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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... American Cinema, and contemporary cinema. © 2014 by Camera Obscura 2014 Figure 1. Amalia (María Alche) controls the desiring gaze in La niña santa (The Holy Girl, dir. Lucrecia Martel, Argentina, 2004). Little Red Riding Hood Meets Freud in Lucrecia Martel’s Salta Trilogy Paul A...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
...Julie Levin Russo This article returns to Sigmund Freud's and Jacques Lacan's theories of scopophilia to intervene in a pessimistic thread of new media criticism. By complicating doomsday scenarios, it unpacks the complexities of exhibitionism iterated as online self-display, including aspects not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... on psychoanalytic theory, this article also constitutes a preliminary response to Jacques Derrida's Archive Fever and its question about the future of the archive. If the archive (both of cinema and of psychoanalysis) still privileges the lineage that runs from Oedipus to Freud, here I turn to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... of race and sexuality, as well as of formulating “queer of color” as a kind of critical modality. Much like Harriet Beecher Stowe's Uncle Tom's Cabin functions, according to Sigmund Freud, as a cultural artifact prized in the form of an idealized beating fantasy by the Victorian (white) child...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
... biopower. © 2017 by Camera Obscura 2017 Marina Abramović performance art biopower masochism Sigmund Freud Figure 1. Marina Abramovi´c marks the days that she has performed The Artist Is Present (2010) at the Museum of Modern Art (MoMA) in New York City. Still from Marina Abramovi´c...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 6–29.
Published: 01 May 1988
...: Flammarion, 1982 . Deleuze , Gilles . Masochism: An Interpretation of Coldness and Cruelty . London: Georges Braziller, 1971 . Freud , Sigmund . The Interpretation of Dreams (1900). Vols. 4 and 5 of The Standard Edition of the Complete Psychological Works of Sigmund Freud . Edited by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 181–185.
Published: 01 May 2007
... “Detritus and the Moving Image.” Courtesy of the Freud Museum, London A R C H I V E F O R T H E F U T U R E Breathing in the Archives Amelie Hastie Thoughts were things, to be collected, collated, analyzed, shelved, or resolved.  — H. D., A Tribute to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 168–194.
Published: 01 September 1990
.... Stanford: Stanford University Press, 1988 . Chevrier , Jean-François , and Jean Sagne. “Essai sur l'identité, l'exotisme et les excès photographiques”. Photographies 4 (April 1984 ). Didi-Huberman , Georges . Invention de l'hystérie . Paris: Editions Macula, 1982 . Freud...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... history. The Story of Anna 0.:A Study on Hysteria refers at once to the investigation of Josef Breuer and Sigmund Freud, and to that of the filmmaker. The case involved a highly intelligent young woman who developed, in connection with her father’s fatal illness, what Ernest Jones called a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 115.
Published: 01 September 1980
... of the National Audio-visual Institute (INA), Paris. Jane Weinstock studies at New York University and is currently living in Paris. She has recently worked with Claire Pajaczkowska, Andrew Tyndall, and Anthony McCall on the film Sigmund Freud’s Dora: A Case of Mistaken Identity...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 247.
Published: 01 May 1979
... intertextual interview with Laura Mulvey. ERRATA Camera Obscurall p. 22 control over the means of representation (not the meaning) p. 65 a minute-long black screen (not blank) p. 1 16 Dream, Freud also tells us Lewin’s discovery of the dream-screen (not dream-scene) the dream...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 127–132.
Published: 01 December 1989
... already noted my reservations concerning the latter, but it also seems to me that it is no longer possible simply to import the Freudian notions of scopophilia and fetishism without a critical examination of the theory of the drive in Freud and the con- sequences of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 30–67.
Published: 01 May 1988
...- binarisms that reinforce each other in the case of gender, if not that of class. The “truth” or “right” which is thus subverted is the principle of hierarchy. Freud’s account of perversion also stresses its diversionary and de- centering character. c‘Perversions he writes in Three Essays on the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 89–111.
Published: 01 May 1988
... give me two or three days of quite amazing pain, preceded by many hours of hallucination and nausea, I’ve always admired Freud when he managed to turn his migraine symptoms to some account. One particular onset of migraine that he records is described as something akin to a mystical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 14–20.
Published: 01 May 1979
... sexuality are Freud’s theory of the Oedipus complex and its corollaries of penis envy and fear of castration, and Lacan’s re-reading of Freud in terms of the phallus and the notion of lack. In using psychoanalytic concepts, it is imperative for women to situate themselves critically in relation to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 142.
Published: 01 January 1989
... Psychoanalysis and Cinema. Forthcoming is Male Subjectivity at the Margins. Sasha Torres is a doctoral candidate in the English Department at Cornell University. Jane Weinstock is a writer and filmmaker who lives in New York. She is one of the directors of Sigmund Freud’s Dora and has written for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 42–65.
Published: 01 May 1981
... in the film sequence--operations, I should stress, rather than localized metaphors or metonymies that could be isolated-and, more generally, the “means of representation” (as the term is used in Freud’s The Interpretation ofDreams), and the exact place they occupy, in parti...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 177–229.
Published: 01 September 2001
... feminist debate, today the notion of penis envy seems more deserving of obsolescence than sustained analysis and critique. Yet this concept, formulated by Freud in 1914 as a structuring principle of gender differentia- tion and well assimilated by popular culture today, remains some- thing of a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... teachers, consisting of case studies of films made by women and including Meshes of the Afternoon (Maya Deren) and La Souriante Mme. Beudet (Germaine Dulac). Freude is a film distributor and makes movies on the left side. Nancy Huston is a Canadian who has been living and...