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Journal Article
Camera Obscura (2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... most prominent storyline in the miniseries. However, across nearly sixteen hours, Berlin Alexanderplatz also introduces us to Paula (Mechthild Grossmann), Minna (Karin Baal), Ida (Barbara Valentin), Frau Bast (Brigitte Mira), Polish Lina (Elisabeth Trissenaar), Eva (Hanna Schygulla), the widow (Angela...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... contributions to the special issue by such Akerman scholars as Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Eva Kuhn, Brenda Longfellow, Ivone Margulies, and Maureen Turim; interviews with Akerman’s collaborators, editor Claire Atherton, cinematographer Babette Mangolte, and cellist and...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
...Edited by Eva Kuhn; Ute Holl In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
... Camera Obscura 2014 Figure 1. Jitka Nováková as Eva in The Fruit of Paradise (Ovoce stromu˚ rajských jíme, dir. Věra Chytilová, Czechoslovakia, 1969) Veˇra Chytilová’s The Fruit of Paradise: A Tale of a Feminine Aesthetic, Dancing Color, and a Doll Who Kills the Devil Iveta Jusová...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 141–169.
Published: 01 September 2004
... phenomena—the influx of young, single women into the paid labor force. The film focuses on Eva Meyer (Mary MacLaren), a five-and-dime store clerk whose meager $5-a-week salary must support her mother and father, along with three younger sisters, supplemented only by the lim- ited income her mother earns...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 266–268.
Published: 01 December 2001
.... Baltimore, MD: Johns Hopkins University Press, 2000. Rainer, Yvonne. A Woman Who . . . Essays, Interviews, Scripts. Baltimore, MD: Johns Hopkins University Press, 1999. Rueschmann, Eva. Sisters on Screen: Siblings in Contemporary Cinema...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 1–39.
Published: 01 December 2009
Journal Article
Camera Obscura (2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... laughable picture,” Eva Is Tired of Life (Pathé, France, 1911), an alienated, overworked female laborer with an “indestructible constitution” unsuccessfully attempts to put an end to her miseries: “She leaps over a bridge to bounce back again; she sits unharmed beneath a builder’s falling shaft...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 127–155.
Published: 01 May 2012
... quite familiar to Depression- era audiences, having been central to the most popular stage play of the nineteenth century, Uncle Tom’s Cabin. Indeed, if anything, Temple and Robinson are less physically intimate than Tom and Eva had been. Nonetheless, their pairing serves a similar function...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... degree of artistic freedom in negotiating issues of censorship relating to sexuality, and sev- The Minor Transnationalism of Queer Asian Cinema  • 37 eral women filmmakers, including Eva Tang Londres-( London­ [UK, 2006]) and Kirsten Han (Spudnik Productions), have had success...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
... measures and push for redistributive results beyond symbolic commitment, individual recognition, and positive publicity. © 2020 by Camera Obscura 2020 Anna Serner 50/50 by 2020 campaign gender equality work Swedish Film Institute Figure 1. Alicia Vikander, Charlotte Rampling, and Eva Green in...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 83–111.
Published: 01 December 2001
... decorative arts styles, art deco was perhaps the most eclectic, drawing as it did on a wide variety of historical and contemporary sources. —Eva Weber, Art Deco in America But first a word about Art Deco in order to situate our discussion of Garbo and cinema. Deco was a popular international trend...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... 1977 Kaisenn aus der Laube [Empress From the Lean-to] TV film episode in the series "Generation Problems." 1979 EvaMattes-Fragen an eine Mutter [EvaMattes-Questions Fora Mother] Documentary about the film actress Eva Mattes. 1979 Portrdt eines Scbauspieiers...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
Journal Article
Camera Obscura (2001) 15 (3 (45)): 227–265.
Published: 01 December 2001
... friendships.”12 There is voluminous correspondence from her famous lovers, especially from Broadway star Eva Le Gallienne, and lusty poetry from Isadora Duncan. There are letters from an assortment of modernist celebrities, including Beaton (the topic was most...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
Journal Article
Camera Obscura (2009) 24 (1 (70)): 67–107.
Published: 01 May 2009
Journal Article
Camera Obscura (2014) 29 (3 (87)): 149–183.
Published: 01 December 2014
Journal Article
Camera Obscura (2006) 21 (1 (61)): 147–182.
Published: 01 May 2006
... [Eva Mattes] in The Bitter Tears of Petra von Kant [Die Bitteren Tränen der Petra von Kant, 1972], or Marie [Ulrike Vigo], the out-of-wed- lock daughter of Lola in Lola [Lola, 1981], in the films by Rainer Werner Fassbinder) do not bear the experience of abandonment on their bodies. The...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 74–100.
Published: 01 September 1991
... Marnie, and Eva Marie-Saint in North By Northwest.2 To understand the function of Hitchcock’s blonde is thus to understand something fundamental about the imperatives of desire and represen- tation in classical Hollywood cinema. In an effort to depart from the rigid gender alignments of our...