Skip Nav Destination
Close Modal
1-20 of 129 Search Results for
carol
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 151–154.
Published: 01 December 1989
... and presuppositions derive.
Film Studies Program
University of Pittsburgh
Carol Flinn
Although I’m in the early years of my first academic job, I’ve been
working in feminist film studies for close to ten years and have con...
Image
in Female Surrogate Labor and White Corporeal Debt in Singin’ in the Rain
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney, and Donald O'Connor on the set of Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952). Courtesy of Photofest
More
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
...Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney, and Donald O'Connor on the set of Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952). Courtesy of Photofest ...
FIGURES
| View All (5)
Journal Article
Camera Obscura (1992) 10 (1 (28)): 178–205.
Published: 01 January 1992
...Carol A. Stabile Copyright © 1992 by Indiana University Press 1992 Figure 1.
Shooting the Mother: Fetal Photography and
the Politics of Disappearance
Carol A. Stabile
what name shall we call our selves now
our mother is gone...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 125–155.
Published: 01 December 2004
... and editor for a small documentary film company. Xander Berkeley and Julianne Moore as Greg and Carol
White in Safe. Courtesy Killer Films
Dangerous Spaces: Safe
Susan Potter
For me, the problem is always in content; we want to define the
perspective of a film solely through its content...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 93–123.
Published: 01 December 2004
... in a much quieter way than the latter, to be sure) in
order to foreground that which cannot be accommodated within
the bounds of bourgeois domesticity—life-threatening illness
and racial and sexual otherness. In Safe, Carol White’s (Julianne
Moore’s) body itself becomes the site of the abject’s...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
...-garde, French and Spanish queer cinema, audience research, and transgender documentary. © 2016 by Camera Obscura 2016 video collectives Carole Roussopoulos Portapak post-1968 French activism Figure 1. Y a qu’à pas baiser! ( Just Don’t Fuck!,
dir. Carole Roussopoulos, France, 1973...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 1–21.
Published: 01 December 2004
... with subjectivity, even in
their quasi-documentary incarnations in Superstar and in the
“Hero” section of Poison. In Safe, this shot is clearly marked as the
point of view of the protagonist, Carol White (Julianne Moore),
the one who is victimized by the restraints and repressions of sub-
urban life...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 1–25.
Published: 01 December 2015
... minutes of
Camera Obscura 90, Volume 30, Number 3
doi 10.1215/02705346-3160630 © 2015 by Camera Obscura
Published by Duke University Press
1
2 • Camera Obscura
previously missing footage, including the first flashback with Lola
(Martine Carol) and Franz Liszt (Will Quadflieg) in his...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... in Russia. Could you talk about your collaborative action
the SEW-IN Fundraiser for Pussy Riot that you organized with Christy
Berkowitz, Jennifer Bruce, and Carole Frances Lung on 27 October 2013?
How do you understand the use of masks and quilts as speaking to Pussy
Riot’s critique of Russian...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 33–37.
Published: 01 May 2006
... for psychoanalytic feminist theory in that earlier
moment was its tendency to fetishize and spatialize the look — and
thus to deemphasize, as Carole-Anne Tyler reminds us, that the
desire of the other is a dialectic of two subjects in which each
impacts retrospectively on the other.1 Early psychoanalytic...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 227–231.
Published: 01 May 1979
...-8mm material has been re-filmed and re-
worked so that its very form becomes a kind of commentary alongside
of the documentary material, simultaneously re-marking film, and
cinema, as also a “mirror.”
Carole kept looking for something shiny. She wanted to see her...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 4–19.
Published: 01 January 1992
... development and fetal medicine
(see Constance Penley on Biosphere 2 in no. 29, and Carol Stabile on
ultrasound in this issue). Science, despite its attempts to uphold value-
free methods, cannot help but leave itself open to the inaccuracies, the
decorative power, the perverse pleasures...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 139–159.
Published: 01 September 2018
... of animated worlds enliven this real with more hopeful and rosy—which is also to say queer—feeling. Copyright © 2018 Camera Obscura 2018 Carole King limited cel animation Maurice Sendak structure of feeling television special ...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Copyright © 1994 by Indiana University Press 1994 264 Books Received
Male Masochism: Modern Revisions of the Story of Love by Carol Siegel.
Indiana University Press, 1995. $29.95.
Picturing Modernism: Moholy Nagy and Photography in Weimar Germany...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 71–97.
Published: 01 December 2003
.... Carol Leigh invited Duran Ruiz, a fellow prison-rights and
AIDS activist, to work jointly (except when Ruiz was incarcerated)
on their contribution, “A Gram o’Pussy.” Enid Baxter Blader
chose to make “Sheltered” about and with her childhood com-
panion, Christine Ennis. For “Unyielding Conditioning...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
... 2001 06-Books Received.sh 5/29/01 12:41 PM Page 180
Books Received
Andrew, Dudley, and Carole Cavanaugh. Sanshô Dayû. London: British
Film Institute, 2000.
Barlow, Melinda, ed. Mary Lucier. Baltimore, MD: Johns Hopkins...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 292–293.
Published: 01 January 1992
..., Bogart, Garfield by Robert Sklar. Princeton University
Press, 1992.
Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol
J. Clover. Princeton University Press, 1992.
Cultural Studies as Critical Theory by Ben Agger. The Falmer Press, 1992.
The Male Nude in Contemporary...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
... of original broadcast in text in the same way we conceptualize human life spans, with clear birth and death dates, which I have not done here for reasons I hope this article makes clear. The in-text citational tombstone of The Carol Burnett Show would read (1967–78), even though episodes have been changed...
FIGURES
| View All (6)
Journal Article
Camera Obscura (2000) 15 (1 (43)): 192–193.
Published: 01 May 2000
.... The Theater and Cinema of Buster Keaton. Princeton, NJ:
Princeton University Press, 1999.
Mavor, Carol. Becoming: The Photographs of Clementina, Viscountess
Hawarden. Durham, NC: Duke University Press, 1999.
192
CO 43-6, 192-193 6/6/00 2...
1
