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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
...Seb Franklin This essay addresses the forms of utopian imagination that are produced when concepts such as society, community, and revolution are rendered using computational and communicational metaphors. By connecting recent phenomena such as the notion of “Twitter revolution” and Sheryl...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
... archaeology of early three-dimensional computer graphics and visualization in the 1960s and 1970s, while his current manuscript, “On Uncomputable Numbers,” explores the queer history of computation. His research has been supported by fellowships from the Smithsonian Institute, the Charles Babbage Institute...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
... Programs for Patients Facing Difficult Choices Joe Henderson, MD, Eric Baumgartner, Scott Chesnut, Brian Driscoll, Anne Henderson, Linda Hurd There are several concepts of what multimedia is or can be. Some think it need be no more than simple, computer-based “slide” presentations with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
..., high- tech, computer-edited, color single-monitor work. The transformation that her work undergoes from the early 1970s to the present reflects the rapidly changing state of video technology during this period of time. In the interview that follows, Max Almy emphasizes that her interest in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... Language of Fiction (Boston: Routledge and Kegan Paul, 1982) and the translator of Jean-Claude Milner’s For the Love of Language (London: Macmillan, 1990). Raymond Bellour is co-curator of Passages de l’image (on the relations between photography, film, video and computer images) which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... the third set of critiques from postmodernism; this is something that I began to do in theorizing television in Rocking Around the Clock. Arguably, new electronic modes (especially two-way television and the computer) require dramatic revision of our theories about...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
... Modern Culture and Media. She is currently at work on a book, National Television, on US television’s production of national subjectivity since 263 1968, and on an anthology about race and television to be called Living Color. Wendy Wahl is a freelance technical writer and computer interface...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
... Special Effects,” William McDonald identifies the pre- dominance of special effects as the main theme of summer movies. “Will it ever end?” he asks. “Of course not. But that’s no reason not to ask, Have we had enough yet? Which is to say, are we not becoming bored with all this computer-generated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... Digital Media: Pattie Maes, Postfeminism, and the Birth of Social Networking Technologies Jonathan Cohn While N. Katherine Hayles, Wendy Hui Kyong Chun, and Sadie Plant have brought to light the central role of women in the cre- ation and use of many of the first computers...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
..., reemerge, reform; technologies change, means of dissemination shift. What appear to be unyielding and dominant ideologies nevertheless form only a small part of a wider dialogue and artistic experi- ment. How can the missing stories be mapped? Computer-based convergence technologies offer...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
..., as naysayers resistant to change. In response, FemTechNet planned a wide-­ranging col- lective curriculum that imagined feminism and technology very broadly in an attempt to present more than a fatuous celebration of the story of individual women and computers. After all, an Ada...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
... Townshend prepares to defend himself with a typically makeshift weapon. © Konami Computer Entertainment Tokyo Masculinity in Video Games: The Gendered Gameplay of Silent Hill Ewan Kirkland Ending Silent Hill 2 It is the climactic scene. Step by step James Sunderland climbs the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 240–243.
Published: 01 May 1992
..., endocrinology, gynecological oncology, and obstetrics. Computed Tomography (CT scan) uses X-rays, and often requires administration of a contrast agent to the patient. These images usually have good soft tissue contrast, and common uses in reproductive medicine include imaging of unknown mass...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 244–246.
Published: 01 May 1992
... Cinema and the Technologies of “Life” (Minnesota, forthcoming 1994) and co-producer (with Brian Goldfarb) of Monitoring Medical Imaging, an interactive multimedia series for nonmedical-professional users. Scott Chesnut is computer graphics designer and media programmer for the Dartmouth...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 129–160.
Published: 01 May 1997
... as a computer construct), philosopher Daniel Dennett (who makes a duplicate of himself in his own philosophical story “Where am 17 and especially Stephen Hawking (who recently ap- peared on “Descent I,” an episode of Star Trek: The Next Generation (TNG) as a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 4–17.
Published: 01 May 1992
... concepts of sensitivity and specificity. The observer is incorporated into the computational system, as a design fault, or design limitation. The study of image cognition joins that of image perception and attempts to reveal the process by which the observer of a radiological image...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 206–237.
Published: 01 January 1992
... technologies developed during the decade of the 1980s are techniques of visualization that redefine the range of human perception. ’ New medical imaging technologies such as laparoscopy and computer tomography (CT) make the body visible in such a way that its internal status can be accessed before...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
... should betray a psychic undertow of profound technological apprehension. Media representations intu- itively draw on this apprehension in their portrayals of the uncanny evil twin of the technologically secure(d) world: a nuclear apocalypse followed by a computer-generated robotic takeover...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 226–242.
Published: 01 May 1997
.... Carnosaur 2 begins when a team of unruly computer repair experts are sent to a military-operated uranium mine in the desert to fix a “hard wiring” problem. Although they play music from the sound- track of Apocalypse Now only in jest, after their helicopter lands they...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
..., and military men and women using computers to process surveillance images, they posit that the “watchful eye” of the networked camera can see what we cannot: the “enemies hid- ing among the innocent.” We all watch the news and read the headlines. Our world has changed. The cold war has given...