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doane

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 142–147.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 142 Mary Ann Doane Although my initial attraction to this project was partially based on the possibility of writing in a different mode, a different type of dis- course, I find myself curiously...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 69–101.
Published: 01 September 2008
... protagonist) that productively learns from and contributes to a sensual, humanistic, and epistemic perception. Combining analyses of Ozu's films (by Noël Burch, Gilles Deleuze, David Desser, and Donald Richie) with film theories (by Roland Barthes, Walter Benjamin, Mary Ann Doane, and Jean Epstein), I trace...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
...Janet Bergstrom; Mary Ann Doane Copyright © 1990 by The Johns Hopkins University Press 1989 The Female Spectator: Contexts and Directions Janet Bergstrom and Mary Ann Doane “She’s a slippery character, of this we’re all agreed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 6–27.
Published: 01 September 1983
...Mary Ann Doane © 1983 by Camera Obscura 1983 Gilda (Charles Vidor, 1946) Gilda: Epistemology as Striptease Mary Ann Doane I. No Dice In the first shot of Gilda, I a slow tilt upward by the camera to face a frontal assault by a pair of dice thrown byjohnny I Glenn Ford is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
...Mary Ann Doane; Philip Rosen Copyright © 1982 by Camera Obscura 1982 Conference Reports Cinema Histories, Cinema PvaLtices Asilomar Conference Mary Ann Doane and Philip Rosen What came to be known as the Milwaukee-in-California conference, entitled “Cinema...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 1–21.
Published: 01 December 2004
...Mary Ann Doane Camera Obscura 2004 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Mary Ann Doane is George Hazard Crooker Professor of Modern Culture and Media and a professor of English at Brown University. She is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 52–66.
Published: 01 September 1988
...Lea Jacobs Mary Ann Doane, The Desire to Desire: The Woman' Film of the 1940s (Bloomington: Indiana University Press, 1987) Copyright © 1988 by The Johns Hopkins University Press 1988 REVIEW ESSAYS Dark Victory (Edmund Goulding, 1939) The Woman's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 242–243.
Published: 01 December 1982
... Clayton Feminist History and The Song ofthe Shirt, Vol. 3, no. 7; pp. I 11-127. Doane, Mary Ann and Philip Kosen Cinema History, Cinema Practices: Asilomar Conference. Vol. 3, no. 8-9-10; PP- 224-233. Ganahl, Margaret and K. S...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 152–153.
Published: 01 September 2003
..., Wheeler Winston. Straight: Constructions of Heterosexuality in the Cinema. Albany, NY: State University of New York Press, 2003. Dixon, Wheeler Winston, and Gwendolyn Audrey Foster, eds. Experimental Cinema: The Film Reader. New York: Routledge, 2002. Doane, Mary Ann. The Emergence of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
... capitalism) transformed not just the organization of narrative and visual pleasure, but also the forms of subjectivity associated with a female spectator-subject. Mary Ann Doane’s book The Desire to Desire: The Woman’s Film of the 2940s (1987) stands as the most important contribution to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 134–147.
Published: 01 September 1991
... spectator. One of the most interesting and puzzling contributions to this body of theory is Mary Ann Doane’s “Film and the Masquerade: Theorizing the Female Spectator” (Screen, 1982).3 Its puzzling quality surrounds the theorization of the masquerade, which is apparently...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 327–331.
Published: 01 December 1989
...). This problematic has been rearticulated and historicized with regard to the Hollywood cinema of the 1940s by Mary Ann Doane (1987). To complicate matters even further, there are many feminist theorists (including Doane, Tania Modleski, Christine Gledhill, Maria La Place...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 217–219.
Published: 01 December 1989
... (1975), Linda Williams (1984b), Mary Ann Doane (1984, 1987) and others. They were boosted by the fact that questions of spectatorship and identification seemed far more urgent in the moving, photographically based cinema than in painting, since the cinema traded in these rather than in portable...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 146–147.
Published: 01 September 1983
... series ofradio interviews on the subject of video for France Culture called Video Babi/. He is also editing the French edition of the diary of Alice James. Mary Ann Doane teaches film and theory in the Semiotics Program at Brown University. She has published articles in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
... the video work of Thierry Kuntzel not only in its relationship to film and film theory, but also in the context of the history of painting, the painterly and finally, of writing itself. In Gilda, Mary Ann Doane addresses what she describes as "the difficulty posed by the woman as a threat to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 118–121.
Published: 01 December 1989
... argument for women’s exclusion from empowering subjectivity may be (Doane 1987, Studlar 1988), to distort empirical observation by embracing a hypothetical, and seldom an antithetical, viewer places us in another uncomfortable position, nearly nullifying our own pos...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
.... Mary Ann Doane teaches film and theory in the Semiotics Program at Brown University. She has published articles in Yale French Studies, October, and Cine-tracts and is currently working on a book on the woman’s film of the 1940s. Jill Forbes is a film critic and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 54–75.
Published: 01 September 1991
... allow television viewers to face the threat of loss. And through a masochistic identification, we viewers are encouraged to take on the same burden of caring. Mary Ann Doane has written of films directed at female viewers made during the war years of the 1940She finds that films with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 186–189.
Published: 01 December 1989
... the subject (Rose 1986a; Doane 1987). My hesitation about the “search” for the female spectator, then, derives from the way this line of inquiry has informed critical practice. My analysis of Now Voyager followed the model of a symptomatic “reading against the grain.” Like other...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
... community what has long been internally a central focus on feminist issues.’ The fourth anthology since Gerald Peary and Karyn Kay’s Women and the Cinema (1977), Re-Vision: Essays in Feminist Film Criticism, edited by Mary Ann Doane, Patricia Mellencamp and Linda Williams, is important in...