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Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
...Iveta Jusová; Dan Reyes Stylized, irreverent, and iconographically ambiguous, the 1969 Czech New Wave film The Fruit of Paradise ( Ovoce stromů rajských jíme , dir. Věra Chytilová) has frequently left even admiring audiences at a loss for words. In our reading, we take this film's intense...
Image
Published: 01 May 2021
Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York More
Journal Article
Camera Obscura (2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
..., 2010) illustrate that the binding of the asexual to the single, though seemingly misguided, can open up fruitful pathways for reimagining queer relationality. Responding in part to scholarship on singlehood and asexuality while also attending to the film studies historiography of sexuality, this essay...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 129–155.
Published: 01 May 2024
.... Navigating these divisions not only offers a more reparative reading of the film, it also produces a fruitful study for addressing the ways in which queerness on-screen so frequently operates through such binary formations. Lastly, new insights regarding the way male pregnancy, as a theme, has historically...
FIGURES
Journal Article
Camera Obscura (2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
... and Medium. No. 86: pp. 85 – 117 Iveta Jusová and Dan Reyes Věra Chytilová’s The Fruit of Paradise: A Tale of a Feminine Aesthetic, Dancing Color, and a Doll Who Kills the Devil. No. 87: pp. 65 – 91 184 Volume Index  • 185 Olivia...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... direc- tor offered a fruitful place to begin. Acknowledging the inter­ disciplinary and transnational legacy of the feminist film tradi- tion in Australia, which includes the work of influential scholars such as Meaghan Morris, Lesley Stern, Laleen Jayamanne, Helen Grace, and Barbara Creed, we...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 69–85.
Published: 01 December 2022
... and better-known theorizations of film aesthetics in France of this fruitful postwar period, particularly those of Bazin and André Malraux. Tracking these points of connection and echoes helps situate Vedrès's text in its historical context and better understand the rich propositions contained within...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 215–229.
Published: 01 May 2021
... surrealist close-up shots of ripe fruit to suggest fertility and sexuality.) Here, Varda presents a humorous image. The gentleman walking—his stooped posture echoing the chalkboard sign's drooping arrow—is oblivious to the bright, fertile lemons illuminated in the sunlight. Figure 8. Agnès Varda...
FIGURES | View All (10)
Journal Article
Camera Obscura (2006) 21 (1 (61)): 27–31.
Published: 01 May 2006
.... In this respect, I find the journal’s current stated fields very useful in des- ignating areas of investigation most fruitful for understanding the Archive for the Future  •  29 ideological and social consequences of representing the memory of historical fact. Because my...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 89–111.
Published: 01 May 2008
... situated to submit to the poet so as to ren- der organically expressive music. Composers working in the older mode of composition, however, “could never succeed, on account of standing in a fundamentally wrong relation to that element of poetry which was alone capable of bearing fruit...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 133–154.
Published: 01 May 1988
... humongous Fruit of the Looms over his head to show how this simple, everyday garment can be turned into a nun’s habit or Rapunzel’s flowing hair? Once one has noticed the very adult sexual antics mixed in with the child’s play on this show, one inevitably wonders how...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 210–215.
Published: 01 December 1982
... atten- tion. This article was clearly very important for French intellectuals in 1971-72, welcomed enthusiastically as the attempt to reconcile Marx and Freud (or Mao and Lacan)-but one can’t say that it really initiated, at least in France, a fruitful direction...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 233–237.
Published: 01 December 1982
... Ceremonies. Of this group, the most fruitful and informative presentations were given by Sandy Flitterman and Mary Ann Doane. Flitterman’s paper proposed an understanding of the “socialization of desire” in La Maternelle from a Kuntzelian perspec- tive on the organization of point of view...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 9–39.
Published: 01 May 2021
...Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York ...
FIGURES | View All (17)
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 137–141.
Published: 01 December 1989
... mirror phrase and the Oedipal plot. It might be equally fruitful to consider the way in which Giambattista Vico’s view of history as a series of patterned repetitions and Benedetto Croce’s belief in the unitary nature of sub- jectivity match the two most important themes...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 314–318.
Published: 01 December 1989
...), but “an identification with one [position] implies an identification with the other” (17). Fruitful as these directions of inquiry are, I am concerned about the lack of attention paid to the notion of the social subject discussed by de Beauvoir, among many others. Of course...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 119–163.
Published: 01 September 2005
... Francis and Gontier, Creating Colette, 2:15–29; and Jennifer Flock, “Jacqueline Audry, adaptatrice de Colette: Le désir féminin au 152 • Camera Obscura premier plan,” iris 26 (1998): 49–64; for Colette’s claim to having invented the name Musidora, see Colette, Flowers and Fruit...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 137–143.
Published: 01 December 2006
... to the demographic spectrum of the American public, such programming demarcates who merits inclusion in television’s national family (namely, those who dem- onstrate enough “self-discipline” to manage and enjoy the fruits of consumer culture) versus who is judged as taking too much (or, paradoxically...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
... in the production of the meaning of the image. Though sex-role analysis can yield fruitful information-Phyllis Boane’s paper on the image of black women in cinema offered historical insights into the succession of black female stereotypes in cinema, an area little researched...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 135–143.
Published: 01 September 2021
.... It carried her breath, which is to say it carried her mood. Sometimes it was young, flirty, with a hinting uplift before a laugh, a laugh that was several degrees more knowing than the voice that ushered it in. In Carolee's laugh, the pit of bitter fruit rattled, sometimes muffled, sometimes naked and raw...
FIGURES