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Journal Article
Camera Obscura (1990) 8 (3 (24)): 46–63.
Published: 01 September 1990
...Vivian Sobchack Copyright © 1991 by The Johns Hopkins University Press 1990 The Amazing Voyage of Gustave Flaubert and Raymond Roussel (Steve Fagin, 1986) “The Occidental Tourist”: Steve Fagin’s Virtual Voyage for Armchair Travelers Vivian...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... a picture was solved only when the human subjects were removed from the scene. Compositional order became explicitly linked with subjective erasure. Gustave Flaubert’s experience of Cairo is similar—uncer- tainty in the face of excess. He writes, “What can I say about it all? . . . As yet I am...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 4–6.
Published: 01 September 1990
... the photographic image whose mute space Roland Barthes described in similar terms: “it cannot say what it shows.” The narrator of Steve Fagin’s videotape tells us that the fathers of Gustave (Flaubert) and Raymond (Roussel) never spoke: “At least their mothers spoke to them. A tongue taken from...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 64–87.
Published: 01 September 1990
...! quel espoir! quelle abondance d’illusions! I1 n’en restait plus, maintenant! Gustave Flaubert, Madame B~vary~~ But Ratliff was not looking at him now. William Faulkner, The HamleP3 She could...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
... and projected onto the machine-woman so that it could bemetaphorically purged." 72 In "Modernism's Other" Huyssen's description of Flaubert's assertion, "Madame Bovary c'est moi' as the fixed syntagm of modernism, concisely sums up the gender configurations of much of modernism...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 4–25.
Published: 01 May 1993
... Oriental woman of Flaubert, Balzac, Nerval, Burton, and others is wordless and mind- less, endlessly sexual, yet undemanding. The Oriental landscapes of the period are empty of local inhabitants, or locals are dwarfed by the immensity of vacant land or classical ruins which represent openness...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 129–157.
Published: 01 December 2005
... of representations. Perhaps the most salient feature of Hollywood Orientalism in the teens and twen- ties is that which Said notes in the work of Edward William Lane, Gustave Flaubert, and others: an “almost uniform association between the Orient” and sexual promise and threat. Oriental women, Said argues...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
... Press, 2001), 275. 55. “My Most Difficult Scene,” 77. 56. “Alice Brady Has Narrow Escape,” Moving Picture World, 10 March 1917, 1545. 57. Jean-Paul Sartre, L’idiot de la famille: Gustave Flaubert de 1821 à 1857, vol. 2 (Paris: Gallimard, 1971), 1439; qtd. in Dana Polan, “The Light Side...