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Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... and is in the postproduction stages of a feature-length documentary, Talk Back Bosnia: A Dialogue on Nation Building . Loie Fuller in The Serpentine Dance. Courtesy New York Public Library Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science Elizabeth Coffman A modern woman...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... implications, this article contextualizes the Laurel and Hardy relationship as a queered unit on-screen, proving truly relevant through a fuller understanding of the myths of fraternal brotherhood that flourished during the nineteenth century and the early twentieth. The fraternal lodge as an aggressively...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... by Freud’s biographer, Ernest Jones, “I have heard a fuller account of the peculiar circumstances surrounding the end of this novel treatment.”2 (And indeed Breuer’s own words as he began the theoretical section of his commentary on the case history must seem ironic to modern readers: “Although I...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
... of the witness is a result of introducing hypnosis into UFO research. In the first abduction accounts to get attention in mainstream media, therapy was incidental. Barney Hill, subject of John Fuller’s 1966 book The Interrupted Journey, sought psychological help for anxiety and emotional problem He...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
..., beginning with early cinema’s penchant for vaudeville acts like Loïe Fuller’s “Serpentine Dance,”5 and evolving over the decades into big-­budget musicals, television variety shows like Shindig! (ABC, 1964 – 66) and Hullabaloo (NBC, 1965 – 66), music perfor- mance programs like American Bandstand...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 155–157.
Published: 01 September 1995
.... Owens and Lizbeth Goodman. Routledge, 1996. Perspectives on German Cinema edited by Terri Ginsberg and Kirsten Moana Thompson. G.K. Hall & Co. $65.00 At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture by Katherine H. Fuller. Smithsonian Institution Press, 1996...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 166–168.
Published: 01 December 1984
... by Dudley Andrew. Oxford University Press. New York, 1984. $7.95. Alice Doesn 't:Feminism, Semiotics, Cinema by Teresa de Lauretis. Indiana Uni- versity Press. Bloomington, 1984. $10.95. The Illustrated Who's Who of the Cinema by Ann Lloyd, Graham Fuller, Arnold...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
... Asian Americanist scholars and critics such as Karla Rae Fuller, Helen Zia, Jeff Yang, and Kent Ono and Vincent Pham have addressed the implications of Mr. Yunioshi as a racist cari- cature.4 This essay contributes to those conversations by unpack- ing Yunioshi as a historical figure...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 319–322.
Published: 01 December 1989
... prompted by the Women’s Movement. Determining the relative impact of these divergent forces on my own position seems an impossible, and ultimately unnecessary, task. But trying to resolve the tension created by their conflicting demands has kept me searching for a fuller, deeper understanding...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
... Within video games, movement through space is a central theme, on which Helen Fuller and Jenkins provide particularly insightful commentary. Identifying parallels between the “heroic metaphors of discovery” in popular discourses surrounding both cyberspace and colonial travel accounts...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 137–141.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 NOTES 137 1. For a fuller discussion of the work of feminist filmmaking groups, see my article “Medusa in the Land of 02: The Female Spectator in Australia...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
..., Australia NOTES 137 1. For a fuller discussion of the work of feminist filmmaking groups, see my article “Medusa in the Land of 02: The Female Spectator in Australia” in this issue. 2. During screenings I find my female students...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 204–209.
Published: 01 December 1989
... status of the text, resulting in an essentialist definition of certain texts as subversive. Such a definition constrained fuller assessment of the text/ideology/spectator relation by intimating that against-the-grain readings are proper readings which engage the true...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 142–147.
Published: 01 December 1989
... a fuller grasp of the crucial relations articulated there between visibility and sexuality, and the pivotal narrative func- tion of the figure of the woman. In my work on the woman’s film of the 1940s (1987), female spec- tatorship is understood as inseparable from the notion of genre...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 1–7.
Published: 01 December 2001
... narrative cinema generated a vast filmgoing constituency. A fuller appreciation of the densely woven connections between film text and star text is crucial to feminist recovery of obscure figures and to the rereading of well- recognized ones. A number of the essays here focus upon highly significant early...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 158–184.
Published: 01 May 1995
... Amanda Howell Having inexplicably chosen the half-French, half- Chinese Lucky Legs as the sole representative of the Vietnamese people Fuller then proceeded to make her neutral toward the war until she saw...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
... theatrical tradition from Mata Hari to Loie Fuller to Clara Bow?22 How would our understanding of the visual culture surrounding the black female body be refined were we to consider the (racial, national, and sexual) heterogeneity of Baker’s style, not to mention of her audiences...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
... of Nature made a regular appearance in those tactics that invited readers to peer behind the scenes. As early as 1911, Mary Fuller detailed her experience riding a “wild mustang” that “was new to the camera and didn’t seem to like it.” A self-professed “good rider,” Fuller accepted the position...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 224–232.
Published: 01 May 1992
... and there is this spot on your head. And you weep, you just weep.” Later, another woman relates a very different experience: “My hair got thicker, fuller, and the texture changed.” From Breast Cancer: Adjuvant Therapy, Dartmouth Interactive Media Laboratory’s Shared...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
..., Encyclopedia of Comedians (Secaucus: Citadel, 1979). 24. For a fuller discussion of vaudeville performance techniques and their relationship to classical Hollywood cinema, see Henry Jenkins, “ ‘Fifi Was My Mother’s Name! ’: Anarchistic Comedy, The Vaudeville Aesthetic...