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color

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Published: 01 December 2023
Figure 6. “The Color Kit.” From “A Catalogue of Books on Color by Faber Birren” (Westport, CT: Crimson, 1942). Box 1, Faber Birren Papers, Manuscripts and Archives Division, New York Public Library More
Journal Article
Camera Obscura (2014) 29 (2 (86)): 1–33.
Published: 01 September 2014
... by Camera Obscura 2014 Figure 1. Girl 6 (Theresa Randle) as Pam Grier’s Foxy Brown. Girl 6 (dir. Spike Lee, US, 1996) The Only Way Out Is In: Girl 6, Sex Work, and the Color Line Anthony Reed Since the beginnings of cinema, black visuality has marked both a crisis and a spur...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
... aesthetic a cinematic exploration of écriture féminine . While studying the film's experimental cinematography, its carefully thought-out costume and set design, and its deliberately naive acting style, we find particularly noteworthy the filmmakers' employment of color. Fruit 's chromatic experimentation...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 216–218.
Published: 01 May 1979
...Mary Jo Lakeland Copyright © 1979 by Camera Obscura 1979 The Color of Jeanne Dielman Mary Jo Lakeland A careful examination of the use of color in Chantal Akerman’s film, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, reveals a rigorously consistent system which, as much...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 35–75.
Published: 01 December 2023
...Figure 6. “The Color Kit.” From “A Catalogue of Books on Color by Faber Birren” (Westport, CT: Crimson, 1942). Box 1, Faber Birren Papers, Manuscripts and Archives Division, New York Public Library ...
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Image
Published: 01 December 2023
Figure 1. “What's Your Color?,” American Magazine 146, no. 3 (September 1948). Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Image
Published: 01 December 2023
Figure 2. Goethe's color wheel from Zür Farbenlehre (1810) More
Image
Published: 01 December 2023
Figure 4. Sample Book, Standard Color Card of America, 9th ed.; label: board covers, printed cardboard pages, silk samples; H × W × D (closed): 26.5 × 15.8 × 4.8 cm (10 ⁷⁄₁₆ × 6¼ ×1⅞ in.), H × W × D (open): 26.5 × 51.4 × 3.2 cm (10 ⁷⁄₁₆ × 20¼ ×1¼ in.); gift of the Color Association of the United More
Image
Published: 01 December 2023
Figure 5. Three-dimensional model of the Munsell Color Tree. Photograph by Hannes Grobe More
Image
Published: 01 December 2023
Figure 7. “The Gloray Prism.” From “A Catalogue of Books on Color by Faber Birren” (Westport, CT: Crimson, 1942). Box 1, Faber Birren Papers, Manuscripts and Archives Division, New York Public Library More
Image
Published: 01 December 2023
Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Image
Published: 01 December 2023
Figure 9. “Meet Your Color Mate,” Woman 47, no. 1219 (October 15, 1960). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
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Published: 01 December 2023
Figure 10. “Meet Your Color Mate,” Woman 47, no. 1219 (October 15, 1960). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Image
Published: 01 December 2023
Figure 13. “What's Your Color?” American Magazine 146, no. 3 (September 1948). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... of race and sexuality, as well as of formulating “queer of color” as a kind of critical modality. Much like Harriet Beecher Stowe's Uncle Tom's Cabin functions, according to Sigmund Freud, as a cultural artifact prized in the form of an idealized beating fantasy by the Victorian (white) child, Imitation...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
..., be attached to skin pigmentation but indicates instead the body's extension beyond itself into the social sphere. With a close analysis of a variety of visual texts, ranging from the shadow of a lynched body in a 1930s NAACP (National Association for the Advancement of Colored People) photograph...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
... of hostility toward people of color. In her memoir, Obama acknowledges that her professors and classmates disapproved of the film because it was not “realistic.” Her critics may have been troubled by her blending of different genres, or by the story’s ambiguous ending, or by the portrayal of German racism...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
... credibility enabled Reynolds to conceal her intercorporeal and multiracial debts. Finally, the essay argues that the presence of dancers of color in the film, most notably Rita Moreno, haunts the chains of white corporeal debt that bind Reynolds to Haney and Coyne. 82. Moreno was not the only person...
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Journal Article
Camera Obscura (2022) 37 (2 (110)): 31–57.
Published: 01 September 2022
... study suggest about how the media tends to portray white women and women of color in other social change movements? ab4vs@virginia.edu Copyright © 2022 by Camera Obscura Published by Duke University Press 2022 women and white supremacy media and white supremacy Charlottesville 2017...
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Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
... of dominant cultural production practices, however much she is interpellated by them. Akhavan, a queer woman of color in a racist, sexist, and homophobic industry, negotiates both contemporary feminism's potentials for solidarity and its intersectional shortcomings. Akhavan's autobiographical characters...
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