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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
...Janet Bergstrom; Mary Ann Doane Copyright © 1990 by The Johns Hopkins University Press 1989 The Female Spectator: Contexts and Directions Janet Bergstrom and Mary Ann Doane “She’s a slippery character, of this we’re all agreed...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
...Anne-Charlotte Mecklenburg Abstract The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site...
FIGURES
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Published: 01 September 2023
Figure 2. In a segment directed by Ainsley Gardiner, Mihi's neighbor's face is briefly embellished with hand-drawn puffs of smoke, suggesting that Mihi's experience of reality cannot be limited to the ontology of the photographic image. Waru (2017) More
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Published: 01 September 2023
Figure 3. In a segment directed by Renae Maihi, the camera and thus Waru's wairua come to a rest, as Waru is reconnected to his father's grandmother and his own young mother, who sit side by side and grieve his loss. Waru (2017) More
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Published: 01 September 2023
Figure 4. In a segment written by Josephine Stewart-Te Whiu and directed by Awanui Simich-Pene, Bash turns to look directly at the camera as Waru whispers a final, “I'm still here,” rupturing standard notions of the extradiegetic reality. Waru (2017) More
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Published: 01 May 2022
Figure 2. One Direction (Niall Horan, Harry Styles, Louis Tomlinson, and Liam Payne) concluding their final music video, History (dir. Ben Winston, UK, 2016). More
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Published: 01 September 2023
Figure 1. In a segment directed by Paula Jones, Mere draws spiritual power from her Nanny's tokotoko stick and simultaneously galvanizes the women of her community, who gather around her as she confronts her abuser. Waru (2017) More
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Published: 01 December 2023
Figure 1. Issa rapping in front of the mirror ( Insecure , HBO, pilot, “Insecure as Fuck,” written by Issa Rae and Larry Wilmore, directed by Melina Matsoukas, 2016) More
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Published: 01 December 2023
Figure 2. Sam on a set ( Better Things , FX, pilot, “Sam/Pilot,” written by Pamela Adlon and Louis C. K., directed by Louis C. K., 2016) More
Journal Article
Camera Obscura (2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
...B. Ruby Rich This article considers the early history of women-directed media, examining its links to political action campaigns in the 1970s and exploring the aims of women's film festivals, production workshops, and Women Make Movies itself. Acknowledging a personal role in the WMM crisis...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 63–87.
Published: 01 September 2023
...Figure 2. In a segment directed by Ainsley Gardiner, Mihi's neighbor's face is briefly embellished with hand-drawn puffs of smoke, suggesting that Mihi's experience of reality cannot be limited to the ontology of the photographic image. Waru (2017) ...
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Journal Article
Camera Obscura (2009) 24 (1 (70)): 135–175.
Published: 01 May 2009
...Thomas Foster This essay analyzes a postcyberpunk science fiction story by Ted Chiang, an Asian American writer. The story speculates on the technological manipulation of visual perception through the direct modification of visual processing structures in the human brain. It focuses...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
... reveals her attempts to fit into the male-dominated business of film directing by distancing herself from gender issues, while simultaneously aligning herself with traditionally male-identified traits, such as toughness and the desire for control. Articles appearing during this time also routinely mention...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... covers the growth of the organization since the 1970s, the close connection between feminist film theory and independent filmmaking in the 1980s, changes in the culture of documentary, gender inequities in film directing and in financing of films about women, the impact of digital culture on educational...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 125–157.
Published: 01 December 2013
... and theoretical interventions posed by, especially, Guy Hocquenghem. Viewed through the lens of the complex relationship between French universalism and contemporary French queer culture, Johan is all the more radical and unique for its very direct gay stance. David A. Gerstner is professor of cinema...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
..., we argue, is taken in directions that suggest intriguing gendered implications for color. Iveta Jusová , PhD, is associate professor of women's and gender studies and of literature and director of the Women's and Gender Studies in Europe program at Antioch University. Jusová's research areas...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
...Priscilla Layne Between 1990 and 1997, Auma Obama, half-sister of Barack Obama, studied at the Berlin Film and Television Academy (DFFB). For her final project, Obama wrote and directed All That Glitters (1993), a short film about Wendo, a Kenyan woman living in Bayreuth, married to a white German...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 59–67.
Published: 01 December 2022
... , Vedrès's essay reflects on her then-recent experience of directing the celebrated archival documentary, Paris 1900 (1947). Using her experience of searching for and reediting footage of turn-of-the-century Paris as a springboard, Vedrès tackles a set of aesthetic problems that were being posed with renewed...
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Journal Article
Camera Obscura (2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
...Seth Watter This article examines the simultaneous gendering and pathologization of screen space in two films directed by Anatole Litvak, The Snake Pit and Sorry, Wrong Number (US, 1948), released within months of each other. It focuses on two formal phenomena: the morbid close-up and the curlicue...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 129–165.
Published: 01 May 2017
... to the implementation of Hollywood's star system. This article also analyzes the ambivalent modes of representation and address journalists directed at girl spectators and how such modes evidenced the film industry's growing dependence on young female audiences, as well as the broader patriarchal anxiety over girls...