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Journal Article
Camera Obscura (2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
... has authored numerous articles and is working on a manuscript titled “Anticipatory Governance, Queer Difference and the Post-oil Generation in the United Arab Emirates.” © 2011 by Camera Obscura 2011 Figure 1. Pantene 1 (2004) by Procter & Gamble Middle East
Shampoo: Editing, Advertising...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
...” (2007).
In Practice: Vidding
An Editing Room of One’s Own:
Vidding as Women’s Work
Francesca Coppa
Introduction: What Is Vidding?
Vidding is a grassroots art form in which fans reedit television or
film into music videos called “vids” or “fanvids...
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in Glimpsing Angie Xtravaganza: The Trans Latinx Imaginary of Paris Is Burning
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
Figure 2. Angie and the scratch on the reel, Criterion Collection edition outtakes. Paris Is Burning (dir. Jennie Livingston, US, 1990)
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Published: 01 September 2021
Figure 4. Carolee Schneemann, as she appears in Fantastic Architecture , edited by Dick Higgins and Wolf Vostell (New York: Something Else Press, 1970)
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in Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 5. Digital print on watercolor paper produced in Microsoft Word, edition of 5, 22 × 17 in., 2020. Courtesy of Shaheer Zazai
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Published: 01 September 2021
Figure 3. Fantastic Architecture , edited by Dick Higgins and Wolf Vostell (New York: Something Else Press, 1970). Front cover: Richard Hamilton, Guggenheim Collage , 1967
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Published: 01 September 2021
Figure 8. Carolee Schneemann editing Fuses (1964–67), 1966. Photographer unknown
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in Glimpsing Angie Xtravaganza: The Trans Latinx Imaginary of Paris Is Burning
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
Figure 4. Angie laying her head on a friend, Criterion Collection edition outtakes. Paris Is Burning (dir. Jennie Livingston, US, 1990)
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in Glimpsing Angie Xtravaganza: The Trans Latinx Imaginary of Paris Is Burning
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
Figure 3. “ Ay lo que ha hecho, loca! ” Criterion Collection edition outtakes. Paris Is Burning (dir. Jennie Livingston, US, 1990)
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in Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 5. 50/50 en 2020, “Comparison of the Last Thirty-Nine Editions—1980–2018” (detail), in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes
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Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...Gerda Johanna Cammaer The small Belgian coastal town of Knokke-le-Zoute once was the scene for one of the most impressive gatherings of the international film avant-garde, when it hosted the last three editions of the illustrious EXPRMNTL film festival (1963, 1967, and 1974). This article focuses...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 71–102.
Published: 01 September 2024
... into conceptual critique). Rottenberg's art flirts with a logic of cognitive mapping by suggesting the structures of global production and gendered labor that characterize our neoliberal world order. Through editing and documentary-like international filming, her works suture seemingly disparate locations...
FIGURES
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Journal Article
Camera Obscura (2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... performances in order to execute their trick techniques, films like Betty let their comediennes run wild in front of the camera, instead making sense of their irrational behavior through postproduction editing. Comedy has always haunted the emergence of cinema both as a narrative storytelling medium...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... objects,” students participating in FemTechNet have engaged in shared learning projects like “wikistorming,” in which students edit Wikipedia to improve the representation of women and people of color on the site, and digital-mapping initiatives, in which student experience is recognized as a site...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
...), Almayer’s Folly ( La Folie Almayer , France/Belgium, 2011), and the installation Selfportrait/ Autobiography: A Work in Progress (1998); topics encompass analog video editing, viewer experiences of film versus installation work, and how Atherton’s interest in Taoism informs her understanding of movement...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
..., including commercials, station IDs, and edits to content, can make the experience of watching the same episode of any show on different channels a wholly different textual experience. This article returns to foundational theories of TV flow and intertextuality to propose retextuality as a theoretical...
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Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
... director. However, this essay moves beyond a cursory reading of Denis's film as a celebration of paternal legacies, arguing that its atmospheric textures—the phantasmatic movement of its intertexts, the resonance of its rhythmic editing, or the vague force of its enigmatic gestures—express a critique...
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Journal Article
Camera Obscura (2023) 38 (2 (113)): 1–29.
Published: 01 September 2023
... of their political actions and educational segments edited together in their newsreel compilation film, Le film de la Femme nouvelle (dir. la Femme nouvelle, France, 1935), the suffragists, led by Louise Weiss, frame themselves as essential workers, fearless political actors, and perfect housewives...
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Journal Article
Camera Obscura (2024) 39 (2 (116)): 105–129.
Published: 01 September 2024
... on the aesthetic properties of the film, including color, mise-en-scène, cinematography, and editing, I argue that 20th Century Women recuperates the surface, but the surface does not clarify or confirm meaning; rather, as Mills attests, it remains a zone of lasting mystery. This is at the heart of the film's...
FIGURES
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in Glimpsing Angie Xtravaganza: The Trans Latinx Imaginary of Paris Is Burning
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
Figure 1. Angie chitchatting in Spanish, Union Square, New York City, Criterion Collection edition outtakes. Paris Is Burning (dir. Jennie Livingston, US, 1990)
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