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Journal Article
Camera Obscura (2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
...April Durham As a form of creative practice, collaboration holds the promise to extend capacities, challenge hierarchies, and create new forms of community. At best, however, it is a fraught experiment frankly characterized by discord and strife, often reinstating the same power dynamics it seeks...
View articletitled, Slips, Breaks, and Tangles: <span class="search-highlight">Creative</span> <span class="search-highlight">Collaboration</span> and the Aesthetic Process of Trans-Subjectivity
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for article titled, Slips, Breaks, and Tangles: <span class="search-highlight">Creative</span> <span class="search-highlight">Collaboration</span> and the Aesthetic Process of Trans-Subjectivity
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
...Hanna Kuusela This article investigates collaborative and crowdsourced online writing projects and the economies surrounding them. It describes the conjunctures between collective creativity and contemporary economic regimes and introduces the concept of the promise economy. The article discusses...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
...”—their openness to new ideas, new people, and new connections—that makes them sane. This notion provides a way of thinking about the aesthetic and political stakes of a collaborative process of creative production, such as the one employed in the making of Shortbus and made visible in its final form. This essay...
Journal Article
Camera Obscura (2019) 34 (2): 1–39.
Published: 01 September 2019
... Beyoncé staged through collaborations with Warsan Shire, a British poet born in Kenya to Somali parents; Awol Erizku, an Ethiopian-born American artist raised in the Bronx; and Daniela Vesco, a Costa Rican photographer. This collective of artists forge a black aesthetics at a heightened level...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 89–103.
Published: 01 December 2021
... tendencies of feminist experimental art and continues the legacy of all three women's art. Cooperative, collaborative, and productively fragmented, it honors the creative lineage of which it is a part. 19. Hammer was an advocate for young filmmakers through specific collaborations, most plainly in her...
FIGURES
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... women filmmakers in Singapore who employ similar
strategies of collaboration in order to develop their creative proj-
ects out of a minor cinema include Kaz Cai, one of three female
directors from Asia (along with Wang Jing from China and Anocha
Suwichakornpong from Thailand) involved...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
..., Jane Birkin, and Kung-fu Master! ,” Wilson analyzes how the film arose from Varda's collaboration with actress Jane Birkin and starred both Birkin's and Varda's children. She eloquently illuminates how Varda uses a fairy-tale motif to depict a complex story of a relationship between a teenage boy...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
...: The Movie/s • 169
ary organization, Radar Productions, in collaboration with film-
maker/coproducer Hilary “Clement” Goldberg, and together they
assembled a kind of loose yet dissociated collective. In this way, the
film was shaped by the contemporary social and economic realities
of geographic...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 63–87.
Published: 01 September 2023
... a.m.) on the same day—the day of Waru's tangi (funeral). It was agreed that writer Stewart-Te Whiu and director Simich-Pene would collaborate on the film's eighth and final segment. Owing in part to its collective approach, I argue, Waru 's innovative production process is inspired by mana...
FIGURES
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Journal Article
Camera Obscura (2021) 36 (3 (108)): 61–83.
Published: 01 December 2021
... as the successful manager of her company, Leo-Film, and as cofounder and member of the Polish film producers’ unions, the article explores her professional accomplishments and innovative work style, which was based on teamwork and promoting young, talented actors, creative directors, and screenwriters sensitive...
FIGURES
Journal Article
Camera Obscura (2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... Carmen Durán and Lourdes Luján who challenge the power of corporate globalization as they struggle to ameliorate its affects and rebuild their lives and their communities. In this interview, Funari and de la Torre discuss their close collaboration with maquiladora workers/community activists, some...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... not distinguish between these creative contexts — professional
or amateur, collaborative or solo, mass culture or subculture; for
Basil, they are continuous and complementary, and they porously
inform one another.
Basil had her first big break in the early 1960s, when her
teacher and mentor...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
... to examine these differences to the
point that we could look closely at the documents of Deren's life and
know that we were seeing them from multiple perspectives, sometimes
from an individual position, sometimes from that of a collaborator. In
this way, we have attempted to be objective...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 107–139.
Published: 01 December 2023
..., of the program). In I Love Lucy , Lucy's/Lucille's creativity is both revealed and disavowed. As Mellencamp notes, whereas the narrative of the show repeatedly sets Lucy as a failed entertainer, the performative layer of the show celebrates her as a performer. According to Mellencamp, if Lucy's plots...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... out of both of these film collaborations. Barbara believed that I would see her at her best on a Tuesday, the day of the week in which she would be most energetic after her chemotherapy treatments. That afternoon, I directed Barbara to run along a fence as fast as she could toward the camera...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... team of collaborators, modest budgets, and regularly seeking out subsidies and coproductions, Varda maintained great creative control in writing screenplays, directing, and editing films. While the feminist thematics of her films have been interpreted in generations of excellent scholarship, and her...
FIGURES
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Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
...-only or
women-dominant production crews while embracing traditional
forms of Inuit narration. Arnait’s founders, Marie-Hélène Cousi-
neau, a Franco-Québécoise from Montreal, and Madeline Piujuq
Ivalu, an Inuit from Igloolik, have collaborated on the majority of
Arnait’s productions despite...
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
..., the ambivalence that necessarily attends coupled attachment is only mediated by family, so that what lies ahead is not the garden of marital reenchantment or the sublimations and rewards of creative collaboration, but, at best, the hard graft of conjugal reconciliation and therapy. In 2004, over twenty years...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 137–139.
Published: 01 December 2021
.... She was passionate and determined, but she was always a true collaborator. She knew what she had to offer and knew that others could complement her knowledge, opinions, and work. She was filled with energy and commitment, even when her health declined. She was trusting and encouraging. She knew...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
... scholarship in the 1980s and 1990s. Her structure and style in these films draw on the tools of both conventional historical documentaries and experimental film. Offering an astonishing range of evidence, Hammer creatively presents queer plenty from the margins of the archive. Through this evidence, Hammer...
FIGURES
View articletitled, The Documentaries of Barbara Hammer: Lesbian <span class="search-highlight">Creativity</span>, Kinship, and Erotic Pleasure in the Historical Margins
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for article titled, The Documentaries of Barbara Hammer: Lesbian <span class="search-highlight">Creativity</span>, Kinship, and Erotic Pleasure in the Historical Margins
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