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Journal Article

Giuliana Bruno

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Camera Obscura (1989) 7 (2-3 (20-21)): 103–107.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-103
Published: 01 December 1989
... Hill Giuliana Bruno As an Italian writer living these past years in New York City, I am suspended between two cultures. This issue is particularly central in my critical engagement with feminism. The fact that I publish both here and in Italy raises not only the question of language...
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Journal Article

Giuliana Muscio

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Camera Obscura (1989) 7 (2-3 (20-21)): 253–255.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-253
Published: 01 December 1989
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Journal Article

The Image (and the) Movement: An Overview of Italian Feminist Research

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Giuliana Bruno
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-28
Published: 01 December 1989
...Giuliana Bruno Copyright © 1990 by The Johns Hopkins University Press 1989 ADDITIONAL REFERENCES Adriano , Aprà , and Patrizia Pistagnesi, eds. Comedy, Italian Style 1950–80 . Turin: ERI-Edizioni Rai Radiotelevisione Italiana, 1986 . Brunetta , Gian Piero . Storia del...
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Journal Article

Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape

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Giuliana Bruno
Camera Obscura (1992) 10 (1 (28)): 238–261.
DOI: https://doi.org/10.1215/02705346-10-1_28-238
Published: 01 January 1992
...Giuliana Bruno Copyright © 1992 by Indiana University Press 1992 Figure 1. Title page by Jan Caspar Phillips of Johann Adam Kulmus’s Tabulae anatomicae, Amsterdam, 1732. Spectatorial Embodiments: Anatomies of the Visible...
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Journal Article

The Future of Feminism and Film History

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Lauren Rabinovitz
Camera Obscura (2006) 21 (1 (61)): 39–44.
DOI: https://doi.org/10.1215/02705346-2005-004
Published: 01 May 2006
... historiographic example is Giuliana Bruno’s demonstration that Italian filmmaker Elvira Notari’s works were generally attributed to her husband because journalists either could not imagine a woman in charge or they 44  •  Camera Obscura refused to accept it. See Giuliana Bruno...
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Journal Article

Index to camera obscura /l9, 20–21 (volume 7); 22, 23, 24 (volume 8); and 25–26, 27 (volume 9)

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Camera Obscura (1991) 9 (3 (27)): 179–187.
DOI: https://doi.org/10.1215/02705346-9-3_27-179
Published: 01 September 1991
...-100. 180 Bergstrom, Janet and Mary Ann Doane The Female Spectator: Contexts and Directions. No. 20-21; pp. 5-27. Bobo, Jacqueline Response to Questionnaire on “The Female Spectator.” No. 20-21; pp. 100-103. Bruno, Giuliana The Image...
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Journal Article

Contributors

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Camera Obscura (1992) 10 (1 (28)): 290–291.
DOI: https://doi.org/10.1215/02705346-10-1_28-290
Published: 01 January 1992
... of the virtual body. She is currently working on a book manuscript about the gendered identity of the technological body. Giuliana Bruno is Assistant Professor of Visual and Environmental Studies at Harvard University. She is the author of Streetwalking on a Ruined Map: Cultural Theory...
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Journal Article

Index to camera obscura /28, 29, 30 (volume 10)

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Camera Obscura (1992) 10 (3 (30)): 141–143.
DOI: https://doi.org/10.1215/02705346-10-3_30-141
Published: 01 May 1992
... Copyright © 1992 by Indiana University Press 1992 Index to camera obscural28, 29, 30 (volume 10) Balsamo, Anne On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body. No. 28; pp. 207-237. Bruno, Giuliana Spectatorial...
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Journal Article

Books Received

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Camera Obscura (1992) 10 (2 (29)): 247–248.
DOI: https://doi.org/10.1215/02705346-10-2_29-247
Published: 01 May 1992
.... $14.95. Nonfiction Film: A Critical History revised and expanded by Richard M. Barsam. Indiana University Press, 1992. $24.95. Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari by Giuliana Bruno. Princeton University Press, 1993...
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Journal Article

Books Received

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Camera Obscura (2003) 18 (1 (52)): 188–190.
DOI: https://doi.org/10.1215/02705346-18-1_52-188
Published: 01 May 2003
.... Trans. Susan Wise. Cambridge, MA: MIT Press, 2002. Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002. Butters, Gerald R., Jr. Black Manhood on the Silent Screen. Lawrence: University Press of Kansas, 2002. Chatterjee, Gayatri. Mother...
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Journal Article

