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deleuze

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Journal Article
Camera Obscura (1988) 6 (3 (18)): 120–126.
Published: 01 September 1988
...Marie-Claire Ropars-Wuilleumier Gilles Deleuze, Cinema 1: The Movement-Image (Minneapolis: University of Minnesota Press, 1986: Minuit, 1983) and Cinéma 2: L'Image-temps (Minuit, 1985; forthcoming in translation) Copyright © 1988 by The Johns Hopkins University Press 1988 The Cinema...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 33–57.
Published: 01 May 2005
... tous (I Stand Alone, dir. Gaspar Noé, France, 1998). Courtesy Strand Releasing Rape and the Rectum: Bersani, Deleuze, Noé Eugenie Brinkema The club is called Rectum, and everywhere one thinks of Bersani. As Marcus and Pierre storm through the darkened red tunnels, the space before...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
... Gilles Deleuze and Félix Guattari, have called “lesbian minor cinema.” Finally, given Deleuze's centrality to my readings of faces as fields of active tension and of Illusions as minor cinema, I demonstrate how the film manifests but also challenges key ideas in Deleuze's three major accounts...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 55–79.
Published: 01 May 2023
...Eleanor Rowe-Stefanik Abstract This article reads Chantal Akerman's short film Saute ma ville ( Blow Up My Town , Belgium, 1968) with and against texts by Giorgio Agamben, Gilles Deleuze, and Herman Melville. Rather than being merely a precursor to Akerman's later genre‐defining efforts...
FIGURES
Journal Article
Camera Obscura (2020) 35 (2 (104)): 95–123.
Published: 01 September 2020
... a transnational countercultural stance in various uses of setting by concentrating on the notion of escape in a theoretical framework that draws on the work of Gilles Deleuze and Félix Guattari, José Muñoz, and Marc Augé. In the context of the study, the production of alternative spaces in queer cinema is treated...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 115–143.
Published: 01 December 2022
..., to produce discontinuous and immaterial forms of life, and, in so doing, to challenge dominant notions of embodiment and wholeness. Drawing on contemporary work in disability theory as well as the writings of John Berger, Maurice Merleau-Ponty, and Gilles Deleuze, the author offers a reading of these films...
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Journal Article
Camera Obscura (2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
... the masochistic logic that structures biopolitics. Reading the masochistic behaviors of both Abramović and the performance's spectators through Gilles Deleuze's notion of the masochistic contract, this essay argues that the performance ultimately harnesses “living labor” in the service of the self-production...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
... of Philosophy; or, the Monadology (1917), Leibniz formulates an ontology based on the double operation of “continuous fulgurations,” or what Gilles Deleuze would later term “the fold.” Existence, for Leibniz, is a production of the multiple that entails a simultaneous merging and diverging, unification...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 69–101.
Published: 01 September 2008
... protagonist) that productively learns from and contributes to a sensual, humanistic, and epistemic perception. Combining analyses of Ozu's films (by Noël Burch, Gilles Deleuze, David Desser, and Donald Richie) with film theories (by Roland Barthes, Walter Benjamin, Mary Ann Doane, and Jean Epstein), I trace...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 106–119.
Published: 01 September 1988
...Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988) Copyright © 1988 by The Johns Hopkins University Press 1988 Powers of Vision, Visions of Power Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... concepts. Certain recurrent concerns sug- gest an awareness of—or at least sympathy with—Gilles Deleuze on the part of the artist herself: the portrayal of schizoid states in many works—including Anne, Aki, and God (1998), The Present (2001), and The Wind (2002)—could be infl uenced by Deleuze...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 11–45.
Published: 01 September 1990
... systematically excluded or exiled: incommensurable spaces, temporal irreversibility, nonlinear dynamics, logic unruled by the principle of noncontradic- ti~n.~ Foucault through Deleuze, or the Diagrammatics of Power You are still undoubtedly longing for a concrete example of figural expression...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 103–123.
Published: 01 May 2013
... famous cogito ergo sum, wherein “the representation of the sub- ject is re-­presented to the subject once again as such.”2 Others have agreed, if not in terminology then in the general thrust of the argument — perhaps most famously Gilles Deleuze, who describes modern baroque subjectivity...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... not considered by Gilles Deleuze in his dynamic taxonomy of images: the interruption of movement, the often unique, fugitive, yet perhaps decisive instant when cinema seems to be fighting against its very principle, if this is defined as the movement- image. Still, we need to distinguish between...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
... a Woman palpably resonates with a conception of becoming-woman similar to that theorized by Gilles Deleuze and Félix Guattari and recently taken up for debate within feminist theory. Before moving on to my detailed discussion of the film itself, let me explore the theoretical...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 61–85.
Published: 01 May 2021
... of individuation, acts of looking and listening correspond to a subject's constitution as inextricably tied to the temporality of a (self-)portrait and Gilles Deleuze's thoughts on desert islands: the “élan that draws humans toward islands extends the double movement that produces islands in themselves.” 11...
FIGURES
Journal Article
Camera Obscura (2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... to imagine subjectivity through its figuration of youth as a site of change. I mobilize Gilles Deleuze and Félix Guattari’s concept of becoming-girl­ to argue that youth and femininity emerge in her work not as the other side of the male subject of communism but as another order of representation...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
...” Camera Obscura 75, Volume 25, Number 3 doi 10.1215/02705346-2010-011  © 2011 by Camera Obscura Published by Duke University Press 101 102  •  Camera Obscura (Modleski, Žižek) and to mark a point of fundamental crisis in narrative cinema (Deleuze, Rancière, Orr).3 By now, Vertigo is so...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 300–304.
Published: 01 December 1989
... charged by the subversive possibility of an erotic female-to-female gaze and the paradox of masquerades that exceeded feminine excess. I found the key to a synthesis of my questions of textual strategy, psychodynamics and spectatorship in Gilles Deleuze’s Masochism: An Interpretation...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
..., power, and dispositifs from what Foucault called disciplinary societies to contemporary societies of control, as described by Gilles Deleuze in “Postscript on the Societies of Control.” 5 In the past two decades, Deleuze's notions of “control” and “control society” have undergone a hyperinflation...
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