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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 78–99.
Published: 01 January 1992
...Katie King Copyright © 1992 by Indiana University Press 1992 Masami Teraoka, 1992, New Wave Series1 Female Condom Tale, watercolor on paper Local and Global: AIDS Activism and Feminist Theory Katie King The juncture between all of these interests is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 37–77.
Published: 01 September 2001
... Studies and Comparative Literature, Philippine Critical Forum , and the anthology Geopolitics of the Visible: Essays on Philippine Film Cultures . Her research interests include film theory and genre studies, fantastic cinema and the philosophy of history, postcolonialism, feminist, and Philippine and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 71–97.
Published: 01 December 2003
... Object: Realizing the Feminist Collaborative Video Alexandra Juhasz No woman is filmed as an object; everyone is a subject who combines and presents physical, emotional, intellectual, and political selves. —Julia Lesage, “The Political Aesthetics of the Feminist Documentary Film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... Screen . If 6 Was 9 (dir. Eija-Liisa Ahtila, Finland, 1995). Copyright Crystal Eye Ltd., Helsinki Feminist Film in the Gallery: If 6 Was 9 Alison Butler Eija-Liisa Ahtila’s fi lms and DVD installations have been described by the artist herself and others as “human dramas,” although...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... film to celebrate Morocco's cultural history and to trace out a feminist trajectory that embraces the country's Islamic heritage. More specifically, it conveys its protagonist's embrace of Sufism simultaneously through a narrative influenced by Sufi poetics and a Sufi-influenced visual aesthetics. Yet...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 35–61.
Published: 01 December 2011
...Peter Alilunas Alan Alda has an important legacy not only as an actor but also as a feminist activist. This article reexamines his star text from the perspective of his political work as a vocal and very public supporter of the Equal Rights Amendment in the 1970s, as well as explores why his name...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
...E. Ann Kaplan Copyright © 1985 by Camera Obscura 1985 The Hidden Agenda: Re- Vision: Essays in Feminist Film Criticism E. Ann Kaplan Women in Film is fast becoming a publicly recognized sub-field within Film Studies. The recent spate of books externalizes for the larger academic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 DaughtersofChaos (Marjorie Keller, 1979) Personal Film / Feminist Film Linda Reisman 1. With [Daughters ofChaos] [Keller] is established as a major filmmaker, perhaps the only major...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
...Ien Ang Copyright © 1988 by The Johns Hopkins University Press 1988 ." Z Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance: Women~ Patriarchy and Popular Literature (Chapel Hill and London: University of North Carolina Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 150–158.
Published: 01 January 1990
...Jeanne Allen Copyright © 1990 by The Johns Hopkins University Press 1990 Palaces of Consumption as Women’s Club: En-countering Women’s Labor History and Feminist Film Criticism ]eanne Allen As leading promoters of consumer culture in the United States, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 80–94.
Published: 01 September 1988
...Diane Waldman Copyright © 1988 by The Johns Hopkins University Press 1988 Film Theory and the Gendered Spectator: The Female or the Feminist Reader? Diane Waldman Like literary theory and criticism, film theory has moved from a notion of meaning immanent in the text to a concern...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... Reviews Untitled (It’s our pleasure to disgust you) (Barbara Kruger, 1990) Modernist Logic in Feminist Histories of Art Amelia Jones Vision and Difference: Femininity, Feminism and the Histories of Art, Griselda Pollock. London and New York: Routledge, 1988. Visual and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 4–35.
Published: 01 September 1991
...Elizabeth Young Copyright © 1992 by The Johns Hopkins University Press 1991 Silence of the Lambs (Jonathan Demme, 1991) The Silence of the Lambs and the Flaying of Feminist Theory Elizabeth Young I. The Sheepish Spectator Let me begin with a curious fact about my relation to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... Feminist Research Giuliana Bruno Italian feminist discourse has travelled different paths and reached different positions than American feminist criticism. Its experience of knowledge is different from that of “Women’s Studies.” The notion of “feminist film theory’’ defines an academic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 68–81.
Published: 01 December 1989
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...Marusya Bociurkiw From 1972 to the early 1990s, Canadian feminist media collectives created dozens of social-issue documentaries and television series, producing an ephemeral archive of a vibrant era of political and social change. This article discusses the loss and/or deterioration of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
...Elizabeth Losh Tactics for feminist organizing are changing with the rise of new technologies. From the standpoint of expending digital labor, not all of these changes seem to be for the better. This essay looks at the practices of the international collective FemTechNet, a network of hundreds of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 110–127.
Published: 01 May 1981
... films, to be taken up by ourselves and our readers in subsequent issues. fie Song ofthe Shirt (Susan Clayton and Jonathan Curling, 1979) Feminist History and The Song Oftke Skirt* Susan Clayton andJonathan Curling In this article we would like to make some remarks on The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
...Barbara Klinger © 1981 by Camera Obscura 1981 Women Working Breathless (Jean-Luc Godard, 1959) Conference Report Conference on Feminist Film Criticism Barbara Klinger The Lolita Raclin Rodgers Memorial Conference on Feminist Film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
...Alexandra Juhasz Camera Obscura 2006 Alexandra Juhasz is a professor of media studies at Pitzer College and chair of the Department of Cultural Studies at Claremont Graduate University. She makes and writes about committed, feminist media. For details see pzacad.pitzer.edu/~ajuhasz...