...Marla Shelton Copyright © 1995 by Indiana University Press 1995 Whitney Houston in The Preacher’s Wife (Penny Marshall, 1996). Whitney is Every Woman?: Cultural Politics and the Pop Star Marla Shelton An American pop icon such as Whitney Houston raises questions about the...

...John Michael Copyright © 1996 by Indiana University Press 1996 Science Friction and Cultural Studies: Intellectuals, Interdisciplinarity, and the Profession of Truth John Michael Albert Einstein Meets the Nutty Professor The recent "science wars" between...

...) Too Close, Too Far: Cultural Composition in Straub and Huillet’s Too Early, Too Late Burlin Barr At every instant, there is more than the eye can see, more than the ear can hear, a setting or a view waiting to be explored. . . . Most often, our perception of the city is not...

...: (Cross-)Cultural Projection, Spectatorship, and Iranian Cinema Lindsey Moore This article addresses the entwined issues of gendered and cul- tural representation in contemporary Iranian cinema. One of the remarkable features of recent Iranian film is its allegorical use of gendered...

...Andrew Ross Copyright © 1988 by The Johns Hopkins University Press 1988 Th e Mary Tyl er Mo ore Show Book Reviews All In The Family: On David Morley's Family Television: Cultural Power and Domestic Leisure (London: Comedia, 1986); and Philip...

...-mama of Us All: Divas and the Cultural Logic of Late Ca(m)pitalism Edward R. O’Neill I was never erotic. I was snotty. — Marlene Dietrich, Marlene First you’re another sloe-eyed vamp, then someone’s mother, then you’re camp. —  Stephen Sondheim, “I’m Still Here” Performative...

...Lisa Cartwright Copyright © 1992 by Indiana University Press 1992 Highlights aztd Shadows (James Sibley Watson for Kodak Research Laboratories, USA, 1937) Women, X-rays, and the Public Culture of Prophylactic Imaging Lisa Cat-twright...

...Lisbeth Gant-Britton Copyright © 1995 by Indiana University Press 1995 Molzday’s Girls (Ngozi Onwurah, 1993) African Women and Visual Culture: A Sample Syllabus Lis beth Gant-Britton Go to any cinema in the United States-or other western country for that matter-and the...

...Kwai-Cheung Lo Copyright © 1995 by Indiana University Press 1996 Muscles and Subjectivity: A Short History of the Masculine Body in Hong Kong Popular Culture Kwai-Cheung La About a year ago, watching David Letterman's Late Show on CBS, I was surprised to find...

...Ann Cvetkovich Camera Obscura 2002 Ann Cvetkovich is associate professor of English at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism and An Archive of Feelings: Trauma, Sexuality, and Lesbian Public...

... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...