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Journal Article
New Day Films, Digital Distribution, and Collective Aesthetics
Available to Purchase
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history...
Journal Article
Notes on Distribution
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...
Journal Article
Camera Obscura Questionnaire on Alternative Film Distribution
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Camera 0bscura Questionnaire
on Alternative Film Distribution
Camera Obscura sent a questionnaire to the following companies
specializing in films by women. Additionally, several other distribution
companies not specializing...
Journal Article
Remembering “Punto de Vista: Latina” in Two Voices
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
...Catherine L. Benamou; Bienvenida Matías This is part memoir, part historical reflection on the creation of “Punto de Vista: Latina,” a transnational distribution and local exhibition project of films by and about Latinas during the reorganization of Women Make Movies in the early 1980s...
Journal Article
Looking Back and Forward: A Conversation about Women Make Movies
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... to address the under- and misrepresentation of women in film and media; today, the New York–based nonprofit supports the creation and circulation of independent film and media by and about women through its production assistance program, extensive distribution service, and advocacy role. The conversation...
Journal Article
Together Apart: FemTechNet and Feminist Online Collectives
Available to Purchase
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... of feminist pedagogy. In response, FemTechNet created an online DOCC (distributed open collaborative course) that modeled the cocreation of knowledge and scholarly dialogues in distributed networks and questioned the hierarchical and colonial impulses of online education. Using the concept of “boundary...
Journal Article
“Dated Sexuality”: Anna Biller's Viva and the Retrospective Life of Sexploitation Cinema
Available to Purchase
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
...Elena Gorfinkel American sexploitation cinema of the 1960s and early 1970s has gained a second life in the past two decades through a boom in video and DVD distribution and rerelease, and consequently a new, generationally distinct audience. This article proposes that what appeals to cult audiences...
Journal Article
“The Soap Opera Is a Hell of an Exciting Form”: Norman Lear's Mary Hartman, Mary Hartman and the 1970s Viewer
Available to Purchase
Camera Obscura (2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
... in an era of executive auteurs, its unique development and distribution, its use of familiar genres, its formal innovations, its complications of gendered viewing patterns and assumptions, and its risqué content paired with humane, even feminist sensitivity. Sandwiched between the socially relevant...
Journal Article
An Interview with the Artist Radha May: A Global Collective with a Single Identity
Available to Purchase
Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
... focuses on the censorship of femininity and sexuality in Italian cinema in the 1950s and 1960s. For the project, Radha May retrieved censored scenes that had never been seen in public and created a film installation, a performance, and a digital publication. She distributed the recovered material further...
Journal Article
Lock Them Up: The Cold Conservatism of Ang Lee's The Ice Storm
Available to Purchase
Camera Obscura (2023) 38 (1 (112)): 1–29.
Published: 01 May 2023
... audiences. Notwithstanding its “independent” status, its distribution through Fox (then owned by Rupert Murdoch's News Corp), situates the film institutionally in ways that challenge our understanding of the category of “independent” as necessarily politically progressive. The film's double‐dealing...
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Journal Article
Queer/Palestinian Cinema: A Critical Conversation on Palestinian Queer and Women's Filmmaking
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... projected through mobile exhibition on city buildings, and Eli Rezik's online “web-movies” Living Alone without Me (Palestine, 2011) and Between Us Two (Palestine, 2011) compelled a panel discussion of alternative means of distribution and exhibition. Finally, Alaa AbuAsad's Masturbate bil beit (Palestine...
Journal Article
Marguerite Duras: Bibliography/Filmography
Available to Purchase
Camera Obscura (1980) 2 (3 (6)): 50–53.
Published: 01 December 1980
..., 1970.
L’Amour. Paris: Gallimard, 1972.
L’homme assis duns le couloir. Paris: Editions de Minuit, 1980.
II. Films
La Musica (1966). In collaboration with Paul Seban. Distribution by
Arhstes Associks.
Dttruire, dit-elle (1969). U.S. distribution by Grove Press, 196 W...
Journal Article
As Canadian as Possible: The Female Spectator and the Canadian Context
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
... filmmakers to Canadian markets (extensive if they take
the trouble to seek distribution here).
Barbara Halpern Martineau2
What are the relationships between national identity and feminism;
between national identity and women film and video-makers; between...
Journal Article
Agnès Varda, Producer
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
... proportional to their contribution to the production. 4 The goal was to pay her collaborators when the film had its commercial release. In the end, no one earned money from La Pointe Courte ; the film's distribution was limited to the ciné-club circuit and a few art house screenings in Paris due...
FIGURES
Journal Article
The Last Days of Women's Cinema
Available to Purchase
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... films) in an archive for the future? I am thinking of the
concrete, material practices and spaces of 1970s “cinefeminism,”
the women’s films and festivals, as well as the publications and
distribution and activist organizations that sprang up not only in
Great...
Journal Article
Raised Fists: Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives
Available to Purchase
Camera Obscura (2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... and establish the
Parisian archive and distribution center, the Centre Audiovisuel
Simone de Beauvoir.
Early portable video provided an excellent tool for collective
96 • Camera Obscura
activism. The Sony Portapak that Godard refers to, which arrived
in France at exactly the right time (1968...
Journal Article
Watching Women's Films
Available to Purchase
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... decade. Treeless Mountain (dir. So Yong Kim, US/South Korea, 2008).
Courtesy Oscilloscope
IN PRACTICE: FEMINISM/CULTURE/MEDIA
Watching Women’s Films
Patricia White
Production, distribution, programming, preservation, advocacy,
access, scholarship, criticism — the many...
Journal Article
Reading the Figural
Available to Purchase
Camera Obscura (1990) 8 (3 (24)): 11–45.
Published: 01 September 1990
... and digital
image processing as well as the “broadcast” distribution, rather than
the “physical” distribution of commodities, along with the economic
and legal apparatuses that support them.2 How can critical thought
engage these new modes of expression and comprehend the forms of
reading they have...
Journal Article
The World and the Soup: Historicizing Media Feminisms in Transnational Contexts
Available to Purchase
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...-
poraneous individuals and to their aesthetic productions — that
is, the generative character of film feminisms and the work pro-
duced, distributed, or received under its auspices. Consideration
of a generational cohort of transnational women filmmakers oper-
ates as a counterbalance to text-based...
Journal Article
From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
... from an unusual angle. I first discuss the film's release, involving festival premieres, special screenings, and theatrical distribution, before turning to the online presence of the filmmakers that became a key example and record of the film's promotional processes, resulting in Varda's treatment...
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