Search Results for freud

... American Cinema, and contemporary cinema. © 2014 by Camera Obscura 2014 Figure 1. Amalia (María Alche) controls the desiring gaze in La niña santa (The Holy Girl, dir. Lucrecia Martel, Argentina, 2004). Little Red Riding Hood Meets Freud in Lucrecia Martel’s Salta Trilogy Paul...

...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...

... of race and sexuality, as well as of formulating “queer of color” as a kind of critical modality. Much like Harriet Beecher Stowe's Uncle Tom's Cabin functions, according to Sigmund Freud, as a cultural artifact prized in the form of an idealized beating fantasy by the Victorian (white) child, Imitation...

...Julie Levin Russo This article returns to Sigmund Freud's and Jacques Lacan's theories of scopophilia to intervene in a pessimistic thread of new media criticism. By complicating doomsday scenarios, it unpacks the complexities of exhibitionism iterated as online self-display, including aspects...

... on psychoanalytic theory, this article also constitutes a preliminary response to Jacques Derrida's Archive Fever and its question about the future of the archive. If the archive (both of cinema and of psychoanalysis) still privileges the lineage that runs from Oedipus to Freud, here I turn to the figure...

...: Flammarion, 1982 . Deleuze , Gilles . Masochism: An Interpretation of Coldness and Cruelty . London: Georges Braziller, 1971 . Freud , Sigmund . The Interpretation of Dreams (1900). Vols. 4 and 5 of The Standard Edition of the Complete Psychological Works of Sigmund Freud . Edited...

.... Stanford: Stanford University Press, 1988 . Chevrier , Jean-François , and Jean Sagne. “Essai sur l'identité, l'exotisme et les excès photographiques”. Photographies 4 (April 1984 ). Didi-Huberman , Georges . Invention de l'hystérie . Paris: Editions Macula, 1982 . Freud...

... “Detritus and the Moving Image.” Courtesy of the Freud Museum, London A R C H I V E F O R T H E F U T U R E Breathing in the Archives Amelie Hastie Thoughts were things, to be collected, collated, analyzed, shelved, or resolved.  — H. D., A Tribute...

...- binarisms that reinforce each other in the case of gender, if not that of class. The “truth” or “right” which is thus subverted is the principle of hierarchy. Freud’s account of perversion also stresses its diversionary and de- centering character. c‘Perversions he writes in Three Essays...

... hours of hallucination and nausea, I’ve always admired Freud when he managed to turn his migraine symptoms to some account. One particular onset of migraine that he records is described as something akin to a mystical experience, or an almost literal flash of geniu . . .I was suffering...

... history. The Story of Anna 0.:A Study on Hysteria refers at once to the investigation of Josef Breuer and Sigmund Freud, and to that of the filmmaker. The case involved a highly intelligent young woman who developed, in connection with her father’s fatal illness, what Ernest Jones called...

... the latter, but it also seems to me that it is no longer possible simply to import the Freudian notions of scopophilia and fetishism without a critical examination of the theory of the drive in Freud and the con- sequences of its incomplete theorization for the understanding...

... of the work that has been done on feminine sexuality up to this point, and thus may also indicate another way of theorizing feminine specificity in 15 discourse (such as film). Among those concepts taken up most frequently in France by women working on theories of feminine sexuality are Freud’s...

... debate, today the notion of penis envy seems more deserving of obsolescence than sustained analysis and critique. Yet this concept, formulated by Freud in 1914 as a structuring principle of gender differentia- tion and well assimilated by popular culture today, remains some- thing of a shibboleth...

... in the film sequence--operations, I should stress, rather than localized metaphors or metonymies that could be isolated-and, more generally, the “means of representation” (as the term is used in Freud’s The Interpretation ofDreams), and the exact place they occupy, in parti- cular...

.... Just as sexual difference and technological innovation are inextri• cable to our understanding of autonomy, so too is the role of the maternal. In developing his theory of sexual difference, Freud situates the problem of feminine independence in relation to maternity. Freud's...

... /The Apparatus' One constantly returns to the scene of the cave: real-effect or impression of reality. Copy, simulacrum, and even simulacrum of simulacrum. Im- pression of the real, more-than-the-real? From Plato to Freud, the per- spective is reversed; the procedure is invened-so it seems. The former...

... is the manifest con- tent of the film. Are we to conclude that, pace Freud, femininity in man is no longer something to be denied and repressed, no longer the object of “normal” male “contempt,” but rather a condition that man desires for himself? Are men now prepared openly to avow...

... hanging above them — arranged across the picture plane in a balanced and sym- metrical formation. (There always seems to be some painted pater- nal figure watching over things inThe Snake Pit, most often Sig- mund Freud himself.) But the classical system — maintained here by match on action...

... not want Kristeva at her worst, trying to recon- struct an “archaic laughter-space,” but perhaps we can still let her put her best foot forward in a last waltz with Freud: A sense of humor seems to be built up beginning with these semiotic supports [the archaic laughter-space] upon...