 Metropolis, Scene 103 Enno Patalas You may remember: “Within easy reach of the city’s guiding hand stood a strange house.” “The man who lived there-Rotwang-had worked thirty years to bring true the great dream of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 50–72.
Published: 01 January 1990
...Miriam Hansen Copyright © 1990 by The Johns Hopkins University Press 1990 Adventures of Goldilocks: Spectatorship, Consumerism and Public Life Miriam Hansen In the weeks following Valentino’s death in August 1926, millions of American women went to see The Son of the Sheik, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 327–331.
Published: 01 December 1989
... Modleski would allow. It may be that the “structural instability of the female spectator position in mainstream cinema,” as Miriam Hansen puts it in her work on Rudolph Valentino (1986, 9), can be read in a more “optimistic” light than is implied by Mulvey’s or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 111–115.
Published: 01 December 1989
... film, Tania Modleski’s work on soap opera and on mass culture, Miriam Hansen’s analyses of early silent cinema and her essay on Valentino’s films, Patrice Petro’s study of female spectatorship in Wei- mar Germany and Heide Schliipmann’s readings of pre-war German mass cultural criticism. To...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 167–168.
Published: 01 January 1990
... appeared in The Spectator, Camera Obscura, The Canadian ]ournal of Political and Social Theory, and The Journal of Popular Culture. In association with Satori Productions, she is currently completing a documentary on Canadian women’s abortion expe- riences. Miriam Hansen is Professor of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 4–7.
Published: 01 January 1990
.... Three articles, by Miriam Hansen, Heide Schlupmann and Ben Singer, deal with films addressed to women in the period between 1906 and the end of the teens. Responding to arguments that the classical cinema privileges a male spectator in the organization of vision and narrative, these essays...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 78–116.
Published: 01 January 1988
..., Katrin Hansen, on the CBS network program Mama. She told the audience about her memories of her girlhood, her family's house on Steiner Street, and her experiences there with her big brother Nels, her little sister Dagmar, her Papa, and her Mama-"most of all," she said, "when I remember that San...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 57–89.
Published: 01 December 2005
... Cinema.” While the term classical cinema tends to be reserved for Naruse Mikio’s Silent Films  •  59 Hollywood in most film-studies discourse, Miriam Hansen has recently proposed a slightly different understanding of the term that may help to identify the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 115–118.
Published: 01 December 1989
... mobility and dispersion seem to have been re- stored to current discussions of female spectatorship. Miriam Hansen, for example, contends that “the difference of female spectatorship involves more than the opposition of activity and passivity, that it had to be con- ceptualized in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 174–175.
Published: 01 December 1986
... Movies on Your Mind, a psychoanalytic study of popular film. Miriam Hansen teaches film and literature in the English Department at Rut- gers University and is an editor of New German Critique. Currently she is com- pleting a book on spectatorship and sexual difference in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
... Zhang Zhen and Miriam Hansen.7 The the- ory of vernacular modernism enables a recognition of the positive influences of Hollywood on the representation of women in the developing world as these influences were translated into “locally and culturally specific aesthetics.”8 Vernacular modernism can...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 179–183.
Published: 01 December 1989
... textual terms, as Miriam Hansen does in her prize-winning study of Rudolph Valentino (1986),the result is long on psychoanalysis and short on history. Unlike most film critics, Hansen does cite a few historical works but she deals briefly and in generalities with the status...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 1–7.
Published: 01 December 2001
... salient field for con- temporary film feminism. To be sure, feminist historians, among them Miriam Hansen and Gaylyn Studlar, have already engaged early stardom in productive ways, notably by directing their atten- tion to the construction of male star personae.2 The essays col- lected here demonstrate...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 217–219.
Published: 01 December 1989
... which Miriam Hansen (1986),Judith Mayne (1983) and others have initiated. But the problematic needs to be entertained as part of a wider schema which understands its intricate links to other instances of difference. The female spectator is not only female; she is also defined by her race...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 89–123.
Published: 01 September 2015
... addresses the potential of racially marked avatars to either reinforce or interrupt stereotypes. In particular, she takes on Mark B. N. Hansen’s optimistic argument that digital spaces can reveal “the contemporary bankruptcy of the image.”12 Through British artist Keith Piper’s exhibition Relocating...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
... following, extending from Oshkosh to Timbuc- too [sic] that surpasses with an overwhelming plurality, the vogue of any of Filmdom’s feature stars.”11 To that list I would add Irene Castle, Margeurite Courtot, Grace Darmond, Marie Dressler, Helen Gibson, Texas Guinan, Juanita Hansen, Alice Joyce, Annette...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... editors rejected my articles because they had become too “scholarly”; the journal considered itself to be politically militant during that time. On the history of Frauen und Film, see Hansen 1987b. 3. All the articles mentioned in this essay have been revised and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 59–63.
Published: 01 May 2006
... Monsters (Durham, NC: Duke University Press, 1995), 85. 13. Gloria Anzaldúa, Borderlands/La Frontera: The New Mestiza (San Francisco: Aunt Lute Books, 1999), 13. 14. Mark B. N. Hansen, New Philosophy for New Media (Cambridge, MA: MIT Press, 2004), 14. 15. Gayatri Spivak...