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1
Journal Article
Camera Obscura (2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
... as sensations. Copyright © 2019 Camera Obscura 2019 Chantal Akerman spectatorship and installation creative concept opposing sound and image immersive work global culture ...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
... at
a moment marked by trendy citations of Hindi cinema in popu-
lar culture.3 Does Moulin Rouge! as Luhrmann would like us to
believe, succeed in using the idioms of Bollywood to create a new
cinematic language? Is the film a model for a global cinema that
articulates two dominant though seemingly...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
... together in this intimate scene of mimetic performance,
Johnson’s film opens the way for a woman-centered perspective on
the complexity of Australian Indigenous film as it emerges from
the intersecting histories of colonialism and the cinema and the
interplay of local and global cultures...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
...Jihoon Kim This article examines a series of video works by Okin Collective, a group of three Korean artists (Jin Shiu, Kim Hwayong, and Yi Joungmin) who have over the past few years been productively concerned with an array of political, social, and cultural issues from both local and global...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... Vision ) and its interrogation of language and translation, the Xin Lu series offers a queer diasporic critique of nationalism and globalization. Situating Ma's video practice in relation to the theoretical work of Rosalind Krauss, David Joselit, Richard Fung, Aihwa Ong, Pheng Cheah, and others, Feng...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 159–169.
Published: 01 September 2020
... to increase the visibility of both professional and amateur women filmmakers and their work. Despite a strong history of grassroots and state-supported women’s creative cultures in Australia, women have remained marginal within the domestic screen industry. Women filmmakers are also underrepresented within...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...Kathleen McHugh Feminism in the latter half of the twentieth century was a global movement with widespread and significant, if incomplete, uneven, and diverse, local effects. This essay considers the impact of feminisms on film and media culture and asks why it has proven difficult to historicize...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 157–191.
Published: 01 May 2012
...Nadia Sophia Sanko The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 88–115.
Published: 01 December 2020
...Erin Greer The episode “Nosedive” from the Netflix series Black Mirror (dir. Joe Wright, Netflix, UK, 2016) provides a dystopian version of a popular narrative about digital culture, according to which the ascent of social media marks the “feminization of the Internet,” its transformation from...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
... “are not isolated; it is on the higher level, global realm of human rights frameworks” that they pluck the heartstrings of the international audience. 41 By traveling between cultures, Roth's film cultivates new perspectives that weave modern China's history of pain into a broader international legacy...
FIGURES
Journal Article
Camera Obscura (2018) 33 (1 (97)): 139–169.
Published: 01 May 2018
..., the author reads wer aesthetics as a response to cultural nationalism and a global queer discourse in military-resurgent Thailand. In its use of complicity as critique, wer aesthetics blurs the lines between capitulation and protest, abjection and enjoyment, thus revising how normativities...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... in the contemporary global terrain of film festivals and criticism. Bier's recent work demonstrates properties of both art cinema and popular European genre cinema; as a result, estimations of her films' critical and cultural worth have frequently been divergent and arguably gendered. The discussion focuses on three...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
...
Cousineau and Madeleine Ivalu], Studies in French Cinema 13,
no. 3 (2013): 197 – 213.
2. Cache Collective, “Cache: Provisions and Productions in
Contemporary Igloolik Video,” in Global Indigenous Media:
Cultures, Poetics, and Politics, ed. Pamela Wilson and Michelle
Stewart...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
...
New Women of the Silent Screen • 3
and the force of received forms of history and culture.”2 These
essays suggest that these “dialectical optics” in fact apply to a much
wider field of global visual culture in which the commodification
of the female image intersected — and often...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
... by the cultural and economic
parameters of globalization itself. Thus these television and film
texts, I argue, are ambivalent representations that use the most
global of contemporary media to visualize one of the most invis-
ible elements of globalization: its penetration of and movement
through bodies...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
... readings and helpful editorial comments on this piece.
1. For a discussion of the importance of border crossing to debates
about postmodern hybridity and postwar globalization, see
Fredric Jameson, Postmodernism, or The Cultural Logic of Late
Capitalism (Durham, NC: Duke University Press...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
... and Difference in the Global Cultural
Economy," The Phantom Public Sphere, ed. Bruce Robbins (Minneap•
olis: U of Minnesota P, 1993) 186.
8. In "High. School Confidential," an interview with Heckerling, Rolling
Stone cites the name of Silverstone's character as "Cher Hamilton," a
divergence...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 193–231.
Published: 01 December 2005
...
us traverse the geopolitical division and examine more closely the
heterogeneity of the local. The geopolitics of alterity in Greater
China has always been inscribed within a larger context of
unequal cultural exchanges. This account also asks us to reassess
the contemporary global cultural...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 155–186.
Published: 01 January 1996
...
between a particular cultural predicament, sedimented ideologies re-
quiring contestation and revision, as well as systems of production and
reception which are governed by a contingent (rather than global) logic
of subject predication.'
An example...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
...-
ture as global cultural currency, as commodities are exchanged,
image and narrative are produced and disseminated, and conver-
sations within popular cultures begin to take shape.
The emergence of these cultural forms coincides with a
specific...
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