...Marie-Claire Ropars-Wuilleumier Gilles Deleuze, Cinema 1: The Movement-Image (Minneapolis: University of Minnesota Press, 1986: Minuit, 1983) and Cinéma 2: L'Image-temps (Minuit, 1985; forthcoming in translation) Copyright © 1988 by The Johns Hopkins University Press 1988 The Cinema...

... tous (I Stand Alone, dir. Gaspar Noé, France, 1998). Courtesy Strand Releasing Rape and the Rectum: Bersani, Deleuze, Noé Eugenie Brinkema The club is called Rectum, and everywhere one thinks of Bersani. As Marcus and Pierre storm through the darkened red tunnels, the space before...

..., following Gilles Deleuze and Félix Guattari, have called “lesbian minor cinema.” Finally, given Deleuze's centrality to my readings of faces as fields of active tension and of Illusions as minor cinema, I demonstrate how the film manifests but also challenges key ideas in Deleuze's three major accounts of...

... Philosophy; or, the Monadology (1917), Leibniz formulates an ontology based on the double operation of “continuous fulgurations,” or what Gilles Deleuze would later term “the fold.” Existence, for Leibniz, is a production of the multiple that entails a simultaneous merging and diverging, unification and...

... protagonist) that productively learns from and contributes to a sensual, humanistic, and epistemic perception. Combining analyses of Ozu's films (by Noël Burch, Gilles Deleuze, David Desser, and Donald Richie) with film theories (by Roland Barthes, Walter Benjamin, Mary Ann Doane, and Jean Epstein), I trace...

... emphasizes the masochistic logic that structures biopolitics. Reading the masochistic behaviors of both Abramović and the performance's spectators through Gilles Deleuze's notion of the masochistic contract, this essay argues that the performance ultimately harnesses “living labor” in the service of the self...

...Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988) Copyright © 1988 by The Johns Hopkins University Press 1988 Powers of Vision, Visions of Power Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988...

... concepts. Certain recurrent concerns sug- gest an awareness of—or at least sympathy with—Gilles Deleuze on the part of the artist herself: the portrayal of schizoid states in many works—including Anne, Aki, and God (1998), The Present (2001), and The Wind (2002)—could be infl uenced by Deleuze and...

... Institute, 1999. Berry, Sarah. Screen Style: Fashion and Femininity in 1930s Hollywood. Minneapolis: University of Minnesota, 2000. Buchanan, Ian. Deleuzism: A Metacommentary. Durham, NC: Duke University Press, 2000. Desser...

... Copyright © 1988 by The Johns Hopkins University Press 1988 156 Books Received A Thousand Plateaus: Capitalism and Schizophrenia by Gilles Deleuze and Felix Guattari, trans. Brian Massumi. University of Minnesota Press, 1987. $17.95. Feminism as...

.... $48.00. Frameby FrameII: A Filmography ofthe African American Image, 1978-1994 by Phyllis R. Klotman and Gloria J. Gibson. Indiana University Press, 1997. $49.95. Gilles Deleuze's Time Machine by David Rodowick. Duke University Press, 1997. $49.95. Lights...

... Literature from Stanford University. Also a creative writer, he teaches English and Humanities at Hong Kong Baptist University. His Chinese publications include "Mass Culture and Hong Kong" (1990), "Deleuze" (1997) and "Desiring Belly Button" (1997). Bill Nichols is Director of the M.A. Program in Film...

... term “discourse” is un- derstood by tracing out what Modern philosophy has systematically excluded or exiled: incommensurable spaces, temporal irreversibility, nonlinear dynamics, logic unruled by the principle of noncontradic- ti~n.~ Foucault through Deleuze, or the Diagrammatics of Power...

.../6/00 2:52 PM Page 193 Books Received • 193 Minh-ha, Trinh T. Cinema Interval. New York: Routledge, 1999. Olkowski, Dorothea. Gilles Deleuze and the Ruin of Representation...

.... 133-153. Polan, Dana 159 Powers of Vision, Visions of Power. On Gilles Deleuze's Foucault. No.18; pp.106-119. Complexity and Contradiction in Mass Culture Analysis. On len Ang's Watching Dallas. No.16; pp. 193-202. Robbins, Bruce...

... locates this modern fact in René Descartes and his famous cogito ergo sum, wherein “the representation of the sub- ject is re-­presented to the subject once again as such.”2 Others have agreed, if not in terminology then in the general thrust of the argument — perhaps most famously Gilles Deleuze...

... processural becoming that takes place not so much on-screen but between film and viewer, The Day I Became a Woman palpably resonates with a conception of becoming-woman similar to that theorized by Gilles Deleuze and Félix Guattari and recently taken up for debate within feminist theory...

... charged by the subversive possibility of an erotic female-to-female gaze and the paradox of masquerades that exceeded feminine excess. I found the key to a synthesis of my questions of textual strategy, psychodynamics and spectatorship in Gilles Deleuze’s Masochism: An Interpretation of...

... not considered by Gilles Deleuze in his dynamic taxonomy of images: the interruption of movement, the often unique, fugitive, yet perhaps decisive instant when cinema seems to be fighting against its very principle, if this is defined as the movement- image. Still, we need to distinguish...

... Soviet cultural production and politics but also offers a new way to imagine subjectivity through its figuration of youth as a site of change. I mobilize Gilles Deleuze and Félix Guattari’s concept of becoming-girl­ to argue that youth and femininity emerge in her work not as the other side of...