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Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 3–27.
Published: 01 September 1985
... of Nicolas Poussin’s Midas and Dionysos. Spread like wallpaper across an entire back wall of Petra’s bedroom, the frameless tableau peers out from behind a clutter of furniture and objects crowded between the camera and the copy, in shots that use lighting, composition and actors’ bodies to draw...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 130–143.
Published: 01 December 1984
... Dionysos and Apollo ,21 between force and structure, between the text that plays and the text that obeys. 142 NOTES 1. Kirkegaard’s insistence on the “subjective freedom” entailed in the ironist’s activity should also be recalled in relation to the kind of enfint tem3fe...