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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... Alberta and is completing his dissertation, titled “Postfeminist Technologies: Digital Media and Cultural Industries of Choice.” His work has appeared in Spectator and several anthologies. © 2013 by Camera Obscura 2013 Figure 1. Pattie Maes, 2008. Courtesy of Pattie Maes Female Labor and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
...Zach Blas; Jacob Gaboury This conversation between scholar Jacob Gaboury and artist Zach Blas explores the unique challenges posed by contemporary digital media technology to the political projects of queer, feminist, critical race, and disability studies. Asking how we might negotiate the politics...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
... illuminate the economic and political implications of the media collective's recently developed digital platform. It argues that this distribution format extends the logic of the collective, which has informed both New Day's institutional culture and its dominant aesthetics. Drawing on interviews with key...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
... likewise voiced by Siri and her sisters, spokeswomen of neoliberal, digital capitalism. Copyright © 2018 Camera Obscura 2018 media archaeology feminism voice noise ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... knowledge in media, from the subjectivity of spectators to the subjectivity of filmmakers. Jinying Li is an assistant professor of film studies at the University of Pittsburgh. Her research focuses on the media culture of East Asia. Her essays on Asian cinema, animation, and digital media have been...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... Media. In both versions of this essay, Hansen argues that the Internet pro- vides an unprecedented possibility for a new ethical encounter between humans, in part because it can render them invisible to each other.4 Hansen observes that digital art can produce affec- tive states in the user that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... image laden while style blogs are text heavy. However, these categories tend to overlap and are often used interchangably by the popular media and by bloggers themselves. In this essay I use the term fashion-­themed blog  to account for the heterogeneity and hybridity of these digital...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... effects on experimental media wrought by the proliferation of digital technologies, the deterioration of media formats, the migration of the moving image into the museum, the experimental community's greater sense of itself as international, and shifts in the kinds of institutions and informal structures...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... Sandberg's ongoing Lean In project to a longer genealogy of cybernetic imaginaries, capitalist economism, and governmentality, the author questions the assumptions and occlusions that result when sociality and digitality are conflated. Seb Franklin is a lecturer in contemporary literature in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
..., and in which the digital does not realize the dream of an absolute, immaterial, totalizing recall but, on the contrary, allows for the proliferation and mobilization of singular viewpoints. Emerging there where a disorder of media coincides with a disorder of time, these works can help us...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 192–195.
Published: 01 September 2006
...Marie-Luise Angerer Camera Obscura 2006 Marie-Luise Angerer is a professor of gender [] media at the Art Academy of Media, Cologne, Germany. Her research focuses on affect and sexuality in media, art, and digital environments. Her publications include “The Making of... Desire, Digital...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 65–68.
Published: 01 May 2006
...Vivian Sobchack Camera Obscura 2006 Vivian Sobchack is a professor in the Department of Film, Television, and Digital Media at the UCLA School of Theater, Film, and Television. She was the first woman elected president of the Society for Cinema and Media Studies and is on the board of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 63–101.
Published: 01 December 2006
... that digital technolo- gies require one to interact and thus remain “in touch” with the medium) in order to trouble the historical alignment of women with materiality and the reduction of both to a passive, noncon- tributing medium. New media provide the means for Plant to reimagine materiality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
...; and under the arm are lymph nodes. White filmy areas represent cancer cells. From Breast Cancer: Adjuvant Therapy, Dartmouth Interactive Media Laboratory’s Shared Decision-making Program ( 1992). Graphic by Scott Chesnut. Camera Inforrnatica: Producing Interactive Media...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 143–177.
Published: 01 December 2011
... are undeniably a discursive by-­product of the progres- sively accessible and user-­friendly appeal of new technologies and interfaces and should be critiqued as such — ­Sarah Banet-­Weiser, for instance, argues that the use of digital forums such as YouTube for broadcasting “girl-­brand” media...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 1–5.
Published: 01 May 2009
...Lynne Joyrich Camera Obscura 2009 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Lynne Joyrich is associate professor of modern culture and media at Brown University. She is the author of Re-viewing Reception...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
... may have successfully drawn a useful guide to how dominant visual systems and institutions picture women, gender, and sexuality, we have missed answering such questions about a small, but certainly quite vital, component of media culture: the independent, alternative films, videos, digital work...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...Kathleen McHugh Feminism in the latter half of the twentieth century was a global movement with widespread and significant, if incomplete, uneven, and diverse, local effects. This essay considers the impact of feminisms on film and media culture and asks why it has proven difficult to historicize...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
... neutral new media technologies. Technophilic television programs like 24 , which create pleasure out of paranoia and dramas out of identification, employ digital special effects sequences like FRSs to demonstrate the power of both cinema and science to reveal hidden identities. These identities are often...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
...Katherine Fusco This article argues that Virtual 2Pac , created in 2012 by Digital Domain Media Group in collaboration with Dr. Dre for the Coachella Valley Music and Arts Festival, represents an important twenty-first-century challenge to the relationships between performance and performer, film...