The Female Spectator: Contexts and Directions

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Janet Bergstrom, Mary Ann Doane
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-5
Published: 01 December 1989
... Schliipmann and Patrice Petro. It is more difficult to pinpoint the movement from theory to histori- ography evidenced by a growing number of film and television scholars who borrow in different ways from tendencies already described as well as others. The work of Lynn Spigel, Lea Jacobs, Giuliana...
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Journal Article

New Women of the Silent Screen: China, Japan, Hollywood

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Catherine Russell
Camera Obscura (2005) 20 (3 (60)): 1–13.
DOI: https://doi.org/10.1215/02705346-20-3_60-1
Published: 01 December 2005
... largely unrecognized at the time can be redeemed and recovered within the context of transnational feminism. Giuliana Bruno has proposed a model of filmic spectatorship that might be more mobile, more that of the “voyageuse” than the voyeur,11 and the essays in this issue dem- onstrate what...
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Journal Article

Jacqueline Bobo

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Camera Obscura (1989) 7 (2-3 (20-21)): 100–103.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-100
Published: 01 December 1989
... and Motion Pictures University of North Carolina at Chapel Hill Giuliana Bruno As an Italian writer living these past years in New York City, I am suspended between two cultures. This issue is particularly central in my critical engagement with feminism. The fact that I...
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Journal Article

Books Received

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Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-373
Published: 01 December 1989
... and Film in Italy edited by Giuliana Bruno and Maria Nadotti. Foreword by Laura Mulvey. Routledge, 1989. $16.95. Private Novels, Public Films by Judith Mayne. University of Georgia Press, 1988. $22.00. Against Method (Revised Edition) by Paul Feyerabend. VersoRoutledge, 1989. $15.95. 374...
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Journal Article

General Bibliography

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Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-336
Published: 01 December 1989
.... Edited by Giuliana Bruno and Maria Nadotti. New York: Routledge, 1988. 124-138. -. “I1 visibile e il non visibile.” Filmcritica 365/366 (1986). -. II divano di Freud. Memorie e ricordi deisuoi pazienti. Parma: Pratiche, 1987. -. I1 cinema prima...
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Journal Article

Back to the Future

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Kaja Silverman
Camera Obscura (1991) 9 (3 (27)): 108–132.
DOI: https://doi.org/10.1215/02705346-9-3_27-108
Published: 01 September 1991
... items of her scanty apparel. Although, as Vivian Sobchack points out, the Tyrell Building resembles a mi~rochip,~it is also literally a pyramid, and the interior of Deckard’s apartment has a distinctly Mayan “flavor.” Giuliana Bruno has read all of these anachronistic signifiers as a postmodern...
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Journal Article

Just Be There: Ethics and Aesthetics of the Surface in Mike Mills's 20th Century Women

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Victoria (Tia) Glista
Camera Obscura (2024) 39 (2 (116)): 105–129.
DOI: https://doi.org/10.1215/02705346-11207828
Published: 01 September 2024
... limitations. I am not suggesting, then, that the surface is antisocial; on the contrary, it is the place where relation happens. 20 Giuliana Bruno has described the surface of the screen as a “relational psychic architecture,” a space of actual dimension and materiality that mediates contact...
FIGURES
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Journal Article

Film History as Discipline

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Richard deCordova
Camera Obscura (1988) 6 (3 (18)): 146–154.
DOI: https://doi.org/10.1215/02705346-6-3_18-146
Published: 01 September 1988
... and filmhistory. The issueof Iris, with articles by Giuliana Bruno (on a Foucauldian theorization of film history), Jean-Louis Leutrat (on problems of the history of genres), Philip Rosen (on approaches to national cinema), Rick Altman (on theories of technology and film his...
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Journal Article

Affects of the Gaze: Post-Oedipal Desire and the Traversal of Fantasy in Blade Runner

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Richard Pope
Camera Obscura (2010) 25 (1 (73)): 69–95.
DOI: https://doi.org/10.1215/02705346-2009-015
Published: 01 May 2010
... of humanism, we might refind the “human.” Notes 1. Giuliana Bruno, “Ramble City: Postmodernism and Blade Runner,” in Alien Zone: Cultural Theory and Science Fiction Cinema, ed. Annette Kuhn (London: Verso, 1990). 2. Fredric Jameson, Postmodernism; or, The Cultural Logic of Late...
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Journal Article

Introduction

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Paula A. Treichler, Lisa Cartwright
Camera Obscura (1992) 10 (1 (28)): 4–19.
DOI: https://doi.org/10.1215/02705346-10-1_28-4
Published: 01 January 1992
... heavily guarded despite new tech- nologized ways to rewrite the physical body in the flesh.” Fatimah Tobing Rony and Giuliana Bruno return in their essays to the turn of the century and the early cinema to analyze some of the practices preceding contemporary scientific imaging practices...
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