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creative collaboration

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Journal Article
Camera Obscura (2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
...April Durham As a form of creative practice, collaboration holds the promise to extend capacities, challenge hierarchies, and create new forms of community. At best, however, it is a fraught experiment frankly characterized by discord and strife, often reinstating the same power dynamics it seeks...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
...Hanna Kuusela This article investigates collaborative and crowdsourced online writing projects and the economies surrounding them. It describes the conjunctures between collective creativity and contemporary economic regimes and introduces the concept of the promise economy. The article discusses...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
...”—their openness to new ideas, new people, and new connections—that makes them sane. This notion provides a way of thinking about the aesthetic and political stakes of a collaborative process of creative production, such as the one employed in the making of Shortbus and made visible in its final form. This essay...
Journal Article
Camera Obscura (2019) 34 (2): 1–39.
Published: 01 September 2019
... Beyoncé staged through collaborations with Warsan Shire, a British poet born in Kenya to Somali parents; Awol Erizku, an Ethiopian-born American artist raised in the Bronx; and Daniela Vesco, a Costa Rican photographer. This collective of artists forge a black aesthetics at a heightened level...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 89–103.
Published: 01 December 2021
... tendencies of feminist experimental art and continues the legacy of all three women's art. Cooperative, collaborative, and productively fragmented, it honors the creative lineage of which it is a part. Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 Barbara Hammer Deborah...
FIGURES
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... women filmmakers in Singapore who employ similar strategies of collaboration in order to develop their creative proj- ects out of a minor cinema include Kaz Cai, one of three female directors from Asia (along with Wang Jing from China and Anocha Suwichakornpong from Thailand) involved...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
... complex creative work within economic arrangements that she herself innovated, who was consistently feminist in her life and work, moving among aesthetic forms and modalities, incorporating new technologies, and reflecting on the poetics and politics of visual art. Here is an incredible example...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
... for the punk-­queer people who are the film’s subject. Valencia: The Movie/s was produced by Tea’s nonprofit liter- Valencia: The Movie/s  • 169 ary organization, Radar Productions, in collaboration with film- maker/coproducer Hilary “Clement” Goldberg...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 63–87.
Published: 01 September 2023
..., plural and provide for the diversity and complexities of Māori women's lived realities.” 54 By choosing to collaborate on an omnibus film, the nine Māori women who wrote and directed Waru were able to depict not one main character through one authorial voice but rather nine different and diverse...
FIGURES | View All (4)
Journal Article
Camera Obscura (2021) 36 (3 (108)): 61–83.
Published: 01 December 2021
... as the successful manager of her company, Leo-Film, and as cofounder and member of the Polish film producers’ unions, the article explores her professional accomplishments and innovative work style, which was based on teamwork and promoting young, talented actors, creative directors, and screenwriters sensitive...
FIGURES
Journal Article
Camera Obscura (2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... Carmen Durán and Lourdes Luján who challenge the power of corporate globalization as they struggle to ameliorate its affects and rebuild their lives and their communities. In this interview, Funari and de la Torre discuss their close collaboration with maquiladora workers/community activists, some...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... not distinguish between these creative contexts — professional or amateur, collaborative or solo, mass culture or subculture; for Basil, they are continuous and complementary, and they porously inform one another. Basil had her first big break in the early 1960s, when her teacher and mentor...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
... to examine these differences to the point that we could look closely at the documents of Deren's life and know that we were seeing them from multiple perspectives, sometimes from an individual position, sometimes from that of a collaborator. In this way, we have attempted to be objective...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... out of both of these film collaborations. Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 collaboration experimental film Cape Cod artist residency solitude Figure 1. Image from A Month of Single Frames (dir. Lynne Sachs, US, 2019). Courtesy...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... often called “artisanal.” Working with a small team of collaborators, modest budgets, and regularly seeking out subsidies and coproductions, Varda maintained great creative control in writing screenplays, directing, and editing films. While the feminist thematics of her films have been interpreted...
FIGURES | View All (10)
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
..., the ambivalence that necessarily attends coupled attachment is only mediated by family, so that what lies ahead is not the garden of marital reenchantment or the sublimations and rewards of creative collaboration, but, at best, the hard graft of conjugal reconciliation and therapy. In 2004, over twenty years...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 137–139.
Published: 01 December 2021
...-garde art, of queer cinema—just ready to pour out of her. She was passionate and determined, but she was always a true collaborator. She knew what she had to offer and knew that others could complement her knowledge, opinions, and work. She was filled with energy and commitment, even when her health...
FIGURES
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
..., have collaborated on the majority of Arnait’s productions despite initially lacking a shared language. Other filmmakers include Susan Avingaq, Mary Kunuk, and Carol Kunnuk. As of 2016, Arnait has produced over twenty works, includ- ing two fiction features, a documentary feature, two television...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
... scholarship in the 1980s and 1990s. Her structure and style in these films draw on the tools of both conventional historical documentaries and experimental film. Offering an astonishing range of evidence, Hammer creatively presents queer plenty from the margins of the archive. Through this evidence, Hammer...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 123–127.
Published: 01 December 2021
... the exhibition Barbara Hammer: In This Body, 1 June–11 August 2019, at the Wexner Center for the Arts My collaboration with Barbara grew out of her long relationship with the Wexner Center for the Arts and with its Film/Video Studio, a residency program that I oversee and that has supported a number...
FIGURES