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Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... and is in the postproduction stages of a feature-length documentary, Talk Back Bosnia: A Dialogue on Nation Building . Loie Fuller in The Serpentine Dance.
Courtesy New York Public Library
Women in Motion: Loie Fuller
and the “Interpenetration” of
Art and Science
Elizabeth Coffman
A modern woman...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... implications, this article contextualizes the Laurel and Hardy relationship as a queered unit on-screen, proving truly relevant through a fuller understanding of the myths of fraternal brotherhood that flourished during the nineteenth century and the early twentieth. The fraternal lodge as an aggressively...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... by Freud’s biographer, Ernest Jones, “I
have heard a fuller account of the peculiar circumstances surrounding
the end of this novel treatment.”2 (And indeed Breuer’s own words as he
began the theoretical section of his commentary on the case history
must seem ironic to modern readers: “Although I...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
... of the witness is a result of introducing hypnosis
into UFO research. In the first abduction accounts to get attention in
mainstream media, therapy was incidental. Barney Hill, subject of John
Fuller’s 1966 book The Interrupted Journey, sought psychological help
for anxiety and emotional problem He...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
...,
beginning with early cinema’s penchant for vaudeville acts like
Loïe Fuller’s “Serpentine Dance,”5 and evolving over the decades
into big-budget musicals, television variety shows like Shindig!
(ABC, 1964 – 66) and Hullabaloo (NBC, 1965 – 66), music perfor-
mance programs like American Bandstand...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 155–157.
Published: 01 September 1995
.... Owens and Lizbeth
Goodman. Routledge, 1996.
Perspectives on German Cinema edited by Terri Ginsberg and Kirsten Moana
Thompson. G.K. Hall & Co. $65.00
At the Picture Show: Small-Town Audiences and the Creation of Movie Fan
Culture by Katherine H. Fuller. Smithsonian Institution Press, 1996...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 166–168.
Published: 01 December 1984
... by Dudley Andrew. Oxford University Press. New York,
1984. $7.95.
Alice Doesn 't:Feminism, Semiotics, Cinema by Teresa de Lauretis. Indiana Uni-
versity Press. Bloomington, 1984. $10.95.
The Illustrated Who's Who of the Cinema by Ann Lloyd, Graham Fuller, Arnold...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
...
Asian Americanist scholars and critics such as Karla Rae
Fuller, Helen Zia, Jeff Yang, and Kent Ono and Vincent Pham
have addressed the implications of Mr. Yunioshi as a racist cari-
cature.4 This essay contributes to those conversations by unpack-
ing Yunioshi as a historical figure...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 319–322.
Published: 01 December 1989
... prompted by the Women’s Movement. Determining the
relative impact of these divergent forces on my own position seems
an impossible, and ultimately unnecessary, task. But trying to resolve
the tension created by their conflicting demands has kept me searching
for a fuller, deeper understanding...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
...
Within video games, movement through space is a central
theme, on which Helen Fuller and Jenkins provide particularly
insightful commentary. Identifying parallels between the “heroic
metaphors of discovery” in popular discourses surrounding both
cyberspace and colonial travel accounts...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 137–141.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 NOTES 137
1. For a fuller discussion of the work of feminist filmmaking groups, see my
article “Medusa in the Land of 02: The Female Spectator in Australia...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
..., Australia
NOTES 137
1. For a fuller discussion of the work of feminist filmmaking groups, see my
article “Medusa in the Land of 02: The Female Spectator in Australia”
in this issue.
2. During screenings I find my female students...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 204–209.
Published: 01 December 1989
... status of the text, resulting in an essentialist
definition of certain texts as subversive. Such a definition constrained
fuller assessment of the text/ideology/spectator relation by intimating
that against-the-grain readings are proper readings which engage the
true...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 142–147.
Published: 01 December 1989
... a fuller grasp of the crucial relations articulated
there between visibility and sexuality, and the pivotal narrative func-
tion of the figure of the woman.
In my work on the woman’s film of the 1940s (1987), female spec-
tatorship is understood as inseparable from the notion of genre...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 1–7.
Published: 01 December 2001
... narrative cinema generated
a vast filmgoing constituency. A fuller appreciation of the densely
woven connections between film text and star text is crucial to
feminist recovery of obscure figures and to the rereading of well-
recognized ones. A number of the essays here focus upon highly
significant early...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 158–184.
Published: 01 May 1995
...
Amanda Howell
Having inexplicably chosen the half-French, half-
Chinese Lucky Legs as the sole representative of
the Vietnamese people Fuller then proceeded
to make her neutral toward the war until she saw...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
... theatrical tradition from Mata Hari to
Loie Fuller to Clara Bow?22 How would our understanding of the
visual culture surrounding the black female body be refined were
we to consider the (racial, national, and sexual) heterogeneity of
Baker’s style, not to mention of her audiences...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
... of Nature made a regular appearance in
those tactics that invited readers to peer behind the scenes. As
early as 1911, Mary Fuller detailed her experience riding a “wild
mustang” that “was new to the camera and didn’t seem to like it.”
A self-professed “good rider,” Fuller accepted the position...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 224–232.
Published: 01 May 1992
... and there is this spot on your head.
And you weep, you just weep.” Later, another woman relates a very different
experience: “My hair got thicker, fuller, and the texture changed.” From Breast
Cancer: Adjuvant Therapy, Dartmouth Interactive Media Laboratory’s Shared...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
..., Encyclopedia of Comedians (Secaucus: Citadel, 1979).
24. For a fuller discussion of vaudeville performance techniques and their
relationship to classical Hollywood cinema, see Henry Jenkins, “ ‘Fifi Was
My Mother’s Name! ’: Anarchistic Comedy, The Vaudeville Aesthetic...
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