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feminist production studies

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Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
... with the insights of feminist production studies, a focus on “production at the margins” of the white female star's body confirms the indispensability of “below the line” women workers both to the manufacturing of screen images and to the “invisibilization” of racial debts. 9 To be clear, my goal...
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Journal Article
Camera Obscura (2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
... on their assumptions about those products' primary users. Michel Foucault's theories of governmentality and disciplinary technologies are also employed to understand how the micropolitics of gendered product design connect with the macropolitics of social control. Building on feminist technology research, this study...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 89–117.
Published: 01 September 2023
... overelaboration provides a critical avenue for focalizing labor in other areas of media history. finley.freibert@louisville.edu Copyright © 2023 by Camera Obscura Published by Duke University Press 2023 feminist production studies gay history media industry studies sex work film history...
FIGURES
Journal Article
Camera Obscura (2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
... in a circumscribed arena in which women's film is allowed to speak about women but not about film. More specifically, The Watermelon Woman both presents and represents the negotiations, mediations, and tensions triangulated among dominant film history, white feminist film studies and production, and black film...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 1–19.
Published: 01 December 2018
...Hester Baer; Angelica Fenner Setting the stage for this special issue of Camera Obscura , the introduction makes the case for German cinema as a renewed site for the theorization of women’s film authorship and feminist film production today. German cinema presents an especially generative case...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... organizations, these critiques often fail to consider how queer Palestinians mobilize and understand themselves. This article reports on an October 2011 panel and film screening at Yale University and the Hagop Kevorkian Center for Near Eastern Studies at New York University. “Queer/Palestinian: Critical...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
.... The relationship of the project to the development of feminist film studies, the production conditions for women's filmmaking in Latin America, the contemporary climate for distribution and exhibition in New York City (along with public funding structures), and the cultivation of new Latina/Latino audiences in New...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
...Melissa Phruksachart This article studies Breakfast at Tiffany’s (dir. Blake Edwards, US, 1961) to examine the constitutive role Mickey Rooney’s yellowface performance of Mr. Yunioshi plays in shoring up the infamous brand of white femininity embodied by Audrey Hepburn’s Holly Golightly...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
... it impossible to ignore the influ- ential and popular cinematic products which have emerged from Hol- lywood because of the impact those films have had on me, and my passion, for example, for the “woman’s film.” In the Canadian context, many of the feminists in film studies...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
... by feminist film scholars, community activ- ists, and a devoted horde of young feminist volunteers (many of them graduate and undergraduate students in film production and in film studies) — has used national and international contem- porary feminist film to create both community and the possibility...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
...  •  Camera Obscura Media Studies conference, some might see it as depressing that WMM has not “moved on” from its explicit feminist mission. The fact that WMM is still needed testifies to the persistent and long- standing struggle women filmmakers face in a sphere of cultural production...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 110–127.
Published: 01 May 1981
... the different material operations of Authorship as con- htions and functions of the circulation of film products has interest- ing consequences for feminist cinema, inasmuch as it is specifically concerned with the politics of the personal and has taken the question of first person...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... system- atic, historical analyses of women’s points of entry to, and creative labor in, Hollywood across different production positions (cin- ematographers, editors, costume designers, producers). She also underscores the need to study the influence of reception (female audiences) and of social...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 144–156.
Published: 01 December 1984
... stated: An important step forward for feminist film theory would be work that at- tempts to bring together the focus on meaning production foregrounded in textual analysis with studies of the social and htjto~icdcontext1 in which films are made (p. 109...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 39–44.
Published: 01 May 2006
... feminist film history: the serious limitations in focusing only on gender in subject formation and the critique of the knowable subject. With these assumptions in mind, I would characterize the productive possibilities of current directions in feminist film history as follows: (1) Gendering...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 138–149.
Published: 01 January 1990
... two and three of The History ofSexuality),and of various later interviews, enables the editors of Feminism and Foucault to propose a feminist ethics, and thus to argue for what they see as a more productive and positive direction for contemporary feminist debate.4 While I will have more...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... in the intervening decades, concern with a feminist restructuring of the social and material relations of production and exhibition is much less salient. The DIY women’s video chain letter Joanie 4  Jackie addresses contemporary barriers to the circulation and exhibition...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 78–99.
Published: 01 January 1992
... productions of feminist and gay culture.’ In AIDS activism we see an altered terrain in the U.S. of what counts as the “gay and lesbian community”; for example, there are new coalitions among feminists-lesbian and other. Who and what these “others” are is under contention...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... Feminist Research Giuliana Bruno Italian feminist discourse has travelled different paths and reached different positions than American feminist criticism. Its experience of knowledge is different from that of “Women’s Studies.” The notion of “feminist film theory’’ defines an academic...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 3–10.
Published: 01 May 1976
... © 1976 by Camera Obscura 1976 Feminism and Film: Critical Approaches I. Context The journal Camera Obscura has evolved from the recognition of a need for theoretical study of film in this country from a feminist and socialist perspective. This kind ofanalysisrecognizes...