Search Results for freddy

...William Anthony Nericcio Copyright © 1996 by Indiana University Press 1996 Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporium...

... emphasized than in the vertiginous transformation of Sylvester Stallone, the crown prince of action cinema, into the stoop shoul• dered, paunchy Freddy Heflin in James Mangold's 1997 Copland. "Copland" is the moniker for the suburb of Garrison, New Jersey, populated almost entirely...

... indirect subjectivity. These affects do not “belong” to the faces that express them, nor are they “uttered” by their wearers in anything like a unidirec- tional manner. In one sequence from Faces, Richard (John Marley) and Freddie (Fred Draper), two upper-middle-class businessmen, have picked...

... Street (1985), for example, two landmark films in this genre, the fear-provoking figures of Jason Vorhees and Freddy Krueger emerge foremost in the context of a territorial struggle between those who own property and the cooks, janitors, and caretakers whose labor earns them the right to live...

..., the deindustrialized city generates a force of evil that haunts and ultimately murders residents in the postindustrial suburb. In Nightmare, an accused sexual deviant takes revenge on a suburban lynch mob by haunting the dreams of their adolescent offspring. That Freddy Krueger takes his victims back to an aban- doned...

...; the what-ifs in relation to the lives of Kevin Sheehan, Erin McMenamin, and Freddie Hanlon. These failures of fathers, crimes of sadistic strangers, and the impoverishment of those who are less privileged are figured as patriarchal monstrosities, thus challenging the maternal failings of Easttown's various...

... primary form, does not “lack,” and an almost literal return to the womb-the more clinically plausible scenarios are offered by the film’s comedic sidekicks, the characters of Freddie (John Candy), Allen’s brother, and Dr. Kornbluth (Eugene Levy), the obsessed scientist. Freddie, already...

.... 2. Bertril R. R. Persson and Freddy Stahlberg, Health and Safety of Clinical NMR Examinations (Boca Raton: CRC Press, 1989). 3. Donald Mattison and Teresita Angtuaco, “Magnetic Resonance Imaging in Prenatal Diagnosis,” Clinical Obstetrics and Gynecology 31 ( 1988): 353-389...

...’ ’ effected through the various conjunctures of character position, camerawork, shot scale and editing? On the one hand, Karin leaves “under the sign of the phallus,” at the urging of her husband Freddy, and in response to the male demands directing her away from the lesbian liaison, pushing her...

... of the cinematic form. The complete text of Varda's ubiquitous voice-over is reproduced along with a relatively random selection of images from the visual track, virtually detached from their predetermined and immutable relation to the soundtrack, in favor of what coeditors Freddy Denaës and Gaël Teicher call...

..., and of coming-out narratives, in particular, is quite voluminous. Some other representative examples include Dick Scanlan, Does Freddy Dance (Boston: Alyson, 1995); Clifford Chase, ed., Queer 13: Lesbian and Gay Writers Recall Seventh Grade (New York: Morrow, 1998); and Patrick E...

..., formerly Freddie on A Different WorZd)is a young single mother who has chosen to work for Battle because she admires her work on behalf of African Americans during the Civil Rights movement. Dalkins, however, is not Battle’s protege, but rather someone who she can lead by example...

... the great feminine myths of gay male culture while oddly also completely avoiding sinking to the level of cultural debasement of, say, Maria Montez or the Joan Crawford of Trog (dir. Freddie Francis, UK, 1970). 24. Qtd. in D. A. Miller, A Place for Us: An Essay on the Broadway...

...)possession of the American Home,” 161 – 62; Tony Williams, “Poltergeist and Freddy’s Nightmares,” in Hearths of Darkness: The Family in the American Horror Film (Madison, NJ: Fairleigh Dickinson University Press, 1996), 225 – 37. 7. The film is based on the book by Jay Anson...

... vessel for the reception and containment of violence since the 1800s, which, he argues, accounts for this trend in ventriloquial performance. 7. Freddy Gray, “ ‘A Totally Irresponsible Art,’ ” Spectator, 31 July 2010, www.spectator.co.uk/2010/07/a-­totally-­irresponsible-­art...

.... Robert Iscove, US, 1999). Replicating a well-­known scene from the film — in which Rachael Leigh Cook’s character walks down a staircase wearing a sexy red dress after being made over from an unfashionable nerdy girl to the astonishment of Freddie Prinze Jr.’s character — the same song...

..., Pygmalion was remade multi- ple times. Shaw himself added a didactic epilogue to the original script, detailing in no uncertain terms that Eliza eventually mar- ries Freddy, not Higgins (apparently he was infuriated by the ten- dency of actors and stage managers to alter the ambiguous end- ing...