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contemporary art cinema

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
...Mauro Resmini This article examines a recent tendency in contemporary art cinema—the New French Extremity (NFE)—and focuses specifically on a critique of the scholarly discourse that has flourished around it in recent years. The fundamental argument of this discourse can be summarized as follows...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 41–73.
Published: 01 September 2000
...=34pgs 1/25/01 1:44 PM Page 41 Consuming the Other: Identity, Alterity, and Contemporary German Cinema Lutz Koepnick Dominant Western conceptions of identity are inextricably bound up with the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 83–111.
Published: 01 December 2001
... decorative arts styles, art deco was perhaps the most eclectic, drawing as it did on a wide variety of historical and contemporary sources. —Eva Weber, Art Deco in America But first a word about Art Deco in order to situate our discussion of Garbo and cinema. Deco was a popular international trend...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
..., University of London. His essay is part of a forthcoming book entitled Remapping European Art Cinema . 01-Betz.sh 5/29/01 12:29 PM Page iv La notte (dir. Michelangelo Antonioni, Italy/France, 1961). Courtesy the Museum of Modern Art Film Stills Archive...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... the contemporary global terrain of film festivals and criticism. Bier's recent work demonstrates properties of both art cinema and popular European genre cinema; as a result, estimations of her films' critical and cultural worth have frequently been divergent and arguably gendered. The discussion...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
...Mary Ann Doane; Philip Rosen Copyright © 1982 by Camera Obscura 1982 Conference Reports Cinema Histories, Cinema PvaLtices Asilomar Conference Mary Ann Doane and Philip Rosen What came to be known as the Milwaukee-in-California conference, entitled “Cinema...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... film theory and criticism, classic and contemporary Russian cinema, and Russian art criticism and cultural studies. She has published in the International Journal of the Humanities, Senses of Cinema, Rouge, Continuum, Screening the Past, Film-Philosophy , and Kinovedcheskie Zapiski. She is a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
.... Elena Gorfinkel is assistant professor of art history and film studies at the University of Wisconsin – Milwaukee. Her writing has appeared in Framework: The Journal of Cinema and Media, Cineaste, World Picture , and in a number of edited collections. She is editor, with John David Rhodes, of Taking...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
... present within the films. Placing these analyses within a critical framework drawn from postcolonial, feminist, and spatial theory, the article explores the possibility that the concerns of contemporary Palestinian cinema, while varied, might offer an exciting forum through which postcolonial gender...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... that impact. Histories of cinema generally fall within several dominant paradigms: world cinema; Hollywood or industrial cinema; and cinemas in contradistinction to the Hollywood industrial model—national art-film movements and avant-gardes resistant to the industrial paradigm and its influence. Though...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
... artistry into a more vital arena. What It Feels Like for a Girl: Points of View and the Contemporary Picture Personality As demonstrated in interviews, Portman and Grey do not share their directors’ perspectives on the cinema’s relationship to other arts. Portman speaks with real...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 193–231.
Published: 01 December 2005
... and hegemonic impulses in instituting a Chinese national cinema. Moreover, these normative impulses must be understood not as external per- secuting agents outside Chinese cinema, but rather as intrinsic to its very formation. In the case of the Chinese martial arts film, the homogenizing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 37–61.
Published: 01 December 2006
... legends, popular memory, Knocking Off Nationalism in Hong Kong Cinema  •  43 and the contemporary political situation of Hong Kong. Yang believes that “this textual and semiotic hybrid reflects how the [Hong Kong] people make sense of their past experiences and cur- rent life in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 77–97.
Published: 01 May 2001
... the best known); and graphics (tagging and graffiti art). These street arts were devel- oped in the suburbs of Paris and other large French cities as part of a contemporary urban culture defined by lifestyle, slang, and fashion. While hip...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 1–33.
Published: 01 September 2005
...: (Cross-)Cultural Projection, Spectatorship, and Iranian Cinema Lindsey Moore This article addresses the entwined issues of gendered and cul- tural representation in contemporary Iranian cinema. One of the remarkable features of recent Iranian film is its allegorical use of gendered...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... C H I V E F O R T H E F U T U R E The Last Days of Women’s Cinema Patricia White Claire Johnston’s “Women’s Cinema as Counter Cinema,” with its injunction that “women’s cinema . . . embody the working through of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 137–177.
Published: 01 May 2007
... Have One Daughter and That Is Egyptian Cinema”: ‘Azı¯za Amı¯r amid the Histories and Geographies of National Allegory Kay Dickinson On Tuesday, 1 November 1927, Egypt’s daily newspaper, al-Ahra¯m, proclaimed: Silent acting has finally been born in Egypt. In the Egyptian sky a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
... million dollars world- wide. The film was nominated for eight Academy Awards and won awards for art direction and best costume. In the years since its release, Moulin Rouge! has emerged as a harbinger of Bollywood cinema’s growing visibility in the West. While the commercial suc- cess of Slumdog...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... University of Pittsburgh. Her doctoral research draws on queer theory and cinema and visual culture studies to examine early Zionist and contemporary Israeli state enlistments of cinema and queerness, as well as to explore alternative forms of belonging and alliance in Palestinian cinematic practice and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... Duke University Press 33 34  •  Camera Obscura mopolitan style, and dismiss the significance of gender and alter- native histories.”1 Queer cinema constitutes a more politicized international dimension of contemporary Asian cinema, and some of the most vibrant and interesting work...