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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
... extradiegetic attention carried by the celebrity into the film. In the cases of Black Swan and Girlfriend Experience , the overpowering extratextual discourses of Natalie Portman's and Sasha Grey's celebrity do not just inform their film roles but are in fact necessary to their work within the films' diegeses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 186–193.
Published: 01 May 2007
... Crashes, Cinema, and the Politics of Speed and Stasis (forthcoming from Duke University Press). She is coeditor with Jean Ma of Still Moving: Between Cinema and Photography (forthcoming from Duke University Press) and is an editor of Grey Room . A R C H I V E F O R T H E F U T U R E The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 47–51.
Published: 01 May 2006
... best model for both ironic and sincere viewing is offered by The Gilmore Girls; the eponymous girls enjoy the Brady Bunch Variety Hour as much as they enjoy Grey Gardens. But it’s hard to imagine them giving the time of day to a reality show about a woman explaining why her self-confidence will...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... ’s Classroom, an environment designed as a classroom for natural and political sciences. A showcase displays a snake and looks down on a pile of rocks where we can see the photographs of several famous men. On the students’ desks, and painted in the same shade of grey...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 90–129.
Published: 01 January 1990
... the demand that was once filled by those blood curdling thrillers. . . Melodrama! Of course it’s melodrama.* By way of illustrating this frenzy of action, I would like to describe in some detail the second episode of A Woman in Grey, a comparatively gothic romance/adventure made in 1919...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 49–65.
Published: 01 September 1995
.... Race matters a great deal. Despite the perfect oppositional symmetry of the co-stars’ back- grounds and lives, due to her racial positioning on this series, Battle illustrates Herman Grey’s contention that within television discourses, “African American women’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
... purport to be (relatively) unmediated looks into the lives of quirky characters, much in the tradition of Grey Gardens (dir. Albert Maysles and David Maysles, US, 1975). Unlike in the Maysles broth- ers’ film, however, there is no interaction between the filmmak- ers and their subjects. The programs...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 41–72.
Published: 01 September 1991
... advertising executive) and bland uniform (the ubiquitous grey flannel suit) well represented his power over the image. To start with, the spectacle of Hal’s body immediately disturbs the social and sexual binaries which uphold that conventional representation of masculinity. If, as Richard Dyer...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 227–265.
Published: 01 December 2001
...— “because it is so hard to speak to you of love in English”18—in green ink on silvery-grey stationery, occasionally sealed with green wax and featuring Dietrich’s monogram or her Paramount studio address. She sends a typed, self-translated quotation from Rilke...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... good and evil, and created disturbing shades of grey at its center, in the character of Martha. This certainly creates a more realistic female character, but one that is at odds with the style of the tale. Martha is a three-dimensional figure carrying Riefenstahl's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 97–125.
Published: 01 May 2012
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
... enjoying the disruption she causes and the excitement she brings to their grandfather’s drab, grey world. With a little coaxing from the young women, Letty sits down at a convenient piano and sings a raucous song, “Wait Till Letty Gets Through With Them,” under the patriarch’s stern glare. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
... “women’s network” was pursuing men. John Mandel, director of national broadcasting for Grey Advertising, de- scribed the situation: They have picked up some programming that makes sense to women, but 231 some of their programming choices seem to be more broad. In order for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 129–155.
Published: 01 May 2003
... speak, in the hold of life” (9). This control over time is part of the shock that photography brings. Hence the charm, Bazin notes, of family albums: “Those grey or sepia shadows, phantomlike and almost undecipherable, are no longer traditional family portraits but rather the disturbing pres- ence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
... Diva Traffic and Male Bonding in Film • 55 higher and farther than anybody in a grey place dares to dream. It was like some beautiful bird flapped into our drab little cage and made those walls dissolve away. And for the briefest of moments every last man at Shawshank felt free. One cannot...