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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 DaughtersofChaos (Marjorie Keller, 1979) Personal Film / Feminist Film Linda Reisman 1. With [Daughters ofChaos] [Keller] is established as a major filmmaker, perhaps the only major...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
...Rhona Berenstein Copyright © 1990 by The Johns Hopkins University Press 1990 Remembering History: Films by Women at the 1989 Toronto Film Festival Rhona Berenstein . . . the textual construction (written filmic, etc.) of discursive spaces in which not Woman but...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
...Raymond Bellow Copyright © 1991 by The Johns Hopkins University Press 1990 Persona (Ingmar Bergman, 1966) The Film Stilled Raymond Bellour If ever I say to a fleeing moment: “Stay, beautiful moment, don’t pass away!” then you can...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 91–127.
Published: 01 December 2005
...Chika Kinoshita Camera Obscura 2005 Chika Kinoshita is a PhD candidate at the University of Chicago, where she is writing a dissertation on the films of Mizoguchi Kenji. Her article on the actress Tanaka Kinuyo and Mizoguchi's mise-en-scène, “Choreography of Desire: Analyzing Kinuyo...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 39–44.
Published: 01 May 2006
... America. The Wild Party (dir. Dorothy Arzner, US, 1929) A R C H I V E F O R T H E F U T U R E The Future of Feminism and Film History Lauren Rabinovitz It is now the fashion to pronounce film history, rather than film theory, as that which counts most...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 65–68.
Published: 01 May 2006
...Vivian Sobchack Camera Obscura 2006 Vivian Sobchack is a professor in the Department of Film, Television, and Digital Media at the UCLA School of Theater, Film, and Television. She was the first woman elected president of the Society for Cinema and Media Studies and is on the board of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
...Olivia Khoo Singaporean filmmaker Sun Koh's short film Dirty Bitch ( Tu Nu [兔女], 2009) was inspired by a violently censored VHS copy of Claire Denis's Nénette et Boni (France, 1996) found by the director at the Singapore public library. While the film can be read as an homage to a well-known French...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 129–145.
Published: 01 December 2018
...Hester Baer; Angelica Fenner In this conversation, which took place in Berlin, Ger­many, in August 2017, filmmaker Tatjana Turankskyj discusses recent developments in Pro Quote Film, the feminist initiative she cofounded with several other women filmmakers to promote gender parity in German film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 147–155.
Published: 01 December 2018
...Sebastian Heiduschke Although women today graduate from Germany’s film schools in numbers nearly equal to those of men, they remain heavily underrepresented in the nation’s film industry. This essay employs statistical evidence to take stock of the situation for women filmmakers and examines three...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 6–70.
Published: 01 September 1980
...Thierry Kuntzel © 1980 by Camera Obscura 1980 The Most Dangerous Game (Schoedsack and Pichel, I 93 2) The Film-Work, 2 Thierry Kuntzel Repetition: this text is the follow-up of an earlier text entitled “The Film-Work Like the former article, it is an exploration of the dream...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 129–157.
Published: 01 May 1995
...Catherine Russell Copyright © 1995 by Indiana University Press 1995 Hara Setsuko in End ofSummer (Ozu Yasujiro, 1961). "Overcoming Modernity": Gender and the Pathos of History in Japanese Film Melodrama Catherine Russell Although...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... © 1976 by Camera Obscura 1976 Works in Progress: Current Film Practice Jackie Raynal is living in New York City, writing and doing research on contemporary French avant-garde film. She is hoping to find the means to direct another film. D Hollis Frampton has made forty one...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 3–10.
Published: 01 May 1976
... © 1976 by Camera Obscura 1976 Feminism and Film: Critical Approaches I. Context The journal Camera Obscura has evolved from the recognition of a need for theoretical study of film in this country from a feminist and socialist perspective. This kind ofanalysisrecognizes that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Camera 0bscura Questionnaire on Alternative Film Distribution Camera Obscura sent a questionnaire to the following companies specializing in films by women. Additionally, several other distribution companies not specializing in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 130–143.
Published: 01 December 1984
...Lynne Kirby Linda Williams (Urbana: University of Illinois Press, 1981) © 1984 by Camera Obscura 1984 L'Age d'Or (Luis Bunuel, 1930) Book Reviews Figures of Desire: A Theory and Analysis of Surrealist Film by Linda WiUzams (Urbana: University of Iiiinois Press, 1981) Lynne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 195–214.
Published: 01 September 1985
... Women and Film: Both Sides of the Camera, and its reception is symp- tomatic of the debate within the feminist film community over the use of psychoanalysis in feminist film theory. For example, in a scathing review of Kaplan’s book1 in the December 1983 issue ofAmerican FZZm, B. Ruby Rich...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
...E. Ann Kaplan Copyright © 1985 by Camera Obscura 1985 The Hidden Agenda: Re- Vision: Essays in Feminist Film Criticism E. Ann Kaplan Women in Film is fast becoming a publicly recognized sub-field within Film Studies. The recent spate of books externalizes for the larger academic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 66–85.
Published: 01 December 1984
...Dana Polan © 1984 by Camera Obscura 1984 ‘ ‘Desire Shifts the DZferance’’ : Figural Poetics and Figural Politics in the Film Theory of Marie-Claire Ropars Dana Polan Polymorphous and perverse the cinema explodes the sign in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 146–154.
Published: 01 September 1988
...Richard deCordova Robert C. Allen and Douglas Gomery, Film History: Theory and Practice (New York: Knopf, 1985) Copyright © 1988 by The Johns Hopkins University Press 1988 Film History as Discipline Richard deCordova Robert C. Allen and Douglas Gomery, Film History: Theory and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988) Out of Her Mind: Fantasies of the 26th New York Film Festival by Jane Weinstock You could say it was the Year of the Other at the New...