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collaboration

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... collaboration with Los Angeles choreographer and actress Toni Basil. Shot over a period of two years in Santa Monica, BREAKAWAY draws from Conner and Basil's mutual involvement in both the Hollywood entertainment industry and the West Coast artistic underground through its curious fusion of pop and avant-garde...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
...April Durham As a form of creative practice, collaboration holds the promise to extend capacities, challenge hierarchies, and create new forms of community. At best, however, it is a fraught experiment frankly characterized by discord and strife, often reinstating the same power dynamics it seeks...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
...Corinn Columpar This article explores the role of collaboration, embodiment, and performance in John Cameron Mitchell's Shortbus (US, 2006). It takes its cue from a particularly provocative scene in the film in which a former New York City mayor suggests that it is New Yorkers' “permeability”—their...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
...Ariella Azoulay The growing literature and catalogs on photographic collaboration, participation, and collectivity, which are part of the proliferation of artistic projects that assert collaboration as their goal, still mainly focus on photographers who initiate collaborative projects. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 71–97.
Published: 01 December 2003
... Object: Realizing the Feminist Collaborative Video Alexandra Juhasz No woman is filmed as an object; everyone is a subject who combines and presents physical, emotional, intellectual, and political selves. —Julia Lesage, “The Political Aesthetics of the Feminist Documentary Film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
...Hanna Kuusela This article investigates collaborative and crowdsourced online writing projects and the economies surrounding them. It describes the conjunctures between collective creativity and contemporary economic regimes and introduces the concept of the promise economy. The article discusses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 197–217.
Published: 01 May 2019
...Sandra Percival This essay brings to the fore the voice of composer and cellist Sonia Wieder-Atherton, who was Chantal Akerman’s collaborator and life partner for over thirty years. This dialogue was initiated in 2016 by Sandra Percival, founding director of Zena Zezza, who curated LOOKING, REALLY...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... the transnational feminist film culture that Akerman’s work in many ways epitomized. Acknowledging several of the publications, conferences, and curatorial efforts that memorialized Akerman after her death in 2015, the piece underscores collaboration as a feminist practice while introducing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
...Edited by Eva Kuhn; Ute Holl In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 185–195.
Published: 01 May 2019
... Journal . This essay aims to reveal the collaborative nature of the working processes behind this project and the organic manner in which it developed as well as the challenges it posed at a critical time in the artists’ lives. In its totality the project and indeed its process, with its multiplicity of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... Carmen Durán and Lourdes Luján who challenge the power of corporate globalization as they struggle to ameliorate its affects and rebuild their lives and their communities. In this interview, Funari and de la Torre discuss their close collaboration with maquiladora workers/community activists, some of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
...John Greyson This article presents case studies of two recent Toronto actions protesting Israeli apartheid, as seen through queer eyes: the 2009 Toronto Declaration, a petition with thousands of signatures that condemned the Toronto International Film Festival's (TIFF) collaboration with the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... York are briefly considered, and community partnerships and collaborations inside the project are highlighted. Catherine L. Benamou is an associate professor of film and media studies and visual studies and affiliated faculty in Chicano-Latino studies, women's studies, and culture and theory at...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 1–33.
Published: 01 September 2014
...Anthony Reed This article situates Spike Lee's neglected collaboration with Suzan-Lori Parks, Girl 6 (US, 1996), as part of a broader shift in Lee's understandings of race in the neoliberal era. Its main character, simply called Girl 6 (Theresa Randle), aspires to be an actress, but after a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
...Katherine Fusco This article argues that Virtual 2Pac , created in 2012 by Digital Domain Media Group in collaboration with Dr. Dre for the Coachella Valley Music and Arts Festival, represents an important twenty-first-century challenge to the relationships between performance and performer, film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... analyses and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... of feminist pedagogy. In response, FemTechNet created an online DOCC (distributed open collaborative course) that modeled the cocreation of knowledge and scholarly dialogues in distributed networks and questioned the hierarchical and colonial impulses of online education. Using the concept of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in various...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... collaborative interventions as well as the feminist and activist legacies that inform her video, performance, and installation works. For Wyman, opacity and camouflage enable collective emancipatory action in a time of contemporary neoliberal forms of surveillance, as seen in the practices of Pussy Riot members...