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database documentary

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
...). © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Natalie Bookchin database documentary dialogic media archive of feeling listening Figure 1. Attending to the ephemeral and insignificant...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
... and database matching. These techniques of facial recognition evident in film and television programs relating to the recognition of the pathologized body, the terrorist body, and the racialized body bring together modes of seeing that transfer the work of profiling racialization onto seemingly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
...Jinying Li This article examines the Folk Memory Project, a collective documentary initiative in China that organized young filmmakers to return to their home villages to interview elders and unearth silenced memories of the devastating Chinese Great Famine of 1959–61. Focusing on two films...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
...Catherine Zimmer This essay explores Cheryl Dunye's The Watermelon Woman (1997) in the context of reflexive practice in film. The film has been variously approached as queer cinema, women's autobiographical and documentary cinema, and black cinema; this essay emphasizes how one might add to all of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
... (2010, Moderna galerija, Ljubljana; Zochrot, Tel Aviv), Architecture of Destruction (2008, Zochrot, Tel Aviv), and Everything Could Be Seen (2004, Umm el-Fahem Gallery of Art, Umm el-Fahem, Israel/Palestine). She is also the director of several documentary films, which include Civil Alliances...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... their arrangement.16 Route 1: Virtual Maya For those of us not “born digital,” it has taken time to accept and employ the tools that seem natural to the young. But today, in addition to entailing scholarly sources like computerized library catalogs, e-­books, and journal databases...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 7–35.
Published: 01 May 2009
... publicity. The other articles in this issue — Lisa Nakamura’s “Interfaces of Identity: Oriental Traitors and Telematic Profiling in 24,” Thomas Foster’s “Faceblindness, Visual Pleasure, and Racial Recognition: Ethnicity and Technic- ity in Ted Chiang’s ‘Liking What You See: A Documentary,’ ” and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... accumulated in a series of reports and registers . . . an immense police text [that] increasingly covered society by means of a complex documentary organization” (214). The prob- lem raised here, at the core of the disciplinary apparatus, is how to integrate optical perception with the archival...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
...  •  Camera Obscura attracted the public’s imagination and introduced collaborative filtering to the structure of the newly emerging commercial World Wide Web. In Firefly, Maes gave users the ability to add new art- ists and albums to the Firefly database. This is a technique that has been used...