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Journal Article
Camera Obscura (2004) 19 (2 (56)): 105–139.
Published: 01 September 2004
... Lyndon ” will appear in Kubrick in Perspective , a forthcoming collection from Cambridge University Press. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? —Roland Barthes, Roland Barthes by Roland Barthes...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 125–151.
Published: 01 September 2003
... examines death and beauty in twentieth-century art, literature, and film. “Don’t you feel eyes moving over your body? Don’t your eyes seek out the things they wantHannibal Lecter (Anthony Hopkins) in The Silence of the Lambs (dir. Jonathan Demme, US, 1991) The Practice and Politics of “Freeing...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
.... Such democratization, proponents argue, negates and thus frees us from the embodied particulars of race, ethnicity, gender, and sexuality. This perspective is rooted in and reproduces neoliberal assumptions about bodily transcendence and freedom. Drawing on several Asian American and British Asian blogs, Pham analyzes...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... (Tijuana, Baja California) and chronicles the lives of maquiladora workers who experience firsthand the debilitating effects of development driven by the North American Free Trade Agreement (NAFTA) along the Mexico-US border. The making of the film coincided with the global economic crisis of 2001, when...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... of social trauma structuring most haunted real estate films than by the free-floating anxieties attendant upon the financialization of postindustrial economies and exacerbated by the Great Recession. It theorizes that the franchise is symptomatic of a broader cultural exploration of an emergent recessionary...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
... also historically been conceived as a deviation of attention from its normal, goal-oriented routines. Attention seems to lose its proper object and so becomes aimless, free floating. In these particular films, the heroines' destabilized attention is figured in whimsical, decorative camera movements...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 4–25.
Published: 01 May 1993
..., in the marketplace, dazzles her with magic wealth and a movie-star smile, and frees her from Arab men, Arab (Islamic) law, and Arab culture. In the bargain, AladdidAmerica becomes the heir designate to AgrabaMArabia and its marketplace. Disparaged Islam, manned by Jafar and the daffy Sultan...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 77–105.
Published: 01 September 2009
... Revolution in the Films of Márta Mészáros, Miloš Forman, and Dušan Makavejev Constantin Parvulescu “The October Revolution was ruined when it rejected Free Love,” declares Milena (Milena Dravic´) in Dušan Makavejev’s WR: Mys- teries of the Organism (WR: Misterije organizma, Yugoslavia...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
..., she’d think in tough metaphors and eject tight sentences in stringent tones, change her hair, her clothes and her name, of course - from Mary Lou to Louis, or perhaps M.L. After all, it was a free country, a free world, a free market and she was free to free herself of her...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 1–31.
Published: 01 May 2017
... and the free-­form associative experimentation of The House Is Black, combined with the film’s ostensible subject matter (leprosy), helps to explain the paradox of the film’s central/marginalized position in histories of Iranian cinema. The critical uneasiness regarding the film’s style and genre has...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... identities, Wyman’s artwork employs cam- ouflage and masking to subvert the limitations of individualism in order to release power within an imagined and experienced collective identity. Wyman’s Free Pussy Riot Crazy Quilt  from 2012, for example, celebrates the persecuted Russia-­based...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
... Free Trade agreement with the United States. In a letter to Laura Sky, published in Cinema Canada, Vancouver-based filmmaker Moira Simpson notes the phenomenal impact of this agreement on Canada’s filmmaking sector: As filmmakers, our wings have already been clipped...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 161–171.
Published: 01 September 2010
... and plantation system. They claim that people of Haitian ancestry are not brought across the border in ships and shackles; they are allegedly brought of their own free will. But they are lured to the DR, stripped of identity, and ren- dered immobile by poverty and the denial of citizenship. What...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... degradation portrayed by the film. All the characters in Breillat’s films about women’s sexual identity and maturation — whether they are male or female, witnesses, agents, or victims of violent acts — live in, and even embrace, a world in which there exists no idealized space free of the misogyny...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... to treat Belgium as a sort of cultural poor relation), but although this was not a vintage year at Knokke, the breadth of free expression enjoyed there would be unthinkable anywhere in Gaulist France, publicly or privately, and least of all, as is in this case, with government sponsorship.10...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 191–202.
Published: 01 January 1988
... as a site of aesthetic liberty in opposition to the supposed blinding of passive masses by inartistic mediocrity, is precisely a position in ideology. At the very moment when "elevated" taste imagines itself as operating in the space of free choice, high taste is often doing...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
... tapped in our lm community. The last time I checked, that’s called free speech. I’ve got an idea. I’m inviting Robert Lantos to accompany me to tonight’s Spotlight screening of Life According to Agfa, by award- winning Israeli lmmaker Assi Dayan — my treat. Afterwards, over a beer, I’ll...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 63–93.
Published: 01 September 2020
.... That s not a child not anymore. Dr. Tenenbaum saw to that. . . . You won t survive without the ADAM those . . . things are carrying. Tenenbaum, visible only as a distant silhouette, provides Jack with an alternative, throwing him an antidote: Here! There is another way. Use this: free [them] from...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... This is especially clear with LeanIn .org, in which the “open exchange of ideas and information” is syn- onymous with “an active and supportive community”; “a growing library of free online lectures” on “leadership and communication” stands in for “education” and/as “practical skills that [women] can apply...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... in 2012 in response to the “Year of the MOOC.”1 The participation of large numbers of elite research universities in initiatives that offered free massive open online courses (MOOCs) generated considerable discussion about the next generation of open learning initiatives. Although feminists have...