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charlotte

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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 108–111.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 108 Charlotte Brunsdon 1. If I can indeed be considered to have engaged with the issue of female spectatorship, it has always been rather on the edges of the psychoanalytic theorizations which have...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
...Anjo-marí Gouws Anne Charlotte Robertson’s Five Year Diary (UK, 1982) is a multimodal project that comprises cinematic, written, audio, and food diaries that span almost forty years of the artist’s life. This article focuses on how gendered labor gets taken up in the diary project and contrasts...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
...Anne-Charlotte Mecklenburg Abstract The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site...
FIGURES
Journal Article
Camera Obscura (1981) 3 (1 (7)): 88–109.
Published: 01 May 1981
... of Charlotte Vale’s cure, and as a process it forms the embodiment of the cure itself. The entrance into a story, the beginning of the journey-these come to represent Charlotte’s movement away from her mother, her initiation into desire. I see three important condensations of book and ship...
Image
Published: 01 September 2021
Figure 4. Carolee Schneemann, Snows (1967). Kinetic theater, Martinique Theater, New York. Photograph by Charlotte Victoria. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists More
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
... Beach Hotel with his two teenaged granddaughters in search of “sun- shine, fresh air and plenty of quiet.” The young women are staring glumly out the window, frustrated by the restraint their chaperon imposes upon them, when suddenly the long-legged Letty Robbins (Charlotte Greenwood...
Journal Article
Camera Obscura (2019) 34 (3): 157–167.
Published: 01 December 2019
... criticism s interest in women s voices. At the beginning of their generative anthology Feminist Television Criticism, Charlotte Brunsdon, Julie D Acci, and Lynn Spigel declare that their objective in excavating feminist television histories is to find women s voices, or the conditions under which...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
..., Paris: Gallimard, 1979. Le CinhAmbricain, anafyses fifmiques. Forthcoming, Paris: Flam- marion, 1979. III. Critical editions Charlotte Bronte, Patrick Branwell Bronte, Ecrits de Jeunesse (selected), with introduction, preface, index, bibliography. Paris: Jean-Jacques Pauvert...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 150–158.
Published: 01 January 1990
... Representation and Consumer Culture,” and Jane Gaines’s and Charlotte Herzog’s Fabrications: Costume and the Female Body-draw our attention to the growing literature in film study on the dialectical development of women’s consumer culture and the Hollywood film industry.’ The late Charles Eckert...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 3–5.
Published: 01 May 1981
... study of Now Voyager brings these terms together, more specifically, on the con- tinual process of refiguration of Charlotte Vale, as subject or object of the discourse, subject or object of desire. The relationship between enunciation, woman’s desire, and the look can be seen to underlie...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
... measures and push for redistributive results beyond symbolic commitment, individual recognition, and positive publicity. Figure 1. Alicia Vikander, Charlotte Rampling, and Eva Green in Euphoria (dir. Lisa Langseth, UK/Sweden/ Germany, 2017). Publicity still. Copyright Jürgen Olczyk / Airofue AB In current...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Figure 4. Carolee Schneemann, Snows (1967). Kinetic theater, Martinique Theater, New York. Photograph by Charlotte Victoria. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists...
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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
.... Bruno, Giuliana and Iris Cahn. “Afterimage.” Segno Cinema 4, no. 12 (1984). Bruno, Giuliana and Maria Nodotti, eds. Off Screen: Women 4 Film in Italy. London: Routledge, 1988. Brunsdon, Charlotte. “Crossroads: Notes on Soap Opera.” Screen 22, no. 4 (1981): 32-37. -. “A Subject...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 1–5.
Published: 01 December 2023
... (2018): 21–47; Annie Berke, “Whatever Happened to Janet Wood? Women Story Editors in 1950s Television,” Camera Obscura , no. 102 (2019): 127–55; Anjo-marí Gouws, “‘I'm Washing My Dishes and Making a Movie’: Anne Charlotte Robertson and World-Making as Women's Work,” Camera Obscura , no. 105 (2020): 60...
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Journal Article
Camera Obscura (1989) 7 (1 (19)): 108–133.
Published: 01 January 1989
.... Catherine Porter (Ithaca, NY: Cornell University Press, 1985) 48. 17. Lea Jacobs describes just such a reaction to feminine “silence’’ operative in Now Voyager: “Charlotte’s enunciating stance is silence, a silence which refers to the private realm figured by her room...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 166–191.
Published: 01 May 1994
... or dramatic progress. In addition, the programs’ domestic content-the fact that, in Charlotte Brunsdon’s words, they take personal life as their “ideological problematic”-makes soaps especially compelling to women whose attention has traditionally been focused on the per- 171 sonal...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 1–33.
Published: 01 May 2003
... Narrative’: The Strategy of the Split Narrative in Charlotte Brontë’s Villette,” SEL 30 (1990): 617–31; and Rachel M. Brownstein, “Representing the Self: Arnold and Brontë on Rachel,” Browning Institute Studies 13 (1985): 1–24. 5. Laura E. Ciolkowski, “Charlotte Brontë’s Villette...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 183–186.
Published: 01 December 1989
... “male” as the opposite of “women Certainly films have been and continue to be constructed for and marketed to female audiences. (Charlotte Brunsdon’s piece on the 1970s films addressed to “Cosmo girls” [1982], the women’s films of the 1940s, and the feminist “theory...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
... instances are “used” by the subculture, not necessarily read.17 A well known and frequently cited instance of the ethnographic approach is Charlotte Brunsdon and David Morley ’s Everyday Television: ‘Nationwide’ ( 1978).18In order to avoid the epistemological implications of “number crunching...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 190–194.
Published: 01 December 1989
... to the field, but my own work probably benefits most from the scholars who have analyzed TV soap opera and melodrama: Robert Allen, Jeremy Butler, Charlotte Brunsdon, Jane Feuer, Sandy Flitterman- Lewis, Annette Kuhn, Tania Modleski, Ellen Seiter and so on. I find the work...