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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 176–192.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Excerpts from an Interview with The Legend of Maya Deren Project The Camera Obscura Collective The Legend of Maya Deren, a three-volume documentary biography of the late filmmaker, writer and ethnologist, is being...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Chronology The Camera Obscura Collective Our involvement with feminist film criticism began with our work on Women and Film, a magazine first published in Los Angeles by Siew- Hwa Beh and Saunie Salyer. In 1973 Women and Film moved to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
...Hanna Kuusela This article investigates collaborative and crowdsourced online writing projects and the economies surrounding them. It describes the conjunctures between collective creativity and contemporary economic regimes and introduces the concept of the promise economy. The article discusses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
...Scott MacKenzie; Anna Westerståhl Stenport Arnait Video Productions is one of the most aesthetically diverse feminist collectives in the world. Founded in 1991 in Igloolik, Nunavut, Canada, by Madeline Piujuq Ivalu and Marie-Hélène Cousineau as the first women's Inuit filmmaking collective, Arnait...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
...Elisa Giardina Papa; Nupur Mathur; Bathsheba Okwenje This article features an interview with the artist Radha May, a global, artist collective working under a single female identity. Radha May, whose members come from India, Italy, and Uganda, talks about merging three different perspectives and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... to bring longings for collectivity, without an identitarian focus, to the foreground of political consciousness. These filmic examples thus struggle to find a space for the queer collective in place of more traditional modes of coupled romance and sex. They reexamine naturalized and commonplace...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
...Jinying Li This article examines the Folk Memory Project, a collective documentary initiative in China that organized young filmmakers to return to their home villages to interview elders and unearth silenced memories of the devastating Chinese Great Famine of 1959–61. Focusing on two films...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 184–185.
Published: 01 September 2014
... 2014 Call for Submissions: Collectivity For the fortieth anniversary of Camera Obscura, we invite submis- sions on the theme of collectivity. Collectives often emerge in periods of crisis in response to new social, economic, and technological conditions. Camera Obscu- ra’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
...the Camera Obscura collective In honor of the journal's fortieth anniversary, this special issue of Camera Obscura considers theories and practices of collectivity. Camera Obscura has operated through a feminist editorial collective since its beginnings in the 1970s, a time when many forms of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...Marusya Bociurkiw From 1972 to the early 1990s, Canadian feminist media collectives created dozens of social-issue documentaries and television series, producing an ephemeral archive of a vibrant era of political and social change. This article discusses the loss and/or deterioration of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
...Elizabeth Losh Tactics for feminist organizing are changing with the rise of new technologies. From the standpoint of expending digital labor, not all of these changes seem to be for the better. This essay looks at the practices of the international collective FemTechNet, a network of hundreds of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
...Jihoon Kim This article examines a series of video works by Okin Collective, a group of three Korean artists (Jin Shiu, Kim Hwayong, and Yi Joungmin) who have over the past few years been productively concerned with an array of political, social, and cultural issues from both local and global...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
...Liz Clarke; S. Topiary Landberg In this article, the authors argue that the 2013 omnibus film Valencia: The Movie/s (US) presents a unique approach to collective filmmaking in its adaptation of Michelle Tea's queer coming-of-age memoir Valencia (2000). This approach creates a sense of cultural...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
...the Camera Obscura collective In honor of the journal's fortieth anniversary, this special issue of Camera Obscura considers theories and practices of collectivity. Camera Obscura has operated through a feminist editorial collective since its beginnings in the 1970s, a time when many forms of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
...Alla Ivanchikova This article offers a reading of two recent feature films, Jonathan Mostow's Surrogates (US, 2009) and Spike Jonze's Her (US, 2013), as allegories of the tensions inherent in our collective relation with machines, examining the role technology plays in the constitution of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
...Ros Murray This article assesses the impact and import of 1970s French feminist video collectives, focusing on the relationship between technology, subjectivity, and embodiment. It investigates how early portable video technology provided the tools for an exploration of subjectivity as collective...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... concerned especially with questions of alterity, subjecthood, and community formation in its work. A self-described “socially conscious animation studio,” Lift is structured roughly along the lines of an artistic collective in which many animators freely contribute their skills and time in support of stop...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
...The Camera Obscura collective Camera Obscura 2006 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. A R C H I V E F O R T H E F U T U R E Camera Obscura at Thirty: Archiving the Past...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
...China Medel This article examines the role of image culture in producing collective memory and opportunities for transnational solidarity in Alex Rivera’s science fiction film about the US-Mexico borderlands, Sleep Dealer (US/Mexico, 2008). The article shows that the film offers two contrasting...