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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... special “In Practice” dossier on WMM sheds light on the formation and early history of the organization and its origins as a community-based filmmaking workshop called the Chelsea Picture Station. Exploring materials such as old newsletters, brochures, notes, and other ephemera from the WMM papers, this...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
.... © 2013 by Camera Obscura 2013 Figure 1. Chelsea/Christine and the actor. The Girlfriend Experience (dir. Steven Soderbergh, US, 2009) The Actress Experience: Cruel Knowing and the Death of the Picture Personality in Black Swan and The Girlfriend Experience Katherine Fusco It is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Social Networking Technologies. No. 83: pp. 151 – 75 Huey Copeland Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard. No. 83: pp. 177 – 89 Kristen Fallica More Than “Just Talk”: The Chelsea Picture Station in the 1970s. No. 82: pp. 125...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... set up a small office in a dusty, capacious loft in New York’s Chelsea dis- trict, where WMM shared a floor with the nonprofit cultural activ- Camera Obscura 82, Volume 28, Number 1 doi 10.1215/02705346-2016987 © 2013 by Camera Obscura Published by Duke University Press 135 136...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... Women’s Interart Center, several video “toys” or games involved participants in another kind of interaction. Like her mother, filmmaker Shirley Clarke, who, at workshops held in her penthouse at the Chelsea Hotel in the early 1970s and in the TeePee Video Space Troupe that evolved from them,55 used...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... Chelsea Hotel penthouse while the offscreen voices of the director, Shirley Clarke, and her collaborator, Carl Lee, alternately flatter and scold him.1 Nor have I begun to describe the quality of Jason’s increasingly dramatic stories of his handtomouth existence. Portrait of Jason  is a film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 133–175.
Published: 01 September 2001
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
..., 1965), Chelsea Girls (US, 1966), Lonesome Cowboys (US, 1968), and even Blue Movie (US, 1968), though often witty, is frequently sex-­negative, insulting, and hostile.28 Such comments creatively pushed the boundaries of decency in aggressively queer ways, but they also reinforced a shameful view...