... Camera Obscura: Feminism, Culture, and Media Studies Sandy Flitterman-Lewis As I prepare my two courses this semester — one on melodrama, the other on history/memory and social conscience in the cin- ema — it occurs to me that while they are being taught simulta- neously, these...

... of participatory culture with which the new series is associated. Despite the apparent transgression of men enjoying a television show clearly coded as being for young girls, the article argues that Brony practices reproduce many male-centered aspects of fan media consumption in a manner that...

...Lisa Cartwright Copyright © 1992 by Indiana University Press 1992 Highlights aztd Shadows (James Sibley Watson for Kodak Research Laboratories, USA, 1937) Women, X-rays, and the Public Culture of Prophylactic Imaging Lisa Cat-twright...

...Lisbeth Gant-Britton Copyright © 1995 by Indiana University Press 1995 Molzday’s Girls (Ngozi Onwurah, 1993) African Women and Visual Culture: A Sample Syllabus Lis beth Gant-Britton Go to any cinema in the United States-or other western country for that matter-and the...

...Kwai-Cheung Lo Copyright © 1995 by Indiana University Press 1996 Muscles and Subjectivity: A Short History of the Masculine Body in Hong Kong Popular Culture Kwai-Cheung La About a year ago, watching David Letterman's Late Show on CBS, I was surprised to find...

...Lynne Joyrich Copyright © 1988 by The Johns Hopkins University Press 1988 All That Heaven Allows (Douglas Sirk, 1955) All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture Lynne ]oyrich I. Drama at Our Fingertips In an emotionally charged...

...Dana Polan Copyright © 1988 by The Johns Hopkins University Press 1988 ij I Complexity and Contradiction in Mass-Culture Analysis: On len Ang's Watching Dallas (New York: Methuen, 1985) Dana Polan There seem to be two very different books in len Ang's...

...Ann Cvetkovich Camera Obscura 2002 Ann Cvetkovich is associate professor of English at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism and An Archive of Feelings: Trauma, Sexuality, and Lesbian Public...

... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

...Rey Chow Copyright © 1991 by The Johns Hopkins University Press 1991 Male Narcissism and National Culture: Subjectivity in Chen Kaige’s King of the Children Rey Chow I: The Detour . . . how many [teachers] (the majority) do not...