...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...

... Copyright © 1979 by Camera Obscura 1979 Camera 0bscura Questionnaire on Alternative Film Distribution Camera Obscura sent a questionnaire to the following companies specializing in films by women. Additionally, several other distribution companies not specializing in...

...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history to...

...Catherine L. Benamou; Bienvenida Matías This is part memoir, part historical reflection on the creation of “Punto de Vista: Latina,” a transnational distribution and local exhibition project of films by and about Latinas during the reorganization of Women Make Movies in the early 1980s. The...

... to address the under- and misrepresentation of women in film and media; today, the New York–based nonprofit supports the creation and circulation of independent film and media by and about women through its production assistance program, extensive distribution service, and advocacy role. The...

... of feminist pedagogy. In response, FemTechNet created an online DOCC (distributed open collaborative course) that modeled the cocreation of knowledge and scholarly dialogues in distributed networks and questioned the hierarchical and colonial impulses of online education. Using the concept of...

...Elena Gorfinkel American sexploitation cinema of the 1960s and early 1970s has gained a second life in the past two decades through a boom in video and DVD distribution and rerelease, and consequently a new, generationally distinct audience. This article proposes that what appeals to cult audiences...

... projected through mobile exhibition on city buildings, and Eli Rezik's online “web-movies” Living Alone without Me (Palestine, 2011) and Between Us Two (Palestine, 2011) compelled a panel discussion of alternative means of distribution and exhibition. Finally, Alaa AbuAsad's Masturbate bil beit (Palestine...

... era of executive auteurs, its unique development and distribution, its use of familiar genres, its formal innovations, its complications of gendered viewing patterns and assumptions, and its risqué content paired with humane, even feminist sensitivity. Sandwiched between the socially relevant...

... focuses on the censorship of femininity and sexuality in Italian cinema in the 1950s and 1960s. For the project, Radha May retrieved censored scenes that had never been seen in public and created a film installation, a performance, and a digital publication. She distributed the recovered material further...

... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...

... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...

..., 1970. L’Amour. Paris: Gallimard, 1972. L’homme assis duns le couloir. Paris: Editions de Minuit, 1980. II. Films La Musica (1966). In collaboration with Paul Seban. Distribution by Arhstes Associks. Dttruire, dit-elle (1969). U.S. distribution by Grove Press, 196 W...

... submissions, with the intention of enriching dialogue between feminist media scholarship and the practices— production, distribution, exhibition, organizing, curating, archiv­ ing, research, and so on — that sustain it. Submissions, proposals, or inquiries should be sent as an electronic version...

... submissions, with the intention of enriching dialogue between feminist media scholarship and the practices— production, distribution, exhibition, organizing, curating, archiv­ ing, research, and so on — that sustain it. Submissions, proposals, or inquiries should be sent as an electronic...

... submissions, with the intention of enriching dialogue between feminist media scholarship and the practices— production, distribution, exhibition, organizing, curating, archiv­ ing, research, and so on — that sustain it. Submissions, proposals, or inquiries should be sent as an electronic version...

... events. Two years ago we decided to form a more structured organization together so we created a non- profit organization called CinC-Femmes International. The purpose of C.F.I. is to promote and distribute films made by women to the widest possible audience. These films often...

... advertising images in the trade journal The Film Daily (during the years 1948-52) represent the symbolic economy of the American classical cinema. The tape is called l’lmnge du cinimn and is distributed by Serious Business Company, T 145 Mandana Ave., Oakland, CA 94610...

... open submissions, with the intention of enriching dialogue between feminist media scholarship and the practices — production, distribution, exhibition, organizing, research — that sustain it. Submissions or proposals should be sent to Camera Obscura Department of Film and...

... will publish solicitations and open submissions, with the intention of enriching dialogue between feminist media scholarship and the practices — production, distribution, exhibition, organizing, research — that sustain it. Submissions or proposals should be sent to Camera Obscura...