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1
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
....
The distributor contracts with the producer of a film to market
The author wishes to thank Leslie Clark for her aid in preparing this article and
Linda Artel for compiling the Bibliography.
152 her/his work and arranges to pay a royalty on each rental or sale to the
filmmaker. A catalog of all...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
...
amalgam of Paramount and Universal. This new amalgam, called UIP
(United International Pictures) controls, together with 20th Century/
Disney and Warner / Columbia, almost 70% of the German film distri•
bution market. German distributors, particularly of "alternative" films
such as those by women...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... Doerrie 11. Helke Sander
4. Claudia Holldack 12. Heha Sanders-Brahms
5. Elfie Mikesch 13. U1a Stoeckl
6. Dorothea Neunlurchen 14. Margarethe von Trotta
7. Ulrike Ottinger Distributors
The existence of feminist filmmakers in West Germany may be sus...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
...
distributors like Tricontinental and Serious Business Company
by doing well, should encourage filmmakers not to go to big
commercial distributors and convince them that they can have
more leverage. Also, the development of socially responsible...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
... the aesthetic
form and exhibition context of alternative cinemas. In teaching
documentary studies and production courses, we have often drawn
on the independent distributor New Day Films, whose particularly
strong emphasis on collective governance by its membership is
matched not only...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... distribution, and new trends in women's film festivals. Women Make Movies's strategy of advocating for women within the film world is highlighted. Debra Zimmerman has been the executive director of Women Make Movies since 1983. During her tenure it has grown into the largest distributor of films...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... campaign. Joining them were eighty women in the international film industry—directors, actresses, producers, crew members, screenwriters, sales agents, distributors, talent agents, and editors—totaling eighty-two, equal to the number of women who had climbed the steps with films in the official competition...
FIGURES
| View All (10)
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
... not a pauper by choice. 24 Varda provided even more precise budget figures for One Sings, the Other Doesn't in an interview the following year. She ultimately received a total of 700,000 francs from the CNC's avance sur recettes program, 300,000 from the distributor Gaumont, 150,000 from...
FIGURES
Journal Article
Camera Obscura (1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... is running Serious Business Company (1609 Jaynes St.,
Berkeley, Ca 94703), an independent distributor for independent film-
makers. She is also working on a film, to be called Redheads on Parade.
D Klaus Wyborny has received money to work on a new film, The Scene
ofAction, and he isabout to publish...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... for teachers, consisting of case studies of films
made by women and including Meshes of the Afternoon (Maya Deren)
and La Souriante Mme. Beudet (Germaine Dulac).
Freude is a film distributor and makes movies on the left side.
Nancy Huston is a Canadian who has been living...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 240–241.
Published: 01 December 1982
... of archives where prints
can be found, as well as a list of distributors. ...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 148–149.
Published: 01 September 1983
... columns,
distributors, speakers bureaus, special library collections on women, as well as
hundreds of individual media women and media-concerned women in the
Individuals section-listings written by the women and groups themselves with
addresses, phone numbers, contact...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 244–245.
Published: 01 May 1979
... often
travel with the films all over Europe. We hold debates and informal
discussions with the public. We also try to centralize a maximum
amount of information on films made by women all over the world.
Often we help filmmakers find a distributor for their films or help them
find at least...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... ning American independent lm culture.
Since the early s, Geoffrey Gilmore worked alongside inde-
pendent distributors and studios like Miramax and Fox Search-
light to transform Sundance into a market- driven platform for the
development and launch of independent lms. Only a handful...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... Day now a broader social justice media distributor
and Iris a production company. But unlike many analogous cultural
groups, and although it almost shut down several times in the face
of various financial and organizational challenges, WMM lasted
beyond the 1970s and became a film institution...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... be studied.
Two other sources should be mentioned, sources which, through their obvious•
ness, might be overlooked by researchers: distributors and cable. A frequently
fruitful avenue for researchers in locating and using previously syndicated pro•
gramming is to contact the distributors which...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 110–127.
Published: 01 May 1981
... produced out of our experience working
to distribute and exhibit the film, and which is necessarily at odds
with our “voice” as filmmakers. Our stance as co-distributors, active-
ly involved in the use of The Song ofthe Shirt in particular contexts,
complicates the task of writing as Authors...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... in 1982. At the same time, by publishing reports
on women filmmakers (primarily avant-garde), film distributors,
and conferences, Camera Obscura maintained close ties with femi-
nist practice, with the groundswell of women’s media organiza-
tions — production collectives, distributors, and festivals...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... are available. Just go to the dustiest section of the
experimental film distributors Canyon Cinema or Film-Makers’
Cooperative (in San Francisco and New York, respectively) and
follow the scent of deteriorating celluloid. Here you will find the
unstudied and little-exhibited films made about women’s experi...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
...) students and the feminist media community (makers,
curators, distributors, funders, etc.) who are most eager to learn
from, and engage with, our ideas. Like many of you, I teach courses
in women’s cinema and feminist film theory to undergraduates. Here,
I learn that many of the foundational debates...
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