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Journal Article
Camera Obscura (2012) 27 (1 (79)): 31–67.
Published: 01 May 2012
... and multilayered network of mutual dependency and interactive/interpassive reconfigurations. The article asks in what ways the Twilight films construct or imagine their targeted audience — teenage girls, Twilight moms, and gay men — and how such desires are then consumed, multiplied, and circulated on textual...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 89–117.
Published: 01 September 2023
...Finley Freibert Abstract Pat Rocco's ONE Adventure , a promotional film for a gay men's nonprofit's tourism subsidiary, documented early 1970s US‐Europe homophile coalitions but also incorporated softcore sequences for commercial appeal to a gay male market. Yet Rocco's disavowal of pornography...
FIGURES
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 125–143.
Published: 01 September 1991
... destabilization but he can’t seem to bring himself to do it explicitly. To be fair, Balfour’s reluctance probably arises from an attempt to avoid stereotypically aligning gayness with the feminine/ effeminate and lesbianism with the masculine/butch. In any case, after the first page, the word “gay...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 192–211.
Published: 01 May 1994
... attempt and promote a ‘‘normalizing’’ queer (in this case gay) repre- sentation, thirtysomething provides a key text for analyzing the origins and the effectiveness of making gayness “ordinary.” I am interested in analyzing this supposedly routinized representation of gay men on thirtysomething...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 127–133.
Published: 01 September 2007
...-identification with gay men. As if the only way to have Judy, if you are lesbian, is to have her “like” a gay man? Try that in a personal ad: “Gay man trapped in a lesbian body seeks same for hot night of Judy Garland and Liza with a Z.” But how or why does my intense liking of Judy get converted...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 85–127.
Published: 01 May 2003
... the first decade of the AIDS epidemic, when television AIDS and Gay Cinephilia • 87 and the popular press consistently pathologized and demonized gay men as “AIDS killers.” But alongside the numerous critiques of AIDS hysteria in popular culture produced...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 11–37.
Published: 01 September 2007
... or conflict, family romance, orphans, and so on — or that our theories should escape their own (self-) theorization. Certainly Mulvey cannot have been unaware that gay men have a particular fascination with divas like Dietrich. Arguably, gay appreciations of Dietrich have no place...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 63–91.
Published: 01 December 2017
... (dir. Douglas McGrath, US, 2006) and Capote (dir. Bennett Miller, US, 2005), visualize historical alliances between straight women and gay men and negotiate contemporary gay cultural tensions through the figure of Capote. Specifically,Infa ­ mous, the focus of this essay, intervenes in long...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 125–157.
Published: 01 December 2013
... — even, perhaps especially, gay porn — often subscribes to the phallogocentric economy. Hoc- <fig. 2 cap.>Streets of London, Children of quenghem describes, and Vallois subsequently choreographs, a Men (2006) form of movement that conjures a French tradition of performative...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
... — and, subsequently, the splinter organization TAG (Treatment Action Group) — played in the US HIV/AIDS epi- demic between 1987 and 1996. It is also a film that can be ques- tioned. When viewed in relation to other recent documentaries dealing with gay men and AIDS in the US, How to Survive a Plague raises...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
... by affirming “gayness as a central part of human history and culture, and gay men as central in the formation of that culture.”25 Thus this list affirms gay existence and Diego’s place in it, as well as proclaiming Cuban culture as an inheritor of a classical European civilization that extends from...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 290–291.
Published: 01 January 1992
... several AIDS education videos including We Care and Women and AIDS (for The Gay Men’s Health Crisis). Her recently completed dissertation, Re-Mediating AIDS: The Politics of Com- munity Produced Media, considers the representation of AIDS in the main- stream media, as well as the impact...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 157–185.
Published: 01 December 2004
... in and wish to replay, whether motivated by desire or trauma or some indifferent combination. The most powerful structure inVelvet Goldmine concerns the nesting and interlocking triangles that connect women to gay men and gay men to their mothers. This is the segment in which the mousy assistant...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 20–77.
Published: 01 January 1992
...- standings have shaped the ways we identify and classify those whom HIV infects as well as its modes of transmission. In North America, the initial appearance of the epidemic among gay men, generating labels like “GRID” (Gay-Related Immune Deficiency) and “the gay plague...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
..., The Cosby Show, and All- American Girl (ABC, 1994 – 95), and so too has its representation of gay men and lesbi- ans. Brett Mills explains of the frequency of these debates, “If the ways in which representation takes place matter, it’s only because there is seen to be some disparity between...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
... as a strategy for the containment of desire, since desire itself is already constituted through imitation. In other words, one cannot fail to become—if only in a partial, incomplete way—what one imitates. Frank's “becoming gay” would appear to drive his violent acting out against men, women, and music...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
... highlight some of the reasons for the lesbian bar’s perpetual transient public status. In particular, by revealing that two former lesbian bars currently function as a heterosexual bar adjacent to the “gay ghetto” and a gay men’s beach bar, the participants...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 113–149.
Published: 01 May 2004
..., the film attempts to reclaim a direct, unmediated access to a fixed paternal origin, an aim that point- edly refuses the triangulation of desire. This refusal of a media- tion by Otherness at the origin seeks to underwrite the idealizing, though no less troubling, view that gay men ultimately can exceed...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 1–39.
Published: 01 September 2000
... a good many laughs; however, particular crises of het- erosexuality drive these narratives. Within the Comedy Wave, I will explore extensively how homosexuality provides the “happy ends” to the narratives, ends in both senses of the word. Here gay men take...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
..., Maria Callas, Diana Ross, and Cruella de Vil. The fraught cultural space of the male diva/divo — with its potential for gender and sexuality instability for straight divos, as well as for odious “diva wanna-be” comparisons for gay or queer divos — has produced spectacles like Men...