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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 108–111.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 108 Charlotte Brunsdon 1. If I can indeed be considered to have engaged with the issue of female spectatorship, it has always been rather on the edges of the psychoanalytic theorizations which have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 88–109.
Published: 01 May 1981
... and narrative, is the context of Charlotte Vale’s cure, and as a process it forms the embodiment of the cure itself. The entrance into a story, the beginning of the journey-these come to represent Charlotte’s movement away from her mother, her initiation into desire. I see three important...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
... collaboration). Forthcoming, Paris: Gallimard, 1979. Le CinhAmbricain, anafyses fifmiques. Forthcoming, Paris: Flam- marion, 1979. III. Critical editions Charlotte Bronte, Patrick Branwell Bronte, Ecrits de Jeunesse (selected), with introduction, preface, index, bibliography. Paris...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 3–5.
Published: 01 May 1981
... desire, and the look. Jacobs’s study of Now Voyager brings these terms together, more specifically, on the con- tinual process of refiguration of Charlotte Vale, as subject or object of the discourse, subject or object of desire. The relationship between enunciation, woman’s desire, and the look...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
... Beach Hotel with his two teenaged granddaughters in search of “sun- shine, fresh air and plenty of quiet.” The young women are staring glumly out the window, frustrated by the restraint their chaperon imposes upon them, when suddenly the long-legged Letty Robbins (Charlotte Greenwood), a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 183–186.
Published: 01 December 1989
... “male” as the opposite of “women Certainly films have been and continue to be constructed for and marketed to female audiences. (Charlotte Brunsdon’s piece on the 1970s films addressed to “Cosmo girls” [1982], the women’s films of the 1940s, and the feminist “theory...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 150–158.
Published: 01 January 1990
... Representation and Consumer Culture,” and Jane Gaines’s and Charlotte Herzog’s Fabrications: Costume and the Female Body-draw our attention to the growing literature in film study on the dialectical development of women’s consumer culture and the Hollywood film industry.’ The late Charles Eckert...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 190–194.
Published: 01 December 1989
... numerous critics whose analyses are crucial to the field, but my own work probably benefits most from the scholars who have analyzed TV soap opera and melodrama: Robert Allen, Jeremy Butler, Charlotte Brunsdon, Jane Feuer, Sandy Flitterman- Lewis, Annette Kuhn, Tania...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... crucial to the field, but my own work probably benefits most from the scholars who have analyzed TV soap opera and melodrama: Robert Allen, Jeremy Butler, Charlotte Brunsdon, Jane Feuer, Sandy Flitterman- Lewis, Annette Kuhn, Tania Modleski, Ellen Seiter and so on. I find...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 179–187.
Published: 01 September 1991
... Image (and the) Movement: An Overview of Italian Feminist Research. NO. 20-21; pp. 28-39. Response to Questionnaire on “The Female Spectator.” No. 20-21; pp. 103-107. Brunsdon, Charlotte Response to Questionnaire on “The Female Spectator.” No. 20-21...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 166–172.
Published: 01 September 2007
...,” in Feminist Television Criticism: A Reader, ed. Charlotte Brunsdon, Julie D’Acci, and Spigel (Oxford: Oxford University Press, 1997), 229  –  31. 9. Sasha Torres, “Television/Feminism: HeartBeat and Prime Time Lesbianism,” in The Lesbian and Gay Studies Reader, ed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
.... Bruno, Giuliana and Iris Cahn. “Afterimage.” Segno Cinema 4, no. 12 (1984). Bruno, Giuliana and Maria Nodotti, eds. Off Screen: Women 4 Film in Italy. London: Routledge, 1988. Brunsdon, Charlotte. “Crossroads: Notes on Soap Opera.” Screen 22, no. 4 (1981): 32-37. -. “A Subject for the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
... sig- nifying environment or space, and individual media instances are “used” by the subculture, not necessarily read.17 A well known and frequently cited instance of the ethnographic approach is Charlotte Brunsdon and David Morley ’s Everyday Television: ‘Nationwide’ ( 1978).18In...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 132–147.
Published: 01 May 1990
... service means beginning a new chapter, not closing the narrative. The act of telephoning is a public version of what occurs more normally within the private and interior world of the imagination, often taking the form of “writing ahead” of the narrative. Charlotte Brunsdon...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 169–177.
Published: 01 January 1988
... not always aligned with the "preferred readings" of the producers of Nationwide, a British news magazine pro• gram (earlier analyzed in Everyday Television: "Nationwide" (1978), co• written with Charlotte Brunsdon). His 1980 study has become the classic demonstration of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 108–133.
Published: 01 January 1989
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 1–33.
Published: 01 May 2003
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 166–191.
Published: 01 May 1994
... or dramatic progress. In addition, the programs’ domestic content-the fact that, in Charlotte Brunsdon’s words, they take personal life as their “ideological problematic”-makes soaps especially compelling to women whose attention has traditionally been focused on the per- 171...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... lifestyle programs, Charlotte Brunsdon looks back at the “forgotten history” of BBC programs aimed at hobbyists and characterizes these early prede- cessors of reality TV as evidence of the BBC’s “strong impulse to improve its audience.”10 Similarly, Deborah Philips describes inte- rior design...