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Journal Article

Together Apart: FemTechNet and Feminist Online Collectives

Elizabeth Losh
Camera Obscura (2016) 31 (3 (93)): 133–139.
DOI: https://doi.org/10.1215/02705346-3662048
Published: 01 December 2016
... Obscura 2016 FemTechNet cyberfeminism remote collaboration digital labor Figure 1. Duenya Hassan, FemTechNet student work IN PRACTICE Together Apart: FemTechNet and Feminist Online Collectives Elizabeth Losh FemTechNet was founded...
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Journal Article

An Interview with the Artist Radha May: A Global Collective with a Single Identity

Elisa Giardina Papa, Nupur Mathur, Bathsheba Okwenje
Camera Obscura (2016) 31 (3 (93)): 177–183.
DOI: https://doi.org/10.1215/02705346-3662084
Published: 01 December 2016
... am an experiment in reimagining a singular identity. I belong to the tradition of artists who play with the construction of identities, for example, The Atlas Group, Netochka Nezvanova, or even the practice of cyberfeminism in general.1 So you are an artist from three different cultures. How...
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Journal Article

Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

Laura Shackelford
Camera Obscura (2006) 21 (3 (63)): 63–101.
DOI: https://doi.org/10.1215/02705346-2006-012
Published: 01 December 2006
... theorist Sadie Plant had similar ends in mind when they coined the term cyberfeminism in their 1991 online manifesto. Their project aimed to “investi- gate and decipher narratives of domination and control which surround high technological culture and [to] explore the con- struction of social...
View articletitled, Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental View PDF for article titled, Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental
Journal Article

The Face and the Public: Race, Secrecy, and Digital Art Practice

Jennifer González
Camera Obscura (2009) 24 (1 (70)): 37–65.
DOI: https://doi.org/10.1215/02705346-2008-014
Published: 01 May 2009
... That Race Built, ed. Wahneema Lubiano (New York: Vintage, 1998), 289 – 99. 11. Maria Fernandez, “Cyberfeminism, Racism, Embodiment,” in Domain Errors! Cyberfeminist Practices, ed. Maria Fernandez, Faith Wilding, and Michelle M. Wright (Brooklyn, NY: Autonomedia, 2002). 12...
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