... Volkes Feminism 101: The New York Women’s Video Festival, 1972–1980 Melinda Barlow From 1972 to 1980, the New York Women’s Video Festival was the primary showcase for work by American women videomakers. A landmark annual event founded by Steina Vasulka in 1972 to address the dearth...

...Anikó Imre Camera Obscura 2003 Anikó Imre teaches film studies at the University of Washington in Tacoma. She has published articles and book chapters on Eastern and Central European film and feminism, postcoloniality, and whiteness in various venues, including Screen and Framework...

... and Politics , she is currently working on a new feature film about the women's art movement at the center of the debates about art and politics in New York in the 1970s. A R C H I V E F O R T H E F U T U R E Feminism and Video: A View from the Village Joan...

... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... Feminism and Film: Critical Approaches I. Context The journal Camera Obscura has evolved from the recognition of a need for theoretical study of film in this country from a feminist and socialist perspective. This kind ofanalysisrecognizes that women are oppressed not only...

...Nancy Huston to include a list of the articles: 237 “Dora” - fragment of an analysis by Jacqueline Rose “The Personal is Political”: The Problem of Feminist Therapy by Susan Lipshitz Socialist Feminism - a political alternative? by Margaret Page...

... Editorial : Feminism, Fiction and the Avant-Garde In May 1978 three members of the Camera Obscura collective (Janet Bergstrom, Elisabeth Lyon and Constance Penley) gave a two day conference at the London Film Co-op on “Feminism, Fiction and the Avant-Garde.” As preparation...

...Janet Walker Women’s Pictures: Feminism and Cinema by Annette Kuhn (London: Rodedge & Kegan Pad, 1982) Janet WaZker ‘Women’s pictures’ ’ evokes simultaneously the Hollywood studio pro- duction category and women’s filmmaking practice - films abozrt, for, and by women. Annette...

...Bruce Robbins Copyright © 1988 by The Johns Hopkins University Press 1988 Men in Feminism Bruce Robbins Men in Feminism, Alice Jardine and Paul Smith, eds., New York and London: Methuen, 1987 A number of women have declined to review this book. I think I can understand...

...Constance Balides Copyright © 1990 by The Johns Hopkins University Press 1990 Foucault in the Fie1 of Ferninism Constance Balides If the intellectual marriage of the 1970s was marxism and feminism, disaffections and preferences shifted in the 1980s to produce a com...