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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 2–33.
Published: 01 September 1977
... sexuelles’, Encyclopédie Mèdico-Chirurgicale , 37392 A10–37392 C10 (Paris). 23. Wollen , Peter , ‘The Two Avant-Gardes’, Studio International , Nov.-Dec. 1975 , 77 –85. The Avant-Garde and Its Imaginary Constance Penley Recent metapsychological approaches to film and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Editorial : Feminism, Fiction and the Avant-Garde In May 1978 three members of the Camera Obscura collective (Janet Bergstrom, Elisabeth Lyon and Constance Penley) gave a two day conference at the London Film Co-op on “Feminism, Fiction and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... that impact. Histories of cinema generally fall within several dominant paradigms: world cinema; Hollywood or industrial cinema; and cinemas in contradistinction to the Hollywood industrial model—national art-film movements and avant-gardes resistant to the industrial paradigm and its influence. Though...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...Gerda Johanna Cammaer The small Belgian coastal town of Knokke-le-Zoute once was the scene for one of the most impressive gatherings of the international film avant-garde, when it hosted the last three editions of the illustrious EXPRMNTL film festival (1963, 1967, and 1974). This article focuses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
... avant-garde, appeared to fly in the face of the alleged dumbing down of television that critics identified in the period. I explain its popularity through its investigation of television itself as both a medium and an industry on several levels: through its branding as an artistic auteur product in an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... collaboration with Los Angeles choreographer and actress Toni Basil. Shot over a period of two years in Santa Monica, BREAKAWAY draws from Conner and Basil's mutual involvement in both the Hollywood entertainment industry and the West Coast artistic underground through its curious fusion of pop and avant-garde...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
...Claire Perkins At first glance, the US indie sector appears to defy Manohla Dargis's 2008 identification of a “new, post-female American cinema.” A significant number of women directors develop female-driven films in the industrial and aesthetic space between mainstream and avant-garde or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... the conventions and preoccupations of pornography and the avant-garde while straddling the mainstream and the margins of pornographic production. In exploring such liminal spaces, this article redresses the myopias both of rigidly anti-porn stances that fail to consider adult video's subversive...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
... the other-is the "avant-garde." This collection of essays details, in brilliant relief, the recurring segregation of high art and mass culture, intends to account for the longevityof this schism, and raises questions about the gerrymandering of aesthetic production in a culture deemed postmodern...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
..., socially and historically. The diversity of objects of analysis in this issue-classical film, video, prime-time tele• vision, "personal" avant-garde film, and the latest research on the repre• sentation of gays and lesbians in the media-helps to demonstrate that essentialist notions ofsexual difference...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 163.
Published: 01 December 1984
... © 1984 by Camera Obscura 1984 Feminist Film was written as a response to a particular situation in avant- 163 garde film criticzjm. Amy Taubin’s unequivocal description of Marjorie Keller as ‘ ‘perhaps the only major filmmaker the American independent film has produced since the end of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 247–248.
Published: 01 May 1992
.... Only Entertainment by Richard Dyer. Routledge, 1992. $13.95. Avant-Garde Film: Motion Studies by Scott MacDonald. Cam bridge Univer- sity Press, 1993. $13.95. Projections 2: A Forum for Film-makers edited by John Boorman and Walter Donohue. Faber and Faber, 1993. $14.95. Late Soviet Culture...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
...” (for which spectator? Reisman and advocates a singularity of voice. One of the real glories of American avant-garde cinema has been its diversity - the diversity of its filmmakers, and the fact that within a single film a filmmaker has been able to express, and at...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... to be human in a given time and place. In addi- tion, the fact that quite a few of these artists were married to men involved in the American avant-garde almost guaranteed that their work would be dismissed as simple home movie – like play with the camera and treated accordingly. But more...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
... the film department at New York University. A R C H I V E F O R T H E F U T U R E Thoughts on Birth and Brakhage Lynne Sachs From California to Florida to New York, from Maryland to Ten- nessee, I have been making and teaching avant-garde film for twenty years. In my experience...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... first 10 time, our own working process into the content of the magazine. Following from all this, we began to become more interested in avant-garde, experimental film, and then experimental films made by women. At this point, we were still thinking about these films in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 165–168.
Published: 01 December 1989
... account for the film experience. H.D. and Bryher and Richardson and Stein were my chosen sites of investigation because their writing was routed through the prob- lematized relation to language but also because they wrote about the cinema at a critical moment when an avant-garde was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
..., Taubin defines the main concern ofDaughters 0/Chaosas one of''female bonding." She describes the film's images and then briefly discusses Keller's "patriarchal debts"-namely, her family background, and the work ofStan Brakhage, a major' 'patriarchal" figure of the avant-garde. Keller...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 139–140.
Published: 01 May 1992
... Ideology in French Text and Film by Rebecca M. Pauly. Peter Lang, 1993. $41.95. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body by Sally Banes. Duke University Press, 1993. $17.95. I Was Interrupted: Nicholas Ray on Making Movies by Nicholas Ray. Uni- versity of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 154.
Published: 01 September 1995
...; A Critical Cinema 3 is in preparation. His Avant-Garde Film/Motion Studies (Cambridge University Press) appeared in 1993; and Screen Writings: Scripts and Texts by lndepen- dent Filmmakers (California)was published last year. He teaches Film Studies and American Literature at Utica College...