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feminist
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Journal Article
Camera Obscura (2003) 18 (3 (54)): 71–97.
Published: 01 December 2003
... Is an Object:
Realizing the Feminist
Collaborative Video
Alexandra Juhasz
No woman is filmed as an object; everyone is a subject who
combines and presents physical, emotional, intellectual, and
political selves.
—Julia Lesage, “The Political Aesthetics of
the Feminist Documentary Film...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... Screen . If 6 Was 9 (dir. Eija-Liisa Ahtila, Finland, 1995).
Copyright Crystal Eye Ltd., Helsinki
Feminist Film in the Gallery:
If 6 Was 9
Alison Butler
Eija-Liisa Ahtila’s fi lms and DVD installations have been described
by the artist herself and others as “human dramas,” although...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... film to celebrate Morocco's cultural history and to trace out a feminist trajectory that embraces the country's Islamic heritage. More specifically, it conveys its protagonist's embrace of Sufism simultaneously through a narrative influenced by Sufi poetics and a Sufi-influenced visual aesthetics. Yet...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 35–61.
Published: 01 December 2011
...Peter Alilunas Alan Alda has an important legacy not only as an actor but also as a feminist activist. This article reexamines his star text from the perspective of his political work as a vocal and very public supporter of the Equal Rights Amendment in the 1970s, as well as explores why his name...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... lens, Leonard works from an implicitly queer and feminist perspective that puts pressure on both hegemonic modes of seeing and our ways of narrating them. Such concerns have similarly animated the work of art historian Huey Copeland, whose writing explores the ways in which forms of cultural difference...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...Marusya Bociurkiw From 1972 to the early 1990s, Canadian feminist media collectives created dozens of social-issue documentaries and television series, producing an ephemeral archive of a vibrant era of political and social change. This article discusses the loss and/or deterioration...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
...Elizabeth Losh Tactics for feminist organizing are changing with the rise of new technologies. From the standpoint of expending digital labor, not all of these changes seem to be for the better. This essay looks at the practices of the international collective FemTechNet, a network of hundreds...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 37–77.
Published: 01 September 2001
... Studies and Comparative Literature, Philippine Critical Forum , and the anthology Geopolitics of the Visible: Essays on Philippine Film Cultures . Her research interests include film theory and genre studies, fantastic cinema and the philosophy of history, postcolonialism, feminist, and Philippine...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
...E. Ann Kaplan The Hidden Agenda: Re- Vision: Essays in Feminist
Film Criticism
E. Ann Kaplan
Women in Film is fast becoming a publicly recognized sub-field within
Film Studies. The recent spate of books externalizes for the larger academic
community what has long been internally...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 DaughtersofChaos (Marjorie Keller, 1979)
Personal Film / Feminist Film
Linda Reisman
1.
With [Daughters ofChaos] [Keller] is established
as a major filmmaker, perhaps the only major...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
...Ien Ang Copyright © 1988 by The Johns Hopkins University Press 1988 ."
Z
Feminist Desire and Female Pleasure: On Janice
Radway's Reading the Romance:
Women~ Patriarchy and Popular Literature
(Chapel Hill and London:
University of North Carolina Press...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 150–158.
Published: 01 January 1990
...Jeanne Allen Copyright © 1990 by The Johns Hopkins University Press 1990 Palaces of Consumption as Women’s Club:
En-countering Women’s Labor History and
Feminist Film Criticism
]eanne Allen
As leading promoters of consumer culture in the United States...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 80–94.
Published: 01 September 1988
...Diane Waldman Copyright © 1988 by The Johns Hopkins University Press 1988 Film Theory and the Gendered Spectator: The
Female or the Feminist Reader?
Diane Waldman
Like literary theory and criticism, film theory has moved from a notion
of meaning immanent in the text to a concern...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
...
Untitled (It’s our pleasure to disgust you) (Barbara Kruger, 1990)
Modernist Logic in Feminist Histories of Art
Amelia Jones
Vision and Difference: Femininity, Feminism and the Histories
of Art, Griselda Pollock. London and New York: Routledge,
1988.
Visual and Other Pleasures, Laura...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 4–35.
Published: 01 September 1991
...Elizabeth Young Copyright © 1992 by The Johns Hopkins University Press 1991 Silence of the Lambs (Jonathan Demme, 1991)
The Silence of the Lambs and the Flaying of
Feminist Theory
Elizabeth Young
I. The Sheepish Spectator
Let me begin with a curious fact about my relation...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... Feminist Research
Giuliana Bruno
Italian feminist discourse has travelled different paths and reached
different positions than American feminist criticism. Its experience of
knowledge is different from that of “Women’s Studies.” The notion
of “feminist film theory’’ defines an academic...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 68–81.
Published: 01 December 1989
Journal Article
Camera Obscura (2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
...Alexandra Juhasz Camera Obscura 2006 Alexandra Juhasz is a professor of media studies at Pitzer College and chair of the Department of Cultural Studies at Claremont Graduate University. She makes and writes about committed, feminist media. For details see pzacad.pitzer.edu/~ajuhasz...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
... and 1960s feminist rebelliousness, through the diva narrative, with its formulaic destruction of the ambitious woman, The Rose gets to reimagine her as appropriately castrated and feminine, and as appropriately punished for her strength, her ambition, and her gender. But the film takes this aggression...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
...Ros Murray This article assesses the impact and import of 1970s French feminist video collectives, focusing on the relationship between technology, subjectivity, and embodiment. It investigates how early portable video technology provided the tools for an exploration of subjectivity as collective...
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