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Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... special “In Practice” dossier on WMM sheds light on the formation and early history of the organization and its origins as a community-based filmmaking workshop called the Chelsea Picture Station. Exploring materials such as old newsletters, brochures, notes, and other ephemera from the WMM papers...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 1–5.
Published: 01 December 2023
...Casey Coffee; Lizzy Hogenson; Kyna McClenaghan; Chelsea Kai Roesch Copyright © 2023 by Camera Obscura Published by Duke University Press 2023 The last few issues of Camera Obscura have come to you later than usual because the editorial collective made the decision to support graduate...
FIGURES
Journal Article
Camera Obscura (2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
... by Camera Obscura 2013 Figure 1. Chelsea/Christine and the actor. The Girlfriend
Experience (dir. Steven Soderbergh, US, 2009)
The Actress Experience: Cruel
Knowing and the Death of the
Picture Personality in Black Swan
and The Girlfriend Experience
Katherine Fusco
It is the ninth...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 63–87.
Published: 01 September 2023
... (director), Josephine Stewart-Te Whiu (writer), Chelsea Winstanley (writer-director, credited as Chelsea Cohen), and Katie Wolfe (writer-director)—to make a film about the impact of child abuse on the lives of Māori women. 14 According to Warkia's account of the production process, the filmmakers...
FIGURES
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Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... of Social Networking Technologies. No. 83: pp. 151 – 75
Huey Copeland
Photography, the Archive, and the Question of Feminist Form:
A Conversation with Zoe Leonard. No. 83: pp. 177 – 89
Kristen Fallica
More Than “Just Talk”: The Chelsea Picture Station in the 1970s.
No. 82: pp. 125...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... of the Chelsea Hotel penthouse
while the offscreen voices of the director, Shirley Clarke, and her
collaborator, Carl Lee, alternately flatter and scold him.1 Nor have
I begun to describe the quality of Jason’s increasingly dramatic
stories of his handtomouth existence. Portrait of Jason is a film...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
..., filmmaker Shirley Clarke, who, at workshops held in her
penthouse at the Chelsea Hotel in the early 1970s and in the
TeePee Video Space Troupe that evolved from them,55 used video
“in a way that intentionally scaled down the technology, diminish-
ing its importance to the point where you could approach...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... office in a dusty, capacious loft in New York’s Chelsea dis-
trict, where WMM shared a floor with the nonprofit cultural activ-
Camera Obscura 82, Volume 28, Number 1
doi 10.1215/02705346-2016987 © 2013 by Camera Obscura
Published by Duke University Press
135
136 • Camera Obscura...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
.... For a recent, usefully personal and anecdotal history, see Charles
Silverstein, For the Ferryman: A Personal History (New York: Chelsea
Station Editions, 2011).
3. Here is how a Wikipedia entry characterizes “zaps”: “Popularized
by the early gay liberation group Gay Activists Alliance...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...
synchronized sound cinema, in which sex was frequently the
subject of conversation and also the basis of ridicule, taunting,
competition, and coercion. The dialogue in his filmsMy Hustler
(US, 1965), Chelsea Girls (US, 1966), Lonesome Cowboys (US, 1968),
and even Blue Movie (US, 1968), though often...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 133–175.
Published: 01 September 2001
..., “The Play of Ideas,” in George Bernard Shaw’s
Pygmalion, ed. Harold Bloom (New York: Chelsea House, 1987).
92. See Louis Crompton, “Improving Pygmalion,” in Bloom, George
Bernard Shaw’s Pygmalion, 45–56.
93. George Bernard Shaw, Pygmalion, in Androcles and the Lion,
Overruled...
