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Journal Article
Camera Obscura (2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... Figures Theory.” Previous articles can be found in The Origins of Deconstruction (2006), as well as in parallax, Performance Research , and the Journal of Visual Culture .
Wind Up:
The Machine-Event of Tape
Lynn Turner
I’m sorry, so sorry.
Please accept my apology.
But love...
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in Breaking at the Edges: Carolee Schneemann's Desires for Dance
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 1. Carolee Schneemann, Newspaper Event (1963). Photograph by Al Giese. © 2020 Hottelet/Giese/Licensed by Artists Rights Society (ARS), NY
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Published: 01 December 2021
Figure 1. Barbara Hammer and Florrie Burke at an Aurora Pictures event honoring Hammer's work. Photographer unknown.
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Journal Article
Camera Obscura (2024) 39 (3 (117)): 121–147.
Published: 01 December 2024
... Mardi Gras, Riot authenticates the relation of its story to historical events in part by giving its characters the same names as some of the more prominent activists organizing in the seventies. Yet what is most striking about Riot is the way in which it privileges another kind of historical agent...
FIGURES
Journal Article
Camera Obscura (2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
... into university settings, where it has students organize, market, and host the event. This essay examines the issues attendant with bringing LUNAFEST onto college campuses. On the one hand, LUNAFEST encourages and supports the exhibition of women filmmakers, a laudable endeavor. On the other hand, as a corporate...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 159–169.
Published: 01 September 2020
...Janice Loreck; Sian Mitchell; Whitney Monaghan; Kirsten Stevens The Melbourne Women in Film Festival (MWFF) is a four-day event in Melbourne, Australia, that supports and celebrates the work of Australian women filmmakers. Launched in 2017, the festival emerged from our desire as screen academics...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 149–159.
Published: 01 September 2022
...Shana MacDonald Abstract This article looks at the work of the Drunk Feminist Film (DFF) collective from Toronto, Canada. DFF screenings offer interactive in‐person and online events that combine watching popular Hollywood films with simultaneous live commentary, audience participation, and hashtag...
FIGURES
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in “Virtual Varda”: Sustainable Legacies, Digital Communities, and Scholarly Postcards
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 2. Professor Feride Çiçekoğlu, coorganizer of “Gender Equality and Sustainability: Agnès Varda's Sustaining Legacy,” sends a virtual postcard in the form of her introduction to the online event, unofficially renamed “Virtual Varda,” on 28 March 2020. Courtesy of Feride Çiçekoğlu
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Journal Article
Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
... by organizing a public event in which excerpts from the censorship documents were uploaded to Wikipedia . © 2016 by Camera Obscura 2016 Radha May Italian cinema censorship artist collective female sexuality feminist artists Radha May is an artist whose work explores forgotten and hidden...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 1–39.
Published: 01 September 2008
... explores Almodóvar's narrative style through a close analysis of the deployment of coincidence as a device in Talk to Her , a film structured by coincidental meetings and events. Tracing Almodóvar's treatment of coincidence allows us to evaluate and appreciate the classical echoes of his narrative...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
...David Alderson Most discussions of Billy Elliot have either taken for granted an understanding of the historical event that it treats or failed to engage with that context completely. Written during the twenty-fifth anniversary of the 1984–85 miners' strike, this article considers the film...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... treaty with the US and the crisis of a 1972 hostage incident. These early 1970s events were seen by denizens of mass media as well as intellectuals to signal the end of radical politics. However, treatments of liberation viewed through the lenses of gender, sexuality, and complicity thrived in sex films...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 63–93.
Published: 01 December 2011
... a fundamental shift in the older conception of the performance artwork as a unique event. The article explores the way in which both reperformance and pornography are characterized by a mode of reception in which a document of a past performance becomes the occasion for the creation of new affect in the present...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
...Tess Takahashi This article examines the legacy of issues of representation in the International Experimental Media Congress held in Toronto in April of 2010, twenty years after the contentious 1989 International Experimental Film Congress. On the surface, the two events embraced the same stated...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... on the particularities of the town where EXPRMNTL took place, most notably its casino, exposing how and why Knokke was such fertile ground for the international film avant-garde to explode during EXPRMNTL 4, a festival that left its mark on all subsequent debates about experimental film. It showed, as no other event has...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
..., and larger American historical events, Bechdel's novel deals with themes of trauma, memory, and historical narrative. The novel has been embraced for the queer way in which it approaches her family archive — it refuses to settle on one understanding of the truth of Bechdel's father, his sexuality...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... of a daylong series of events sponsored by the Feminist Art Project and organized by art historians Julia Bryan-Wilson and Johanna Burton. Leonard and Copeland took two of her works as touchstones for their exchange: The Fae Richards Photo Archive (1993 – 96), originally conceived as part of Cheryl Dunye's...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 33–63.
Published: 01 December 2014
...-inflicted suffering during the mothers' march lent the event a dramatic narrative quality that echoed other television genres. All of this unfolded against the backdrop of the Nixon administration's attack on television news broadcasters for their liberal bias, which made McCabe more appealing to news...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... on by the experience of attending such an event. Dietrich Squinkifer (a.k.a. Squinky ) is a writer, programmer, musician, and visual artist who creates games and playable experiences about gender identity, social awkwardness, and miscellaneous silliness. In 2015, they were recognized as part of Forbes's “30...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
... for the photographed person, or the motivation to initiate certain projects is troubling or even coercive. This article, written with the collaborative input of Ewald and Meiselas, focuses on our work's basis in the assumption that collaboration always already lies at the basis of the event of photography...
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