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dialogic media

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
...). © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Natalie Bookchin database documentary dialogic media archive of feeling listening Figure 1. Attending to the ephemeral and insignificant...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 37–67.
Published: 01 May 2013
... contribute to a nuanced meditation on women's experience of conjugal and family life. While much of the literature on melodrama draws on psychoanalysis and theories of spatiality, this article develops three distinct yet interrelated temporal and affective readings: Mikhail Bakhtin's dialogism and Virginia...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
... extended contemplation of the pathways and slipstreams between the individual and the collective once public and private histories have been wrapped up with media technologies—and with art as well as critique—in the ways that this has continually happened since the early 1980s in the US. Richard C...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... capitalism organized around the belief in the successful democratization of consumer markets and media. Thanks to liberalization policies and technological innovations in the past twenty years or so, more people than ever before can access the resources and rights associated with these institutions. Such...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... everyday encounters with popular media are ephemeral, unre- corded, and finally impossible to understand in any complete way. Still, it often pays to ask impossible questions. This issue of Camera Obscura explores the “off-screen’’ dialogue that takes place among audiences, texts and social...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 108–131.
Published: 01 May 1990
..., and rightly so, is that corporate influence on black music has led, in the past, to the dissolution of vibrant black cultural forms and that rap may become the latest victim. The problem is complex, real and requires analysis. However, Nelson George, like media...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 319–322.
Published: 01 December 1989
... understanding of cinema’s representation of women and of spectator positions and positioning, not so much because of an interest in theory per se, but because of a desire to understand and counter prevailing patriarchally inscribed media influences and to ac- knowledge and appreciate more fully my own...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Wake: The Ameurunculus Letters by Michael Phillipson. Rout- ledge, 1989. $9.95. Question and Answer: Forms of Dialogic Understanding by Hans Robert Jauss. Edited, translated and with a foreword by Michael Hays. University of Minnesota Press, 1989. $16.95. The Sublime Object of Ideology by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
... methodologies seemed inevitable. This approach, which has come to be termed “ethnographic,” makes use of such techniques as participant observation and audience interviews. There is a sense in which the concepts of “text” and “reading” are no longer applicable here. The media become, instead, a kind of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 33–63.
Published: 01 December 2014
... appealing to news producers as a representative of white opposition to civil rights. Matt Delmont is an associate professor of history at Arizona State University. His research and teaching areas include popular culture and media studies, urban history, education, and comparative ethnic studies. He...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
.../les cahiers de la femme 8 (Spring 1987 ). Women and Media/les femmes et les medias. CinémAction 20 ( 1986 ). “Aujourd'hui le cinéma québécois.” Special issue on cinema in Quebec. Copie Zéro 6 ( 1980 ). “Des cinéastes québécoises.” Special issue on Quebec's women filmmakers...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 78–116.
Published: 01 January 1988
... ethnicity than did their radio predecessors." Those changes reflect more than the differences between television and radio as media: they illuminate as well significant transformations in U.S. society during the 1950s, and they underscore the important role played by television in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 176–205.
Published: 01 May 1990
...” theater. As George Lipsitz argues, popular music engages people in what Mikhail Bakhtin called a dialogical relationship: “Popular music is nothing if not dialogic, the product of an on-going historical conversation in which no one has the first or last word Music, in other words, marks...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
... believe the materials presented here reveal much about youth cultures, their dis- 62 cursive regulation, and contemporary debates around broadly ethno- graphic approaches to the study of media audiences. The Provocation of Cultural Anxiety I hope The Cosby...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 57–90.
Published: 01 May 1992
... the media.’ This discussion of the visual has privileged the surface body, while the notion of the gaze has been premised on desire and pleasure. But what happens when feminist cultural critics delve into the taboo territory of studying the imaging of the pathological interior body? How...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 132–147.
Published: 01 May 1990
... nonetheless influenced and shaped by those popular practices which they both contain (some- times with difficulty) and make possible (even if reluctantly). The popular is a variable set of forces, manifest in a wide variety of practices that are produced in a dialogical relationship with the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... devices of Dogme, such as a handheld camera, natural locations and light, and minimal use of nondiegetic music. She also produces a reality effect through her use of conventions associated with such media forms as camcorder footage, home movies, and video diaries. In this context, Germa­ nika’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 66–85.
Published: 01 December 1984
...,” an essay on the pedagogical implications of textual analysis of film, a theory of media demystification can all too easily create a utopian myth- ology in which people assume they have pierced through the imaginary deceptions of media to arrive at some supposedly true grasp of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... radio. Staff member of the West German film journal, Ftlmkntik. FILMS 1970 Dark Spring; 92 min., 16mm and 35mm, color; Hochschule fur Film und Fernsehen Miinchen (35mm), Freunde der deutschen Kinernathek (16mm). Based on dialogs with women, the film is a mixture of fiction...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
... dialogic nature of the ethnographic project, which according to Radway is one of its central tenets, is more or less actualized. Of course, the narrative voice speaking to us is Radway's, but the limits of academic writing practice seem to make a more heterologic mode as yet almost unrealizable." She...