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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
... illuminate the economic and political implications of the media collective's recently developed digital platform. It argues that this distribution format extends the logic of the collective, which has informed both New Day's institutional culture and its dominant aesthetics. Drawing on interviews with key...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... produced as part of this project, Self-Portrait with Three Women (dir. Zhang Mengqi, China, 2010) and Children's Village (dir. Zou Xueping, China, 2012), the article argues that the project produces a counterhistory through collective film production in a digital format. These films foreground the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
...Jennifer González Contemporary digital artists have been exploring the function of the face and its relation to public space for several decades. This essay offers a close reading of artworks by Keith Piper, Nancy Burson, Keith Obadike, and the collective Mongrel that address the relation between...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... the ways in which some fashion-themed blogs refuse neoliberal fictions of freedom and digital disembodiment by deploying a radical politics of sentimentality that reembodies fashion and labor histories by publicizing the material realities of race, gender, generation, sex, and class that are typically...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
...Jonathan Cohn This article focuses on the birth of social networking and digital recommendation technologies and their relationship to current cultures of postfeminism and neoliberalism. These technologies, primarily designed to bring users in touch with other people and consumer goods, are tied to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... Sandberg's ongoing Lean In project to a longer genealogy of cybernetic imaginaries, capitalist economism, and governmentality, the author questions the assumptions and occlusions that result when sociality and digitality are conflated. Seb Franklin is a lecturer in contemporary literature in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
...Lisa Nakamura Images of biometric screens are becoming increasingly common in television and film, particularly in genres such as police procedurals, “terror” television programs, and medical dramas. Digital surveillant screens establish and produce authority and scientific truths about national...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
... as cold, timeless bachelor-machine. It concludes by turning to the digital resurrection of Thomas Edison’s phonographic female dolls by a no less gendered technology, an optical scanning system named IRENE (Image, Reconstruct, Erase Noise, Etc.). Tracking “female noise” from Homer’s Sirens to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
...Katherine Fusco This article argues that Virtual 2Pac , created in 2012 by Digital Domain Media Group in collaboration with Dr. Dre for the Coachella Valley Music and Arts Festival, represents an important twenty-first-century challenge to the relationships between performance and performer, film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
...Elizabeth Losh Tactics for feminist organizing are changing with the rise of new technologies. From the standpoint of expending digital labor, not all of these changes seem to be for the better. This essay looks at the practices of the international collective FemTechNet, a network of hundreds of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... analyzing not only television but also online media and print and digital tabloids and the audience discourses involved with them. It further argues that transmediation incorporates gender and sexuality as well as media. In this, the body also functions as a medium, simultaneously grounded in materiality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
...Zoë Druick In her digital video work Mass Ornament (2009), the Testament series (2009), and Now He's Out in Public and Everyone Can See (2012), US artist Natalie Bookchin gathers clips from video blogs in which people perform dances and discuss personal and political issues, from sexuality to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
...Zach Blas; Jacob Gaboury This conversation between scholar Jacob Gaboury and artist Zach Blas explores the unique challenges posed by contemporary digital media technology to the political projects of queer, feminist, critical race, and disability studies. Asking how we might negotiate the politics...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
... neoliberalism demonstrates that embodiment in digital image networks emerges as a mode of intervention into the biopolitics of memory. Embodiment becomes the ghost in the machine of the film’s vision of neoliberal labor and memory markets. By focusing on the particular aesthetic means by which the film thinks...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 113–137.
Published: 01 May 2019
... Akerman in low-resolution digital video, No Home Movie alternates excruciatingly long passages set in the interior of her ailing mother’s apartment in Brussels with traveling shots taken of the Negev desert in Israel and sequences of the peripatetic Akerman Skyping her mother from her apartment in New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 29–67.
Published: 01 May 2010
...Linda Williams This essay's point of departure is the question of how images of death and torture are literally and metaphorically framed by the people who take them and how they are further received by the publics who see them. Beginning with a comparison of two digital headshots of an Arab enemy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... effects on experimental media wrought by the proliferation of digital technologies, the deterioration of media formats, the migration of the moving image into the museum, the experimental community's greater sense of itself as international, and shifts in the kinds of institutions and informal structures...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... conversation covers the growth of the organization since the 1970s, the close connection between feminist film theory and independent filmmaking in the 1980s, changes in the culture of documentary, gender inequities in film directing and in financing of films about women, the impact of digital culture on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... historical forms of media activism and current digital platforms for feminist activism. Marusya Bociurkiw is the director of the Studio for Media Activism and Critical Thought and an associate professor of media theory at Ryerson University in Toronto. She is the author of Feeling Canadian...