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Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 125–143.
Published: 01 September 1991
...Alexander Doty Copyright © 1991 by The Johns Hopkins University Press 1991 The Sissy Boy, The Fat Ladies, and The Dykes:
Queerness and/as Gender in Pee-wee’s World
Alexander Doty
In all the things I’ve read or heard about Pee-wee Herman, his shows,
and his films, only two...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 102–131.
Published: 01 May 1994
...Pamela Wilson Copyright © 1994 by Indiana University Press 1994 The Days and Nights of Molly Dodd
Upscale Feminine Angst:
Molly Dodd, the Lifetime Cable Network
and Gender Marketing
Pamela Wilson
The narrative in the trade press about the TV series The Days and
Nights...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 242–261.
Published: 01 May 1994
...Thomas Streeter; Wendy Wahl Copyright © 1994 by Indiana University Press 1994 Peter Malarkey, “Inside Chicago” 1993. Oil on canvas. Courtesy
Martin-Zambito Fine Art, Seattle, Washington.
Audience Theory and Feminism:
Property, Gender, and the Television Audience...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 99–141.
Published: 01 May 2001
... in West German Literature and Film (1991) and Gender and German Cinema: Feminist Interventions (coedited with Sandra Frieden, Vibeke R. Petersen, and Laurie Melissa Vogelsang, 1993). 04-McCormick.sh 5/29/01 12:39 PM Page iv
04-McCormick.sh 5/29/01 12:39 PM Page 99
Rape...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 177–229.
Published: 01 September 2001
... for This Place?': Fear, Entitlement, and Urban Space in Bernard Rose's Candyman .”
Jealous Schoolgirls, Single White
Females, and Other Bad Examples:
Rethinking Gender and Envy
Sianne Ngai
As in matters of the heart in general females are more
susceptible to the passion than men.
—G...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
.... Frank Darabont, US, 1994)
Diva Traffic and Male Bonding
in Film: Teaching Opera,
Learning Gender, Race, and Nation
Charles I. Nero
In the influential Between Men, Eve Kosofsky Sedgwick points to
“male homosocial desire” as the potentially erotic “continuum
between homosocial...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 73–117.
Published: 01 September 2005
... at art schools. Anna (Deborah Kerr) introduces members of the Siamese
court to new ways of seeing, in The King and I (dir. Walter
Lang, US, 1956). Courtesy Photofest
“Siam Not So Small!”
Maps, History, and Gender in
The King and I
Kerr Houston
The Rodgers and Hammerstein musical...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 192–195.
Published: 01 September 2006
...Marie-Luise Angerer Camera Obscura 2006 Marie-Luise Angerer is a professor of gender [] media at the Art Academy of Media, Cologne, Germany. Her research focuses on affect and sexuality in media, art, and digital environments. Her publications include “The Making of... Desire, Digital...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
... of The Watermelon
Woman: Reflexivity
between Race and Gender
Catherine Zimmer
Twelve years after the release of Cheryl Dunye’s The Watermelon
Woman (US, 1996), the film remains the only feature-length film
made by and about an African American lesbian to have received
theatrical distribution...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 41–71.
Published: 01 December 2009
...Raz Yosef This article explores the relationship between trauma, gender, and ethnicity in the Israeli film Or, My Treasure (dir. Keren Yedaya, Israel/France, 2004). The film presents a few routine days in the life of Ruthie, a Mizrahi (Jews from Arab countries) prostitute, and her daughter, Or. I...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
... with challenges to gender and sexual normativity, specifically, to the masculinity of the working-class miners. But this is made possible through the film's problematic and schematic treatment of history, since it suppresses any consciousness of the solidarities with the miners that were formed, or attempted...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 155–165.
Published: 01 December 2011
... to decipher in detail. Finally, the way in which the art of benshi is an act of radical gender-bending is examined. By performing the voices of heroes and villains, Sawato expresses and embodies masculinity that gives her a tremendous sense of catharsis and empowerment. Akiko Mizoguchi teaches visual...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 117–147.
Published: 01 December 2014
... noir and anticommunism — as well as to demonstrate the way in which the discourse of anticommunism is intimately related, via the metaphor of marriage, to issues such as gender and sexuality. The crux of the essay is the argument that the political discourse of anticommunism cannot be dissociated from...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 57–89.
Published: 01 December 2005
... Silent Films:
Gender and the Discourse of
Everyday Life in Interwar Japan
Catherine Russell
In 1937, Naruse Mikio’s film Wife! Be Like a Rose! (Tsuma yo bara no
yo ni, 1935) was chosen by a group of professors at the University of
Chicago to be exhibited at New York’s Filmarte...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 21–47.
Published: 01 December 2018
... Misselwitz’s Herzsprung (1992) reveals parallels in how late socialist and emerging capitalist systems produce, perceive, and gender socioeconomic instability. By rendering visible the struggles of unskilled single mothers for autonomy and fulfillment in environments marked by apathy and disdain, Das Fahrrad...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 63–93.
Published: 01 September 2020
... voice in five recent games— BioShock (2007), Gone Home (2013), The Stanley Parable (2013), The Talos Principle (2014), and Firewatch (2016)—that illustrate the complicated connections between gender, games, technology, and the political. It then turns to the work of Super-giant Games, a small developer...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 1–35.
Published: 01 September 2020
...Alanna Beroiza This article examines the visual dynamics underlying wrong-body narratives of gender through Lacanian psychoanalytic readings of Annie Leibovitz’s photographs of Caitlyn Jenner for Vanity Fair (2015) and Pedro Almodóvar’s film La piel que habito (Spain/France, 2011). Leibovitz’s...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
...Ingrid Ryberg This article provides a critical discussion of the world-famous, much-celebrated gender equality work in the Swedish film industry. Since the Swedish Film Institute launched a program for gender equality in 2013, redesigned in 2016 as the action plan 50/50 by 2020, Sweden has been...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
...Lisa Åkervall Abstract This essay takes the auto-tuned viral video “Can't Hug Every Cat” as a point of entry for a broader analysis of how modulation decisively shapes politics, aesthetics, and gendering in contemporary digital ecologies. It uncovers how the exaggerated exhibitions of feminine...
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Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
... generational, national, gender, and ethnic boundaries. [email protected] Copyright © 2022 by Camera Obscura Published by Duke University Press 2022 Nanjing Massacre family narrative gender hinge generation transnational memories Figure 1. The picture of Xia Shuqin taken...
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