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Journal Article
Camera Obscura (1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
...Barbara Klinger © 1981 by Camera Obscura 1981 Women Working Breathless (Jean-Luc Godard, 1959) Conference Report Conference on Feminist Film Criticism Barbara Klinger The Lolita Raclin Rodgers Memorial Conference on Feminist Film...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
...Larry Horne; John Ramirez Conference Report The UCLA Gay and Lesbian Media Conference Larry Horne andJohn Ramirez The UCLA Gay and Lesbian Media Conference took place over three days in]anuary, 1983. It was preceded by a weeklong program offilms intended...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
...Mary Ann Doane; Philip Rosen Copyright © 1982 by Camera Obscura 1982 Conference Reports Cinema Histories, Cinema PvaLtices Asilomar Conference Mary Ann Doane and Philip Rosen What came to be known as the Milwaukee-in-California conference, entitled “Cinema...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 233–237.
Published: 01 December 1982
...D.N. Rodowick Copyright © 1982 by Camera Obscura 1982 ers). This lack seriously affected the coherence and consistency of the 233 conference dialogue. Nevertheless, this conference remains one of the most important and most provocative of American film confer- ences-one can always...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... the audience can see all of its component pieces rather than a finished, curated product. Finally, as Coffee is frequently performed at games conferences and fan conventions, it creates a layer of metacommentary wherein participants have a mediated space in which to explore particular issues brought...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... the role of the academic analyst This paper was presented at the Brisbane Center for Psychoanalytic Studies conference,“Psychoanal- ysis, Perversions, and the Cinema” in September, 1991. 78 (she who reads and interprets the text, in this case, the film) and the psychoanalyst (she who...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... to queer gamers, game designers, and games critics and scholars. This introduction frames queer game studies as both a theory and practice, beginning a special In Practice section of Camera Obscura that profiles the Queerness and Games Conference (QGCon), the first conference explicitly dedicated...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 185–195.
Published: 01 May 2019
... conference, and a publication currently in production. This Akerman project, which grew spontaneously, was initiated by A Nos Amours (curators and filmmakers Adam Roberts and Joanna Hogg), who presented an exhaustive retrospective of Akerman’s film and video works over a two-year period between 2013 and 2015...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 231–239.
Published: 01 May 2021
... during her long career as a filmmaker and artist. Quite by accident, I found myself writing about this public-private confluence in the unusually personal response to Varda's death on social media and in published tribute essays; these thoughts went into a conference paper delivered in April 2019...
FIGURES
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... productively deform Western conceptualizations of the aesthetic. In February 2011, Copeland interviewed Leonard about her practice and its implications for feminist approaches to vision, history, and the archive. Their conversation took place at the College Art Association annual conference in New York as part...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... of the transnational feminist film culture that Akerman’s work in many ways epitomized. Acknowledging several of the publications, conferences, and curatorial efforts that memorialized Akerman after her death in 2015, the piece underscores collaboration as a feminist practice while introducing contributions...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
.... In Akerman’s films, history insists, returns, refuses to disappear. Memories are haunting and haunt those who were, and are, persecuted. The conference examined Akerman’s cinematic strategies of taking time to forget in transforming the traces of history into resistive forms. In working with cinematic forms...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 159–165.
Published: 01 December 2006
... for academic film studies in the US largely as an outsider, for only while conducting research did I attend my first SCS conference, in June 1985 at New York University’s Tisch School of the Arts. Admittedly, another reason for my then joining SCS had arisen when recent Northwestern alumna...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 135–143.
Published: 01 September 2021
... things I got wrong turned out to be a wonderful surprise and gift for each of us. In November 1997, we were both keynote speakers at a conference at the State University of New York's New Paltz campus. The conference was called “Subverting the Body,” and it took place after a women's studies...
FIGURES
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... Editorial : Feminism, Fiction and the Avant-Garde In May 1978 three members of the Camera Obscura collective (Janet Bergstrom, Elisabeth Lyon and Constance Penley) gave a two day conference at the London Film Co-op on “Feminism, Fiction and the Avant-Garde.” As preparation...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
...” confer- ence held in Montreal in 2004,1 suggests yet another front for the ongoing investigation of gender in the silent era. A special empha- sis was placed on the international scene in this third meeting Copyright © 2005 by Camera Obscura Camera Obscura 60, Volume 20, Number 3...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 242–243.
Published: 01 December 1982
... Clayton Feminist History and The Song ofthe Shirt, Vol. 3, no. 7; pp. I 11-127. Doane, Mary Ann and Philip Kosen Cinema History, Cinema Practices: Asilomar Conference. Vol. 3, no. 8-9-10; PP- 224-233. Ganahl, Margaret and K. S...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 169–170.
Published: 01 December 1984
..., Mary Ann Gdda: Epistemology as Striptease. Vol. 4, no. 11; pp. 7-27. Horne, Larry and John Ramirez UCLA Gay and Lesbian Media Conference. Vol. 4, no. 11; pp. 121-131. Jacobs, Lea The Political Unconscious. Vol. 4, no. 11; pp. 103-110. Keller, Marjorie Interview. Vol. 4, no. 11...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... capital. Who of cially gets invited to speak? Who gets paid to speak?15 Who gets their expenses reimbursed? Who is on the of cial program? Why weren’t more people from marginalized populations invited? Why wasn’t I? In many ways, the economics behind representa- tion at conferences — how...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 128–135.
Published: 01 May 1981
... Copenhagen Conference’ several American women presented arguments for the adoption of “holistic spiritual cleansing” as the basis of a feminist health alternative. They urged the use of “spiritual cleansing” through ritual and worship of the “Great Goddess” and utilization...