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Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
...Lee Wallace Lisa Cholodenko’s three films High Art (US, 1998), Laurel Canyon (US, 2002), and The Kids Are All Right (US, 2010) all tell the same story: a sexual and emotional ingenue arrives in a tightly circumscribed social world that both resembles and departs from a conventional family. At its...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
...Jodi Brooks The Kids Are All Right (US, 2010) is Lisa Cholodenko's most commercial film to date and has been the most divisive in its reception. Pitched as a film of and for the times, the film has been celebrated for its portrayal of a lesbian family unit and taken to task for its homonormativity...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
... Illusion of Life: Essays on Animation edited by Alan Cholodenko. Power, 1991. $19.95. Close Encounters: Film, Feminism, and Science Fiction edited by Constance Penley, Elisabeth Lyon, Lynn Spigel, and Janet Bergstrom. University of Min- nesota Press, 1991...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
... priorities concerning life events such as aging parents (The Savages [dir. Tamara Jenkins, US, 2007 infidelity (Your Friends and Neighbors), divorce (The Squid and the Whale [dir. Noah Baumbach, US, 2005 and same-­sex marriage (The Kids Are All Right [dir. Lisa Cholodenko, US, 2010 In examples like...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 37–67.
Published: 01 May 2013