... is the most prominent storyline in the miniseries. However, across nearly sixteen hours, Berlin Alexanderplatz also introduces us to Paula (Mechthild Grossmann), Minna (Karin Baal), Ida (Barbara Valentin), Frau Bast (Brigitte Mira), Polish Lina (Elisabeth Trissenaar), Eva (Hanna Schygulla), the widow (Angela...

... to the special issue by such Akerman scholars as Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Eva Kuhn, Brenda Longfellow, Ivone Margulies, and Maureen Turim; interviews with Akerman’s collaborators, editor Claire Atherton, cinematographer Babette Mangolte, and cellist and composer Sonia...

... framework of structural violence that determines individual movement, remembrance, access to health care, and living conditions. In the two short films analysed in this article, Lifting the Mask (سقط القناع) by Najwa Najjar (Palestine, 2020) and MAY: Locked Down with “Eva” in Nakba Anniversary (أيّار...

...Edited by Eva Kuhn; Ute Holl In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting...

... phenomena—the influx of young, single women into the paid labor force. The film focuses on Eva Meyer (Mary MacLaren), a five-and-dime store clerk whose meager $5-a-week salary must support her mother and father, along with three younger sisters, supplemented only by the lim- ited income her mother earns...

... by Camera Obscura 2014 Figure 1. Jitka Nováková as Eva in The Fruit of Paradise (Ovoce stromu˚ rajských jíme, dir. Věra Chytilová, Czechoslovakia, 1969) Veˇra Chytilová’s The Fruit of Paradise: A Tale of a Feminine Aesthetic, Dancing Color, and a Doll Who Kills the Devil Iveta Jusová...

... and Pathé Comica’s Sarah Duhamel are more likely to survive a dyna- mite explosion unscathed than to bypass a puddle without under- going severe physical humiliation. For example, in what a contem- porary reviewer calls “a very laughable picture,” Eva Is Tired of Life (Pathé, France, 1911...

... visualized. The black man and the white girl have been caught in the bedroom together — a fantasy that Uncle Tom’s Cabin rendered tragic by making the bedroom scene the site of Little Eva’s death. Here, however, it is Eros rather than Thanatos that articulates the mise-en-scène; when...

.... Baltimore, MD: Johns Hopkins University Press, 2000. Rainer, Yvonne. A Woman Who . . . Essays, Interviews, Scripts. Baltimore, MD: Johns Hopkins University Press, 1999. Rueschmann, Eva. Sisters on Screen: Siblings in Contemporary Cinema...

... popular stage play of the nineteenth century, Uncle Tom’s Cabin. Indeed, if anything, Temple and Robinson are less physically intimate than Tom and Eva had been. Nonetheless, their pairing serves a similar function. In Stowe’s novel, Tom and Eva’s relationship is character- ized by cultural...

... of artistic freedom in negotiating issues of censorship relating to sexuality, and sev- The Minor Transnationalism of Queer Asian Cinema  • 37 eral women filmmakers, including Eva Tang Londres-( London­ [UK, 2006]) and Kirsten Han (Spudnik Productions), have had success...

... , the vertical, transgenerational passing down of familial memories is entwined with the horizontal, border-crossing spreading of transnational memories, echoing the current memory-making process of the Nanjing Massacre in today's globalized world. In After Such Knowledge , Eva Hoffman argued...

...Figure 1. Vore (Eero Milonoff, left ) and Tina (Eva Melander) falling in love. Gräns ( Border , dir. Ali Abbasi, Sweden, 2018). Used with permission from Nadim Carlsen ...

.... Heavenly powers can be logically explained and the argonauts reach their goal because they use their scientific knowledge. 1971 Sontagsmalerei [Sunduy Painting] 45min., 16mm, color (commissioned by ZDF-TV network) Eva loves a married man whom she pretends...

... friendships.”12 There is voluminous correspondence from her famous lovers, especially from Broadway star Eva Le Gallienne, and lusty poetry from Isadora Duncan. There are letters from an assortment of modernist celebrities, including Beaton (the topic was most...

...-okcupid/ . 38. Misha Kavka, “The Science of Affection: Algorithmic Love Matches on TV,” Screen 62, no. 2 (2021): 227–35. 39. Eva-Lynn Jagoe, “Depersonalized Intimacy: The Cases of Sherry Turkle and Spike Jonze,” ESC: English Studies in Canada 42, no. 1 (2016): 155–73; Alla Ivanchikova...

... measures and push for redistributive results beyond symbolic commitment, individual recognition, and positive publicity. © 2020 by Camera Obscura 2020 Anna Serner 50/50 by 2020 campaign gender equality work Swedish Film Institute Figure 1. Alicia Vikander, Charlotte Rampling, and Eva Green...

... (1983). -. “Feminism and Ideology: The Terms of Women’s Stereotypes.” Fem- inist Review 22 (1986): 58-81. -. “Die Niedertracht der Hausfrau und die Tuecke der Schurkin.” Trans- lated by Eva Warth. Frauen und Film 42 (1987). Seiter, Ellen, et al...

... was perhaps the most eclectic, drawing as it did on a wide variety of historical and contemporary sources. —Eva Weber, Art Deco in America But first a word about Art Deco in order to situate our discussion of Garbo and cinema. Deco was a popular international trend that surfaced between 1910 and 1935...