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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 58–75.
Published: 01 May 1992
...Rajani Sudan Copyright © 1992 by Indiana University Press 1992 Company Loves Misery Rajani Sudan Preconceived formations of identity dominate much of Hollywood cinematic production. Rob Reiner’s Misery (1990) is a particularly striking example of this kind of assumption. Reiner...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 42–75.
Published: 01 May 1994
...Eithne Johnson Copyright © 1994 by Indiana University Press 1994 Theresa Saldana in Confessions of Crime. Lifetime’s Feminine Psychographic Space and the “Mystery Loves Company” Series Eitbne Johnson Since its debut in 1984, Lifetime Television has been carving a niche in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
.... I focus on the advertising of three shampoo brands — Pantene, Head and Shoulders, and Pert Plus — each of which manifests a classic use of the notion of “glocalization” in their construction. In Saudi Arabia, global shampoo companies address a market that does not permit the visibility of women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
...Kelly Hankin In 2001, the Clif Bar and Company, makers of LUNA: The Whole Nutrition Bar for Women, debuted LUNAFEST, an international touring film festival that showcases short narrative and documentary work by female filmmakers. Since its inception, this festival has made significant inroads into...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... that these women's performances played crucial roles in orchestrating transitions in industrial film form. Focusing on a comparison between the French Pathé and American Vitagraph companies, I examine the variety of techniques deployed to try to rationalize or contain the unruly bodily gestures of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 155.
Published: 01 December 1980
... Company, 1145 Mandana Blvd., Oakland, CA 94610. (415) 832-5600 ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 155.
Published: 01 December 1980
... Company, 1145 Mandana Blvd., Oakland, CA 94610. (415) 832-5600 ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
... distribution companies handle films for which there is a ready market and immediately recognizable need for the subject matter contained in the film (e.g., How to Give Mouth to Mouth Resuscitation is an all-time best seller on the educational film market). Many people and institutions still do not see...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 166–168.
Published: 01 December 1984
..., Arnold Desser. MacMillan Publishing Company. New York, 1983. $65 .OO. The MacMillan Film Bibliography (2 volumes) by George Rehrauer. MacMillan Publishing Company. New York, 1983. $120.00. Women and Film: Both Sides of the Camera by E. Ann Kaplan. Methuen. New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Camera 0bscura Questionnaire on Alternative Film Distribution Camera Obscura sent a questionnaire to the following companies specializing in films by women. Additionally, several other distribution companies not specializing in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
... superimposed on the company’s logo. The network intended these new visual icons to formalize what viewers and the cable industry had known for a decade: Lifetime saw itself as the “network for women.” The emphasis on female viewership was deemed necessary at the time...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
... advertising images in the trade journal The Film Daily (during the years 1948-52) represent the symbolic economy of the American classical cinema. The tape is called l’lmnge du cinimn and is distributed by Serious Business Company, T 145 Mandana Ave., Oakland, CA 94610...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... running Serious Business Company (1609 Jaynes St., Berkeley, Ca 94703), an independent distributor for independent film- makers. She is also working on a film, to be called Redheads on Parade. D Klaus Wyborny has received money to work on a new film, The Scene ofAction, and he isabout to publish (in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 86–109.
Published: 01 December 1986
... technology constitutes a dull given for its people. The ship is a high-tech rustbucket, an old warhorse of the interstellar “Company’s” merchant fleet, returning not from Ulyssean adventures, but prosaic commercial enterprise. Its crew is also unex- traordinary. Like their well-worn surroundings...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
... there are other kinds of wounds that require some attention, even if it means “opening them up,” so to speak. One is a question of the political economy of the woman’s flm company, the other a mat- ter of a great heaving archival emotion: an inconsolable sadness over the decomposition of so...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
...  © 2010 by Camera Obscura Published by Duke University Press 1 2  •  Camera Obscura Designer.1 Companies making these “girl games” rationalized their designers’ use of stereotypically feminine aesthetics, such as the color pink, and themes, such as shopping, as the best way to pro- vide...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 229–263.
Published: 01 December 2001
... sound into the silent screen. The film industry was being reconfigured as a result of the The Actress As Vernacular Embodiment in Early Chinese Film Culture • 231 establishment of the Lianhua company (which quickly rivaled the veteran Mingxing company) and the campaign to “revive national...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 290–291.
Published: 01 January 1992
... AIDS. She also has a small company with her ten year old daughter, Jahanara Zzaman. Fatimah Tobing Rony is a doctoral candidate in the History of Art at Yale 291 University. Her dissertation is on the “ethnographic” in early cinema. Aha Solomon is a staff writer at the Village Voice where she...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 141–143.
Published: 01 May 1992
... Manifesto. No. 29; pp. 151- 176. Sudan, Rajani Company Loves Misery. No. 30; pp. 59-74 Treichler, Paula A. Beyond Cosmo: AIDS, Identity, and Inscriptions of Gender. No. 28; pp. 21-76. Treichler, Paula A. and Lisa Cartwright...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 4–28.
Published: 01 May 1996
... sanitized, and offered the suit as the instrument best capable of putting the unruly body under control. The Nanina swimsuit company gleefullypromotes its "patented 'sani-crotch while others brag about "built-in" bras and "Phan-Tum" girdles. Thanks to the productive collaboration...