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Journal Article
Notes on Distribution
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...
Journal Article
Women Filmmakers in West Germany: A Catalog (Part 2)
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
...
amalgam of Paramount and Universal. This new amalgam, called UIP
(United International Pictures) controls, together with 20th Century/
Disney and Warner / Columbia, almost 70% of the German film distri•
bution market. German distributors, particularly of "alternative" films
such as those by women...
Journal Article
Women Filmmakers in West Germany: A Catalog
Available to Purchase
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... Doerrie 11. Helke Sander
4. Claudia Holldack 12. Heha Sanders-Brahms
5. Elfie Mikesch 13. U1a Stoeckl
6. Dorothea Neunlurchen 14. Margarethe von Trotta
7. Ulrike Ottinger Distributors
The existence of feminist filmmakers in West Germany may be sus...
Journal Article
Camera Obscura Questionnaire on Alternative Film Distribution
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
...
distributors like Tricontinental and Serious Business Company
by doing well, should encourage filmmakers not to go to big
commercial distributors and convince them that they can have
more leverage. Also, the development of socially responsible...
Journal Article
New Day Films, Digital Distribution, and Collective Aesthetics
Available to Purchase
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
..., we have often drawn
on the independent distributor New Day Films, whose particularly
strong emphasis on collective governance by its membership is
matched not only by the articulation of a collective aesthetics and
mimetic politics in its work but also by the institution’s deliberate...
Journal Article
Looking Back and Forward: A Conversation about Women Make Movies
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... distribution, and new trends in women's film festivals. Women Make Movies's strategy of advocating for women within the film world is highlighted. Debra Zimmerman has been the executive director of Women Make Movies since 1983. During her tenure it has grown into the largest distributor of films...
Journal Article
Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... of the French 50/50 en 2020 collective, a gender equity campaign comprising writers, directors, producers, actresses, cinematographers, talent agents, editors, distributors, sales agents, and other members of the film industry ( fig. 1 ). The 2019 Cannes festival tribute to Varda following her death in March...
FIGURES
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Journal Article
Agnès Varda, Producer
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
...-Luc Godard, France, 1962), and Muriel, or the Time of Return ( Muriel ou le temps d'un retour , dir. Alain Resnais, France, 1963). But most films in the 1950s were financed through a combination of bank loans, funds from distributors’ and exhibitors’ networks, credit from studios and laboratories...
FIGURES
Journal Article
Works in Progress: Current Film Practice
Available to Purchase
Camera Obscura (1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... is running Serious Business Company (1609 Jaynes St.,
Berkeley, Ca 94703), an independent distributor for independent film-
makers. She is also working on a film, to be called Redheads on Parade.
D Klaus Wyborny has received money to work on a new film, The Scene
ofAction, and he isabout to publish...
Journal Article
Contributors
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... for teachers, consisting of case studies of films
made by women and including Meshes of the Afternoon (Maya Deren)
and La Souriante Mme. Beudet (Germaine Dulac).
Freude is a film distributor and makes movies on the left side.
Nancy Huston is a Canadian who has been living...
Journal Article
Books Received
Available to Purchase
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 240–241.
Published: 01 December 1982
... of archives where prints
can be found, as well as a list of distributors. ...
Journal Article
Announcements
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 148–149.
Published: 01 September 1983
... columns,
distributors, speakers bureaus, special library collections on women, as well as
hundreds of individual media women and media-concerned women in the
Individuals section-listings written by the women and groups themselves with
addresses, phone numbers, contact...
Journal Article
Ciné-Femmes International
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 244–245.
Published: 01 May 1979
... often
travel with the films all over Europe. We hold debates and informal
discussions with the public. We also try to centralize a maximum
amount of information on films made by women all over the world.
Often we help filmmakers find a distributor for their films or help them
find at least...
Journal Article
Evolving Narrative Structures Forge New Cine-Love at the 2012 Sundance Film Festival
Available to Purchase
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... s, Geoffrey Gilmore worked alongside inde-
pendent distributors and studios like Miramax and Fox Search-
light to transform Sundance into a market- driven platform for the
development and launch of independent lms. Only a handful of
independent lms by women of color have proven commercially...
Journal Article
More Than “Just Talk”: The Chelsea Picture Station in the 1970s
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
..., for example,
were both founded in the 1970s by feminist filmmakers. They still
survive, with New Day now a broader social justice media distributor
and Iris a production company. But unlike many analogous cultural
groups, and although it almost shut down several times in the face
of various...
Journal Article
Source Guide to TV Family Comedy, Drama and Serial Drama, 1946–1970
Available to Purchase
Camera Obscura (1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... be studied.
Two other sources should be mentioned, sources which, through their obvious•
ness, might be overlooked by researchers: distributors and cable. A frequently
fruitful avenue for researchers in locating and using previously syndicated pro•
gramming is to contact the distributors which...
Journal Article
Feminist History and The Song of the Shirt
Available to Purchase
Camera Obscura (1981) 3 (1 (7)): 110–127.
Published: 01 May 1981
... working
to distribute and exhibit the film, and which is necessarily at odds
with our “voice” as filmmakers. Our stance as co-distributors, active-
ly involved in the use of The Song ofthe Shirt in particular contexts,
complicates the task of writing as Authors of the film, a problem
which...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... in 1982. At the same time, by publishing reports
on women filmmakers (primarily avant-garde), film distributors,
and conferences, Camera Obscura maintained close ties with femi-
nist practice, with the groundswell of women’s media organiza-
tions — production collectives, distributors, and festivals...
Journal Article
Rescuing the Fragmentary Evidence of Women's Experimental Film
Available to Purchase
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... are available. Just go to the dustiest section of the
experimental film distributors Canyon Cinema or Film-Makers’
Cooperative (in San Francisco and New York, respectively) and
follow the scent of deteriorating celluloid. Here you will find the
unstudied and little-exhibited films made about women’s experi...
Journal Article
The Future Was Then: Reinvesting in Feminist Media Practice and Politics
Available to Purchase
Camera Obscura (2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
...) students and the feminist media community (makers,
curators, distributors, funders, etc.) who are most eager to learn
from, and engage with, our ideas. Like many of you, I teach courses
in women’s cinema and feminist film theory to undergraduates. Here,
I learn that many of the foundational debates...
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