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in Schneemann Sounding: Embodied Sonic Systems
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 3. Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Hall, New York. Pictured: Carolee Schneemann with James Tenney. Photographs by Peter Moore. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. ©
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Journal Article
Camera Obscura (1977) 1 (2 (2)): 2–33.
Published: 01 September 1977
... sexuelles’, Encyclopédie Mèdico-Chirurgicale , 37392 A10–37392 C10 (Paris). 23. Wollen , Peter , ‘The Two Avant-Gardes’, Studio International , Nov.-Dec. 1975 , 77 –85.
The Avant-Garde and Its Imaginary
Constance Penley
Recent metapsychological approaches to film...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... Editorial : Feminism, Fiction
and the Avant-Garde
In May 1978 three members of the Camera Obscura collective (Janet
Bergstrom, Elisabeth Lyon and Constance Penley) gave a two day
conference at the London Film Co-op on “Feminism, Fiction and the
Avant-Garde.” As preparation...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... that impact. Histories of cinema generally fall within several dominant paradigms: world cinema; Hollywood or industrial cinema; and cinemas in contradistinction to the Hollywood industrial model—national art-film movements and avant-gardes resistant to the industrial paradigm and its influence. Though...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...Gerda Johanna Cammaer The small Belgian coastal town of Knokke-le-Zoute once was the scene for one of the most impressive gatherings of the international film avant-garde, when it hosted the last three editions of the illustrious EXPRMNTL film festival (1963, 1967, and 1974). This article focuses...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
... on the avant-garde, appeared to fly in the face of the alleged dumbing down of television that critics identified in the period. I explain its popularity through its investigation of television itself as both a medium and an industry on several levels: through its branding as an artistic auteur product...
Journal Article
Camera Obscura (2020) 35 (3 (105)): iv–29.
Published: 01 December 2020
... and in its avant-garde critique of feminist politics through experiments with photographic form. © 2020 by Camera Obscura 2020 Figure 1. Protester walking through the spray of water cannons near India Gate during Nirbhaya protests, New Delhi, 2012. Associated Press, Kevin Freyer Prelude: I protest...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 31–61.
Published: 01 September 2023
...Rebecca A. Sheehan Abstract This article considers the cinematic works of the contemporary American artist Sharon Lockhart in the context of what it identifies as philosophies and practices of “the casual,” from the impact of Emersonian aesthetics on post – World War II American avant‐garde cinema...
FIGURES
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Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... in collaboration with Los Angeles choreographer and actress Toni Basil. Shot over a period of two years in Santa Monica, BREAKAWAY draws from Conner and Basil's mutual involvement in both the Hollywood entertainment industry and the West Coast artistic underground through its curious fusion of pop and avant-garde...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... the conventions and preoccupations of pornography and the avant-garde while straddling the mainstream and the margins of pornographic production. In exploring such liminal spaces, this article redresses the myopias both of rigidly anti-porn stances that fail to consider adult video's subversive potential...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
...Claire Perkins At first glance, the US indie sector appears to defy Manohla Dargis's 2008 identification of a “new, post-female American cinema.” A significant number of women directors develop female-driven films in the industrial and aesthetic space between mainstream and avant-garde...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
... on the other-is the "avant-garde."
This collection of essays details, in brilliant relief, the recurring
segregation of high art and mass culture, intends to account for the
longevityof this schism, and raises questions about the gerrymandering
of aesthetic production in a culture deemed postmodern...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... process into the content of the magazine.
Following from all this, we began to become more interested in
avant-garde, experimental film, and then experimental films made by
women. At this point, we were still thinking about these films in
relation to their success...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
... the main concern ofDaughters
0/Chaosas one of''female bonding." She describes the film's images and
then briefly discusses Keller's "patriarchal debts"-namely, her family
background, and the work ofStan Brakhage, a major' 'patriarchal" figure
of the avant-garde. Keller herselfacknowledges a certain...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... avant- garde. As a multimodal diary project that comprises written, audio, food, and cinematic diaries kept between the ages of eleven and roughly fifty- one, the depth and duration of Robertson s self- recording are arguably unmatched by any other diary practitioner, includ- ing Jonas Mekas...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... is an assistant professor in the Department of Film at York University. Her writing has appeared in Cinema Journal, Camera Obscura, Visible Language , and Animation: An Interdisciplinary Journal . She is working on a book titled “Impure Film: Medium Specificity in the Cinematic Avant-Garde, 1968–2008.” ©...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 165–168.
Published: 01 December 1989
... my chosen sites of
investigation because their writing was routed through the prob-
lematized relation to language but also because they wrote about the
cinema at a critical moment when an avant-garde was challenging the
emerging cinematic codes and conventions. To give one example, Doro...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... time and place. In addi-
tion, the fact that quite a few of these artists were married to men
involved in the American avant-garde almost guaranteed that
their work would be dismissed as simple home movie – like play
with the camera and treated accordingly. But more relevant to a
discussion...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 72–85.
Published: 01 September 1983
... you can see a lot of new work constantly. It's
difficult for the "older" avant-garde to be inclusive ofa lot of new work.
I'rn sure they resent the attention given to people like me when they
continue to make good films and can't make a living after all these years.
A lot ofpeople like...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
... in the film department at New York University. A R C H I V E F O R T H E F U T U R E
Thoughts on Birth and Brakhage
Lynne Sachs
From California to Florida to New York, from Maryland to Ten-
nessee, I have been making and teaching avant-garde film for
twenty years. In my experience...
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