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digital cinematography

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
... masculinity African Americans digital cinematography performance studies sound studies Figure 1. Digital Domain Media Group, Virtual 2Pac, Coachella Valley Music and Arts Festival, 15 April 2012, 2D digital projection Voices from Beyond the Grave: Virtual Tupac’s Live Performance at Coachella...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
... candidacy. Heightening the currency of the conversation, Soderbergh’s digital cinematography is especially amateurish in the scene. The lighting is too bright and the camera changes its focus inexplicably, encour- The Actress Experience  • 17 aging us to view...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... show accompanying a live rock concert, Basil’s dance in BREAKAWAY was created specifically for Conner’s camera lens. Her profilmic performance cannot be restaged, since its existence is predicated on the presence of the camera, Conner’s kinetic cinematography, and an array of in-­camera and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
... actors.20 A somehow renewed Rashomon (dir. Akira Kurosawa, Japan, the #28;lm found success (totally unexpected by its makers) in its bare equivocation: by mixing genres, cinematic modes, old and new media, cinematography and digital photography, and auto- biography and collective memoir...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... “clearing” and “lighting.” Heidegger calls to mind the filmic image of a clearing in the woods, light making its way through the trees. In words relevant to cinematography, Irigaray interposes air in this clearing, refusing to think of the clearing as an absence of earth, but instead...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 27–59.
Published: 01 December 2015
... film’s nostalgic desire for the past. To resolve this seeming paradox of old and new media rep- resentations, I refer to Vivian Sobchack’s account of digital media. Sobchack reconsiders the idea of indexicality through Michel Fou- cault’s concept of similitude — a term that questions the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
... “impoverished” tableaus of sexploitation films — with their scenarios of female autonomy and unleashed sexual desire, threadbare plots, occulted mise-­en-­scène, stark cinematography, and often leaden acting —  is precisely this shunted melancholia of obsolescence. It is an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
... small digital video cameras in the early 2000s, chief among the concerns of instructors at film- making programs for female youth was girls’ potential anxiety over using filmmaking equipment. As I have discussed elsewhere, movie cameras have long been gendered masculine as a result of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 185–207.
Published: 01 May 2005
... involves adding light rather than shadow, parallels the physical process of cinematography. In both, blackness or brownness is revealed by the introduction of light. Thematically, Urale uses ico- nography from the 1940s and 1950s to reference an era of rapid 200 • Camera Obscura and dramatic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
... Berkeley and Vincente Minnelli; a historically precise mise-­en-­scène created through a layering of digital effects, miniature models, and blue- ­screen live action; cinematography that exaggerates period details into camp (clichés through which Paris in 1899, and particularly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 113–149.
Published: 01 May 2004
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... such as Brazzers and Digital Playground.25 My research reveals that these compa- nies tend to be risk-­averse and operate on the assumption that their viewership is overwhelmingly straight and male. Due to competi- tion from free online content, however, production studios since the early...