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copyright
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Journal Article
Camera Obscura (2015) 30 (3 (90)): 1–25.
Published: 01 December 2015
... packages and markets this mid-
nineteenth-century European Romanticism for a bourgeois, late
nineteenth-century US audience. The circus mass-produces images
of Lola, which it owns by legal copyright. Thus, when the film
begins, we see female jugglers, dressed like and resembling Lola
(her...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
... and political contribution to feminist art and scholarship. Rebecca Tushnet is a professor of law at Georgetown University. She clerked for Associate Justice David H. Souter. Her work focuses on copyright, trademark, and false-advertising law, with special attention to their First Amendment implications...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... of “(They Long to Be) Close
to You” knell on the soundtrack as the film cuts to the inside of a
Copyright © 2004 by Camera Obscura
Camera Obscura 57, Volume 19, Number 3
Published by Duke University Press
57
58 • Camera Obscura
recording studio. The camera pans to show Karen in the booth...
Journal Article
Camera Obscura (2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
... or research use that are supplied to the end user at no
cost may be made without explicit permission or fee. Photocopies that are
provided to the end user for a fee may not be made without payment of
permission fees to Duke University Press.
Address requests for permission to republish copyrighted...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 219–231.
Published: 01 May 2019
... Copyright © 2019 Camera Obscura 2019 ...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 233–237.
Published: 01 May 2019
... Copyright © 2019 Camera Obscura 2019 ...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 253–255.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 256–260.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 260–263.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 263–265.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 266–268.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 274–279.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 282–286.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 287–290.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 291–294.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 294–296.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 88–94.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 269–274.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 279–282.
Published: 01 December 1989
...Marc Silberman Copyright © 1990 by The Johns Hopkins University Press 1989
...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 82–88.
Published: 01 December 1989
...Peter Brunette Copyright © 1990 by The Johns Hopkins University Press 1989
...
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