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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988) Out of Her Mind: Fantasies of the 26th New York Film Festival by Jane Weinstock You could say it was the Year of the Other at the New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
...Rhona Berenstein Copyright © 1990 by The Johns Hopkins University Press 1990 Remembering History: Films by Women at the 1989 Toronto Film Festival Rhona Berenstein . . . the textual construction (written filmic, etc.) of discursive spaces in which not Woman but...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... Eugenia Volkes Feminism 101: The New York Women’s Video Festival, 1972–1980 Melinda Barlow From 1972 to 1980, the New York Women’s Video Festival was the primary showcase for work by American women videomakers. A landmark annual event founded by Steina Vasulka in 1972 to address the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
...Roya Rastegar Festivals not only select and exhibit films, they also call in audiences and shape the conditions in which these audiences engage with cinema. Drawing from the author's changing personal relationship to cinema culture, and engaging with eleven films that premiered at the 2012 Sundance...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...Gerda Johanna Cammaer The small Belgian coastal town of Knokke-le-Zoute once was the scene for one of the most impressive gatherings of the international film avant-garde, when it hosted the last three editions of the illustrious EXPRMNTL film festival (1963, 1967, and 1974). This article focuses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
...Kelly Hankin In 2001, the Clif Bar and Company, makers of LUNA: The Whole Nutrition Bar for Women, debuted LUNAFEST, an international touring film festival that showcases short narrative and documentary work by female filmmakers. Since its inception, this festival has made significant inroads into...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... the contemporary global terrain of film festivals and criticism. Bier's recent work demonstrates properties of both art cinema and popular European genre cinema; as a result, estimations of her films' critical and cultural worth have frequently been divergent and arguably gendered. The discussion...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... gained popularity, queer Asian cinema still exists primarily as a festival category representing a collection of films produced outside of particular national and industrial contexts. The limited scholarship on queer Asian cinema reflects the dominance of a national critical approach. Such an approach...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
... technical specifics involved in creating Akerman’s no-budget films in New York compared to the constraints that would have faced a new filmmaker in France or Belgium at the time. The original 1995 interview was published in Italian for the Pesaro Film Festival. It has been substantially reworked and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
...Suzanne Gauch Relating the trajectory of a young Franco-Moroccan woman who returns to her native city of Fez and embraces a mystical form of Islam, Farida Benlyazid's 1988 feature film A Door to the Sky has become a mainstay at international women's film festivals and in classes on gender and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
...John Greyson This article presents case studies of two recent Toronto actions protesting Israeli apartheid, as seen through queer eyes: the 2009 Toronto Declaration, a petition with thousands of signatures that condemned the Toronto International Film Festival's (TIFF) collaboration with the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 33–65.
Published: 01 December 2013
... a local appreciation of film through film festivals, associations with business and civic organizations, libraries and educational institutions, and radio broadcasts. In particular, through its monthly publication of film reviews, the Cleveland Cinema Club fashioned a reform-oriented spectator whose...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... educational distribution, and new trends in women's film festivals. Women Make Movies's strategy of advocating for women within the film world is highlighted. Debra Zimmerman has been the executive director of Women Make Movies since 1983. During her tenure it has grown into the largest distributor of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
...B. Ruby Rich This article considers the early history of women-directed media, examining its links to political action campaigns in the 1970s and exploring the aims of women's film festivals, production workshops, and Women Make Movies itself. Acknowledging a personal role in the WMM crisis of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
...Katherine Fusco This article argues that Virtual 2Pac , created in 2012 by Digital Domain Media Group in collaboration with Dr. Dre for the Coachella Valley Music and Arts Festival, represents an important twenty-first-century challenge to the relationships between performance and performer, film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... the curating and exhibition of this work. Notes on Women’s Cinema, the pamphlet that included Johnston’s essay, grew out of the Edin- burgh Film Festival’s 1972 Women’s Cinema Event, which she co- organized with Laura Mulvey and Lynda Myles.2 Yet the canon...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
... . Women’s Film Festival in Seoul, 2005. Courtesy of WFFIS A R C H I V E F O R T H E F U T U R E The Future Was Then: Reinvesting in Feminist Media Practice and Politics Alexandra Juhasz The future of feminist media scholarship begins with a return: a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 244–245.
Published: 01 May 1979
...-Femmes International BP 114,75563 Paris Cedex 12, France Rosine Grange and Vivian Ostrovsky How we got started: Rosine and I have both worked individually (mainly together) at different women’s film festivals since 1974, doing research and organizing the different...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 143.
Published: 01 May 1976
... Screen, vol. 14, no. 3 (Autumn 1973). "The Narrative Text of Shock Corridor", Screen, vol. 15, no. 4 (Winter 1974/5). ] ohnston,Claire. "Femininityand the Masquerade: AnneoftheIndies' '. jacques Tourneur. Claire Johnston and Paul Willeman, eds., London: Edinburgh Film Festival, 1975...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 192.
Published: 01 May 2012
...” is a renewal and reconception of Camera Obscura’s early “Women Working” section, which included book and film/ video reviews, conference and festival reports, interviews and per- sonal reflections, and accounts of works-in-progress. Recent and forthcoming “In Practice” selections include a...