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farocki

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Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... Leben—BRD [How to Live in the German Federal Republic] (dir. Harun Farocki, Germany, 1989). 02-Halle.V2sh 5/29/01 12:34 PM Page 47 History Is Not a Matter of Generations: Interview with Harun Farocki Randall...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 92–122.
Published: 01 January 1996
...Harun Farocki; Kaja Silverman In Her Place Harun Farocki and Kaja Silverman This article is taken from a book-in-progress about eight of Godard's major films: Vivre sa vie, Le mepris, Alphaville, Weekend, La gai savoir, Numero deux, Passion, and Nouvelle Vague. In that book...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 238–239.
Published: 01 January 1996
... in the early nineties. Harun Farocki is a Berlin-based filmmaker, who makes primarily experimental documentary and "essay" films. He has made over seventy films, including Images ofthe World and the Inscription ofWar, Videograms ofa Revolution, How to Live in the Federal...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 173–201.
Published: 01 December 2023
... points in the film, this article pairs close analyses with a discussion of Steyerl's own references to philosophy (Hegel) and film theory (Harun Farocki) within and peripherally to Lovely Andrea , demonstrating how the bondage practice of self‐suspension so central to this film performs a dialectical...
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Journal Article
Camera Obscura (2022) 37 (3 (111)): 69–85.
Published: 01 December 2022
... lectures on film history from the late 1970s. See Michael Witt, Jean-Luc Godard: Cinema Historian (Bloomington: Indiana University Press, 2013). 27. Vedrès, “Le cinéma et le piège de la réalité,” 135. 28. Quoted in Volker Siebel, “Painting Pavements,” in Harun Farocki: Working...
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Journal Article
Camera Obscura (1996) 13 (3 (39)): 154–155.
Published: 01 September 1996
... of the Screen: Allegories of technology in Atom Egoyan's Speaking Parts. No 38; pp. 93-116. Erhart, Julia Picturing What If: Julie Dash's Speculative Fiction. No 38; pp. 117-132. Farocki, Harun and Kaja Silverman In Her Place. No 37; pp. 93-124. Farred...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 277–278.
Published: 01 May 1997
... Cultural ldiom by Sara Mills. Routledge, 1998. Contemporary Hollywood Cinema by Steve Neale and Murray Smith. Rout- ledge, 1998. The Birds by Camille Paglia. BFI Publishing, 1998. Speaking About Godard by Kaja Silverman and Harun Farocki. New York UP, 1998...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... works as a clerk in a Parisian record store. She vaguely aspires to a movie or stage career but, in need of money to pay the rent, little by little turns to prostitution. In their book on Godard, Kaja Silverman and Harun Farocki highlight how the film’s penultimate sequence stages the complex...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 93–117.
Published: 01 September 2016
... York: Columbia University Press, 1985), 152. 27. For instance, Thomas Elsaesser writes that “Straub . . . explicitly fashioned the acting style and verbal delivery of his protagonists after Brechtian precepts.” Thomas Elsaesser, “Political Filmmaking after Brecht: Farocki...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 1–29.
Published: 01 December 2002
... by Godard in Histoire(s) du cinéma, they at times approximate something like “hardness.” They do so, for the most part, because of the intractability of their male counterparts. 31. For a fuller elaboration of this reading, see Kaja Silverman and Harun Farocki, Speaking about Godard...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 71–102.
Published: 01 September 2024
... as a major hub of international export-driven manufacturing. Finally, and not least, one may just as appropriately place Rottenberg's work in line with the cerebral, process-oriented, and labor-concerned conceptual work of artists Andrea Fraser, Santiago Sierra, Harun Farocki, and Francis Alÿs, to name a few...
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Journal Article
Camera Obscura (2000) 15 (2 (44)): 41–73.
Published: 01 September 2000
... colonial imagination and imperialist project. On the other hand, the recent work of directors such as Percy Adlon, Doris Dörrie, Harun Farocki, Werner Herzog, Ulrike Ottinger, Heiner Stadler, or Wim Wenders clearly seeks to engage with geopolitical or neo...