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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 162–194.
Published: 01 September 1985
...Jean-Pierre Beauviala; Jean-Luc Godard; Lynne Kirby Copyright © 1985 by Camera Obscura 1985 Genesis of a Camera (First Episode) Jean-Pierre BeuwiuZu andJeun-Lac Godard We are reprinting this discussion between Jean-Pierre Beauviala and Jean- Luc Godard because it represents...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
... citizenship advanced by scholars of reality television; if the genre of reality television is linked to consumer technologies of self-improvement, recovery television focuses instead on the more stigmatized—yet equally as necessary—forms of citizenship embodied by addicts. Using an episode of the reality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
... article demonstrates how the program's interest in staging the excess of racialized gender is structured through a white racial imaginary, which is contested by cast members in each season's reunion episode. The article ends with a consideration of the way in which queer of color camp affectively...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... popular media. Particularly significant here is the program's emphasis on female friendship. Yet such “gynocentric” qualities and the series' affinity with young viewers might have been eroded in recent episodes. This is partly through the incorporation of more masculine genres, but also in the increasing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... Schmid), Fränze (Helen Vita), Cilly (Annemarie Düringer), Trude (Irm Hermann), the Whore of Babylon (uncredited), the waitress (Elke Haltaufderheide), and Mieze (Barbara Sukowa). Across successive episodes, these minor characters offer a version of seriality inside the serial form that is Berlin...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... Fred Cae collection, the Nat Hiken collection and a sampling of episodes from series produced by MTM including 1970s sit-corns like The Bob Newhart Show, Rhoda, and fifty-six episodes of The Mary Tyler Moore Show. Examples of television situation comedy and family drama are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 166–191.
Published: 01 May 1994
... the 1990s not so much by creating their own original programming, as by filling large portions of their schedule grids with daily cablecasts of what were once weekly episodes of off-network series.“ Even more significant than their reliance on syndicated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 192–211.
Published: 01 May 1994
...Joe Wlodarz Copyright © 1994 by Indiana University Press 1994 Disclaimer for “Strangers” episode of thirtysomething on Lifetime. Smokin’ Tokens: thirtysomething and TV’s Queer Dilemma Joe Wlodarz WARNING!: DUE TO ADULT THEMES, READER DISCRETION IS ADVISED. In recent...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 180–181.
Published: 01 December 1986
... © 1986 by Camera Obscura 1986 180 Index to Camera Obscura/I3-14, 15 (volume 5) Aumont, Jacques Eisenstein: Notes Towards a Biography. No.13-14; pp. 51-82. Beauviala, Jean-Pierre and Jean-Luc Godard Genesis of a Camera (First Episode). No.13...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 155–168.
Published: 01 May 1988
... but not too simple way, Pee-wee’s PZayhouse is one of the most progressive shows on network television. A stereotypical mailman is usually just that: a man. And to underscore the relation between the mail and the man, one Pee-wee episode features clips from a forties documentary on the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 102–123.
Published: 01 September 1993
... by a black, ex-con, delivery man-turned-partner, but more on Anthony later At first glance, the series seems to take romance as a central topic. Many of the episodes have dealt with Mary Jo’s dates “from the armpit of hell,” Anthony’s various fix-ups...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1993) 11 (1 (31)): 26–47.
Published: 01 May 1993
... questioned and resisted by both the print media and subsequent purchasers of the series. When the series was syndicated on commer- cial US television in the late 1970s, early episodes of Upstairs, Down- stairs were selected for broadcast while the later ones were not. In addition, television...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 146–165.
Published: 01 May 1994
... inscription of what I am calling national memory in China Beach with this episode because “The Gift” perfectly typifies the series’ organizing anxiety-the impossibility of adequately remembering the Vietnam war-and it mobilizes the show’s most typical expression of that anxiety by narrativizing it...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 194–199.
Published: 01 May 2008
... yellow brick road to a fabulous Oz where music bares his soul as much as mine. So what is a woman to do? Well, needless to say, goodbye Kansas. Notes 1. Alexander Doty, Flaming Classics: Queering the Film Canon (New York: Routledge, 2000), 7. 2. Lorne, in “Belonging,” episode of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
... Modern Family sitcoms humor homosexuality stereotypes conservatism Figure 1. In Modern Family’s pilot episode, Mitch interprets homophobia in a woman’s remark about “that baby with those cream puffs,” while viewers see the humor based upon the disjunction between the word’s literal...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 158–184.
Published: 01 May 1995
... which to act In just this way, China Beach attempts to place the viewer in relation to Vietnam as a historical event by assuming connections between discourses of history and memory, national and personal identity. In particular, the episodes "Independence Day" and "Rewind" provide the opportunity...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 117–127.
Published: 01 January 1988
... the level of narrative in the soap opera, the wedding episode is a privileged site of complication. Rather than resolving weeks of conflict which it has been the serial's function elaborately to spin out, the wedding provides a complex and fertile textual "knot," a matrix of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 86–107.
Published: 01 January 1989
... thirtysomething, contrasts the show’s attention to a “mandate of smallness, worlds of incremental change” with the “galloping narrative” of traditional prime-time: “The idea is ‘to try to look more closely to home for episodic drama rather than looking at the more melodramatic,’ said Mr. Zwick...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
... also given added racial meaning by the deployment of Whiteness as a (de)centered racial category.”9 The overall success of the show indicates that this thematic of bodily invasion offers certain pleasures for its audience. In this essay, however, I have chosen to focus on an episode that fans...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
... is rocketing. Shining planets spin at the edge of sight why should I stop, why? — Forugh Farrokhzad, Imam Biavarim be Aghaz-e Fasl-e Sard (Let Us Believe in the Dawning of a Cold Season) A wide-angle traveling shot of a vast landscape opens the second episode of Marziyeh...